Rewriting the Narrative

2019 ◽  
Vol 96 (4) ◽  
pp. 54-77
Author(s):  
Nicolas G. Rosenthal

A vibrant American Indian art scene developed in California from the 1960s to the 1980s, with links to a broader indigenous arts movement. Native American artists working in the state produced and exhibited paintings, prints, sculptures, mixed media, and other art forms that validated and documented their cultures, interpreted their history, asserted their survival, and explored their experiences in modern society. Building on recent scholarship that examines American Indian migration, urbanization, and activism in the twentieth century, this article charts these developments and argues that American Indian artists in California challenged and rewrote dominant historical narratives by foregrounding Native American perspectives in their work.

Author(s):  
VICTOR BURLACHUK

At the end of the twentieth century, questions of a secondary nature suddenly became topical: what do we remember and who owns the memory? Memory as one of the mental characteristics of an individual’s activity is complemented by the concept of collective memory, which requires a different method of analysis than the activity of a separate individual. In the 1970s, a situation arose that gave rise to the so-called "historical politics" or "memory politics." If philosophical studies of memory problems of the 30’s and 40’s of the twentieth century were focused mainly on the peculiarities of perception of the past in the individual and collective consciousness and did not go beyond scientific discussions, then half a century later the situation has changed dramatically. The problem of memory has found its political sound: historians and sociologists, politicians and representatives of the media have entered the discourse on memory. Modern society, including all social, ethnic and family groups, has undergone a profound change in the traditional attitude towards the past, which has been associated with changes in the structure of government. In connection with the discrediting of the Soviet Union, the rapid decline of the Communist Party and its ideology, there was a collapse of Marxism, which provided for a certain model of time and history. The end of the revolutionary idea, a powerful vector that indicated the direction of historical time into the future, inevitably led to a rapid change in perception of the past. Three models of the future, which, according to Pierre Nora, defined the face of the past (the future as a restoration of the past, the future as progress and the future as a revolution) that existed until recently, have now lost their relevance. Today, absolute uncertainty hangs over the future. The inability to predict the future poses certain challenges to the present. The end of any teleology of history imposes on the present a debt of memory. Features of the life of memory, the specifics of its state and functioning directly affect the state of identity, both personal and collective. Distortion of memory, its incorrect work, and its ideological manipulation can give rise to an identity crisis. The memorial phenomenon is a certain political resource in a situation of severe socio-political breaks and changes. In the conditions of the economic crisis and in the absence of a real and clear program for future development, the state often seeks to turn memory into the main element of national consolidation.


Resonance ◽  
2020 ◽  
Vol 1 (4) ◽  
pp. 394-411
Author(s):  
Josh Garrett-Davis

American Indian Soundchiefs, an independent record label founded by the Rev. Linn Pauahty (Kiowa) in the 1940s, developed a remarkable model of Indigenous sound media that combined home recording, dubbing, and small-scale mass production. Alongside other Native American media producers of the same era, Soundchiefs built on earlier engagements with ethnographic and commercial recording to produce Native citizens’ media a generation prior to the Red Power era of the 1960s and 1970s. This soundwork provided Native music to Native listeners first, while also seeking to preserve a “rich store of folk-lore” sometimes in danger of being lost under ongoing colonial pressures. Pauahty’s label found ways to market commercial recordings while operating within what music and legal scholar Trevor Reed (Hopi) calls “Indigenous sonic networks,” fields of obligation and responsibility.


2021 ◽  
pp. 56-91
Author(s):  
Ian Ward

This is the first of three chapters which focus, in their different ways, on the writing of history in contemporary theatre. This chapter concentrates on two ‘history’ plays written by Caryl Churchill during the 1970s; Light Shining in Buckinghamshire and Vinegar Tom. Churchill emerged as one of the most influential voices in radical British theatre during the closing decades of the last century. Both plays were set in the mid-seventeenth-century, but were written to resonate with themes familiar in modern legal and political thought. The title of the first play is taken from a Leveller tract published in the second part of the 1640s. Churchill uses it to explore the state of radical politics in later twentieth-century Britain. The second play, Vinegar Tom, is a contribution to a distinctive sub-genre of ‘witchcraft’ plays, which use the ‘crime’ of witchcraft as a vehicle for revisiting the relation of law and gender in modern society.


