Peter Senge: The Era of Global Corporations is Coming to an End

2020 ◽  
pp. 153-159
Author(s):  
Baoyi Piao
2021 ◽  
Vol 14 ◽  
pp. 194008292110147
Author(s):  
Dipto Sarkar ◽  
Colin A. Chapman

The term ‘smart forest’ is not yet common, but the proliferation of sensors, algorithms, and technocentric thinking in conservation, as in most other aspects of our lives, suggests we are at the brink of this evolution. While there has been some critical discussion about the value of using smart technology in conservation, a holistic discussion about the broader technological, social, and economic interactions involved with using big data, sensors, artificial intelligence, and global corporations is largely missing. Here, we explore the pitfalls that are useful to consider as forests are gradually converted to technological sites of data production for optimized biodiversity conservation and are consequently incorporated in the digital economy. We consider who are the enablers of the technologically enhanced forests and how the gradual operationalization of smart forests will impact the traditional stakeholders of conservation. We also look at the implications of carpeting forests with sensors and the type of questions that will be encouraged. To contextualize our arguments, we provide examples from our work in Kibale National Park, Uganda which hosts the one of the longest continuously running research field station in Africa.


Author(s):  
Michael Blyth

Somewhat overlooked upon its initial release in 1995, John Carpenter's In the Mouth of Madness has since developed a healthy cult reputation. But far more than simply a fan favourite, this closing instalment of the acclaimed director's self-described “apocalypse trilogy” (following The Thing and Prince Of Darkness) stands today as one of his most thematically complex and stylistically audacious pieces of work. The story of an insurance investigator drawn into the supposedly fictional universe of a best-selling horror novelist, the film is an extension of many recurring themes found in Carpenter's filmography (the end of the world, the loss of free will, a distrust of mass industry and global corporations, the cataclysmic resurgence of ancient evil), as well as an affectionate homage to the works of H. P. Lovecraft (and horror literature more broadly) and a self-reflexive celebration of the horror genre that predates the Scream-inspired postmodernist boom of late-nineties genre cinema. While numerous books and countless academic essays have been written about Carpenter's work, surprisingly little has focused exclusively on In the Mouth of Madness, a film which feels more prescient, more essential, and more daringly complex than ever. This book seeks to redress this imbalance, at last positioning this overlooked masterpiece as essential Carpenter.


2020 ◽  
pp. 119-128
Author(s):  
Magnus Ramage ◽  
Karen Shipp
Keyword(s):  

2017 ◽  
Vol 3 (1) ◽  
pp. 113-130
Author(s):  
Charles Gordema

Numerous reports in the last decade have focused on the challenges to African economies that emanate from the illicit transfers of funds and other valuable assets within some global corporations. A primary concern is the impact of these transfers on the taxable income of African subsidiaries. Two broad categories of intra-group transfers are of particular interest, partly because of the complexities they raise. One comprises transfers in payment of services exchanged among associated enterprises, while the other pertains to transfers by subsidiaries in payment of the value of intellectual assets attributed to the corporate centre of the global corporation. This article highlights the challenges raised by these transfers through case studies. It examines possible mechanisms to mitigate the challenges, drawing attention to current and impending developments. It concludes that there are good prospects for curbing illicit transfers linked to the examined types of transactions.


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