To Whom Are Traditional Leaders Accountable after the Rise of Competitive Challenges? Evidence from Central Malawi

Author(s):  
SangEun Kim
Keyword(s):  
2019 ◽  
Vol 6 (2) ◽  
Author(s):  
Fezile Cindi

This paper will grapple with notions of celebration, commemoration and leadership as narratives of memory in particular in the Ciskei Bantustan. It is to remember and reflect on our past to understand the present. It will also focus on the history of the Ciskei Homeland, leadership values, and role of traditional leaders, rural development, legislative imperatives, and system of separate development, coups, suppression, torture and killings that happened during this era between 1972 to 1994.


Author(s):  
Ernestina Afriyie

Some Christians claim that after the sacrifice of Jesus Christ on the cross, the ultimate sacrifice; no other sacrifice is needed by the Christian. This paper examines some of the sacrifices made as part of the celebration of the Okuapehene Dwira(Odwira), a festival celebrated by the Akuapem of Ghana. It looks at how the sacrifices are made and their significance. It also examines theologically the sacrifice of Christ and what it has achieved for the believer. The paper is based on observations of the festival, interviews with traditional leaders as well as the ordinary people in Akropong. Responses given to a questionnaire on the festival by indigenes of Akuapem living in Akropong and around Sakumono and Lashibi in the Greater Accra Region are also used. In addition, commentaries, and writings on sacrifice by theologians are analysed and used. The study’s findings indicate that even though the sacrifices involved in the Odwira festival are not propitiatory sacrifices like that of Christ, the sacrifice of Christ has currently rendered all of them unnecessary. The paper contributes to scholarship by affirming what some theologians have already put forward, that the sacrifice of Jesus is the ultimate blood sacrifice after which no other sacrifice is needed. The paper falls under the disciplines of theology, religion, culture, and Gospel and Culture.


2021 ◽  
pp. 87-110
Author(s):  
Chizuko Sato

AbstractThis study explores the challenges of land tenure reform for three former settler colonies in southern Africa–Zimbabwe, Namibia, and South Africa. While land redistribution programmes have been the primary focus of land reform for these countries since independence, land tenure reform for the inhabitants of communal areas is an equally important and complex policy challenge. Before independence, the administration of these areas was more or less in the hands of traditional leaders, whose roles were sanctioned by the colonial and apartheid authorities. Therefore, one of the primary concerns with respect to reforming land tenure systems in communal areas is related to the power and authority of traditional leaders in the post-independence period. This study highlights striking similarities in the nations’ land tenure reform policies. All of them gave statutory recognition to traditional leaders and strengthened their roles in rural land administration. In understanding this ‘resurgence’ or tenacity of traditional leadership, the symbiotic relationship between the ruling parties and traditional leaders cannot be ignored and should be problematised. Nonetheless, this chapter also argues that this obsession with traditional leadership may result in the neglect of other important issues related to land tenure reform in communal areas, such as the role of customary land tenureas social security.