2019 ◽  
pp. 108-113
Author(s):  
Oksana Vysoven

The article analyzes the causes and consequences of the split in the evangelical-Baptist environment in the 1960s; found that one of the main causes of the split in the bosom of evangelical Baptist Christians was the destructive influence of state authorities on religion in general, and Christian denominations in particular when initiated by state bodies of the union of Protestant religious communities under the auspices of the All-Union Baptist Council Church for organization under control of special services bodies; it has been proved that the conflicts between the leadership of the Verkhovna Rada and the Council of Churches were artificial. The confrontations among the believers were mainly provoked by SSC agents and secret services, and were only in the hands of the Communist Party regime, which helped him control events, pacify some and repress others; it is proved that under the influence of the movement for the independence of the church from the state headed by «initiators», the regime has been operating since the second half of the 1960s. gradually began to ease the pressure on officially registered communities of evangelical Baptist Christians. Prayer meetings began to be attended by teens, and ordinary members and members of other congregations were allowed to preach. As a result of these changes and some easing of tensions between the church and the government, many believers and congregations began to return to the official union governed by the ACEBC, without wishing further confrontation; it is shown that the internal church events of the 60's of the twentieth century, which were provoked by the SSC special services and led to the split of the EBC community, reflected on the position and activities of the EBC Church and in the period of independence of Ukraine, the higher leadership of the split community (the ACEBC and the Church Council) and could not reconcile and unite in a united union. This significantly weakens their spiritual position in today's globalized world, where cohesion and competitiveness play an important role.


1977 ◽  
Vol 25 (4) ◽  
pp. 474-490 ◽  
Author(s):  
F. M. Barnard ◽  
R. A. Vernon

The English school of ‘socialist pluralists' of the early twentieth century pictured socialism as an order in which maximum autonomy of social and economic functions coexisted with a minimum of political functions. The ‘pluralist socialists' among the Czech reformers of the 1960s, by contrast, insisted that such autonomy can be realised and sustained only in conjunction with effective political modalities. The pluralization of socialist regimes entailed for them, therefore, not ‘the withering away of the state’ but its invigoration as a space for contesting general ends. Such contestation was envisaged principally in terms of competition between political parties which could give expression to ideological differentiation even within the confines of socialist belief, the implication being that agreement on fundamental societal values does not pre-empt diversity over political ends.


Author(s):  
Jason L. Powell

This paper the concept of risk as applied to an understanding of the nature and changing relationship between social welfare and youth in the United Kingdom. The paper begins by drawing on the sociological work of Ulrich Beck (1992) in order to examine how changes in modern society have led to what has been coined the ‘risk society’. The paper then assesses historical narratives of social welfare which positioned younger individuals in society. The paper moves attention to examining neo-liberalism in contemporary times as a key feature of the ‘risk society’ and the recasting of the state, welfare agents and younger people. In particular, the paper observes the rise of managerialism and consumer narratives that are central to neo-liberalism and management of social welfare yet are indicative of risk. The paper concludes by arguing for an interface between risk and a critical sociology of youth.


2019 ◽  
Vol 12 (2) ◽  
pp. 49-70
Author(s):  
György Tóth

Partly as a result of compartmentalized academic specializations and history teaching, in accounts of the global upheavals of 1968, Native Americans are either not mentioned, or at best are tagged on as an afterthought. “Was there a Native American 1968?” is the central question this article aims to answer. Native American activism in the 1960s was no less flashy, dramatic or confrontational than the protests by the era’s other struggles – it is simply overshadowed by later actions of the movement. Using approaches from Transnational American Studies and the history of social movements, this article argues that American Indians had a “long 1968” that originated in Native America’s responses to the US government’s Termination policy in the 1950s, and stretched from their ‘training’ period in the 1960s, through their dramatic protests from the late 1960s through the 1970s, all the way to their participation at the United Nations from 1977 through the rest of the Cold War. While their radicalism and protest strategies made Native American activism a part of the US domestic social movements of the long 1960s, the nature of American Indian sovereignty rights and transnationalism place the Native American long 1968 on the rights spectrum further away from civil rights, and closer to a national liberation struggle—which links American Indian activism to the decolonization movements of the Cold War.