2020 ◽  
Vol 1 (1) ◽  
pp. 1-14
Author(s):  
Ela Novialayu ◽  
Sakman ◽  
Offeny

The problem in this study is regarding the Implementation of Marriage According to Dayak Ngaju Customs in the District of Taya Kapuas District "The research method used is descriptive qualitative." Based on the reality that is ongoing now and of the 3 couples who are married ". Based on the results of the study can be explained the implementation of Dayak Ngaju traditional marriages in the District Taya Kapuas District includes the implementation process, knowing the purpose of building a household it has a function to tie each other which can provide and fulfill the Marriage Requirements, Post-Marriage Procession, consists of several stages that must be carried out.The first stage provides contributors who are included in the Hakumbangauh (application) stage; all families and traditional leaders who produce a customary agreement and determine the day of the marriage, the giving of my head or the bride price and the fulfillment of the conditions that must be prepared for marriage; thanksgiving from a family of men. as well as questioning the readiness and certainty of the day agreed upon at mamanggul, the fourth stage, namely Indigenous Marriage in Dayak Ngaju which has seventeen items that are fulfilled by men called paramun pisek, paramun marath and the last stages such as gongs, perpetrators etc. in the implementation of marriage according to the Dayak Ngaju tradition, Pakaja Manantu where this stage is carried out after the marriage process has been completed Permasalahan dalam penelitian ini adalah mengenai Pelaksanaan Perkawinan Menurut Adat Dayak Ngaju Di Kecamatan Timpah Kabupaten Kapuas” Metode penelitian yang digunakan adalah kualitatif deskriptif.” Didasarkan atas kenyataan yang sedang berlangsung sekarang  dan dari 3 pasangan yang melakukan perkawinan". Berdasarkan hasil penelitian dapat di jelaskan pelaksanaan perkawinan adat Dayak Ngaju di Kecamatan Timpah Kabupaten Kapuas meliputi proses Pelaksanaan, mengetahui tujuan membangun rumah tangga hal ini memiliki fungsi untuk mengikat satu sama lainnya yang dapat memberikan  dan memenuhi  Syarat Perkawinan, Prosesi Pasca Perkawinan. terdiri dari beberapa tahapan yang harus dilakukan. Tahap pertama memberikan  pangumbang yang termasuk dalam tahapan Hakumbangauh (lamaran); tahap kedua yaitu mamanggul atau mamupuh merupakan langkah kedua setelah hakumbang auh, mamanggul dilakukan disaksikan dihadapan semua keluarga dan pemuka adat yang menghasilkan suatu perjanjian adat dan menentukan hari pelaksanaan perkawinan, pemberian palaku atau mahar serta pemenuhan syarat-syarat yang harus disiapkan menuju Perkawinan,; tahap ketiga yaitu maja misek dilakukan  antar kedua belah keluarga sebagai ucapan syukur dari keluarga laki-laki. serta mempertanyakan kesiapan dan kepastian hari yang disepakati saat mamanggul;tahap keempat yaitu Perkawinan Adat secara Adat Dayak Ngaju yang mempunyai tujuh belas item yang dipenenuhi oleh pihak laki-laki yang disebut paramun pisek, paramun hadat kawin dan tahapan terakhir seperti gong, pelaku dll. dalam pelaksanaan perkawinan menurut adat Dayak Ngaju yaitu Pakaja Manantu dimana tahapan ini dilakukan setelah proses pelaksanaan perkawinan telah selesai  


2016 ◽  
Vol 5 (2) ◽  
Author(s):  
Elita Mandayarni

Tortor Martumba in Pesisir Sibolga is an entertainment dance in Toba Batak society in Independence Day event, welcoming important guests, to the entertainment and performing arts.This study examines the existence Tortor Martumba on ethnic Batak Toba in Pesisir Sibolga aim is to discuss about the existence, usability, functionality and form of presentation used .Teori theories related to the topic of research is the understanding of the existence, terms of usability, function theory and the theory of forms of presentation. The study was conducted in December 2015 through February 2016 in a village of the District Tukka Tukka Onan, and sample, including traditional leaders, artists in the District Middle Tapanuli. Data collection techniques including observation, interviews, literature study and documentation. Based on the results of research in the Coastal Sibolga Tortor Martumba that Tortor Martumba is Tortor of Batak Toba and danced by the Batak Toba ethnic communities in the Coastal Sibolga. This dance is there because people were resettled to the Batak Toba Coastal region Sibolga to continue to implement the customs they do in the place of origin is doing Tortor Martumba. Presence can be seen from the usability and functionality as entertainment welcoming distinguished guests, as an extracurricular learning materials in schools, as entertainment for the community as well as race. Tortor Martumba form of presentation can be seen from the simple movements and traditions that sombah movement, movement clapping, holding hands, jumping, lifting the legs, which is used Ulos clothing, makeup wearing natural makeup, singing music contained internal rhyme blared. In the presentation Tortor Martumba not use the theme, just do for entertainment.


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