2020 ◽  
Vol 38 (2) ◽  
pp. 296-310
Author(s):  
Sarah Gutsche-Miller

Dance historians have long relied on institutional archives when reconstructing the past. Yet archives are notoriously incomplete and biased, promoting certain voices and leaving others out. This article offers a case study of what is lost when we look only at official archives. My focus is on turn-of-the-twentieth-century Paris, a time and place long thought to have been devoid of creative ballet choreography. I begin with a brief inventory of the state archives and compare those records to information recovered from the press, then demonstrate how different historical narratives can be constructed when comparing these two documentary sources. I conclude with an example of how fragmentary archives can skew history through a case study of Madame Mariquita, a once celebrated choreographer who has been left out of canonic history.


2020 ◽  
Vol 4 (118) ◽  
pp. 87-95
Author(s):  
A. Isіmaqova ◽  
◽  
K.M. Berkımbaev ◽  
S.M. Seıіtman ◽  
Chetın Nýrýllah ◽  
...  

In the article, the authors based on a deep analysis of the concepts of «Tradition», «Continuity of traditions», reveal the educational nature of the creative work of the spiritual leader of the Kazakh people, Hakim Abay, his influence on the formation of Kazakh literature of the early twentieth century and the ideas of Alash figures as individuals. At the same time, on the basis of literary analysis of Abay's knowledge and familiarization with his works, the great education and dedication of Alashorda writers is described. This confirms their primacy in the scientific study of Abay. The article notes the important role of Alash in Abay studies, Abay in Alash studies in the ideology of new Kazakhstan. In assessing the opinions of scientists, the authors of the article determine the relevance of the chosen topic. In conclusion, they formulate their own ideas for the preservation of national consciousness that meet the requirements of modern society. Pursuant to the statement of Kassym-Zhomart Tokayev – the Head of the state – about New Kazakhstan brand creation, the authors scientifically substantiate that preserving the continuity of Abay and Alash heritage giving priority to the national code will be a guide for the country's youth in the era of globalization.


Author(s):  
Robert Rundstrom ◽  
Douglas Deur

Contemporary geographical research concerning North America’s native peoples is most conspicuous for its remarkably diverse set of subjects, methods, and epistemological stances. Indeed, it would be hard to find another AAG specialty group whose members do research in as many corners of the natural and social sciences and humanities. Some perspectives developed quite recently, while others emanate from a century of prior research by geographers, especially Carl Sauer and his students. We think these observations important enough to require opening our review with a description, albeit a painfully brief one, of the historical context for the current scene. In the early twentieth century, as now, there was a great deal of cross-fertilization between anthropology and geography. Deterministic thinking associated with environmentalist theory (e.g. Hans 1925; Huntington 1919; Semple 1903) elicited many critical responses from both fields. For example, the geographer-turned-anthropologist Franz Boas and his students sought to illuminate the full complexity of Native American life, producing a vast corpus of empirical studies. Many addressed geographical topics, including Native North American place-names, environmental knowledge, and resource use. These works were frequently termed “ethnogeographies” (e.g. Barrett 1908; Boas 1934; Harrington 1916). Others attempted sweeping continental studies of regional variation based on historical and cultural processes (Kroeber 1939; Wissler 1926). The historicist critique of environmentalist theory resonated with a young geographer, Carl Sauer. Sauer (1920) long had interests in American Indian land-use practices, or “land management” in current parlance. Regular interaction with Boas’s students, especially Kroeber and Lowie, coupled with independent development of their own geographical ideas, led Sauer and his students to expand their research on North American Indian cultural geography, including such subjects as settlement patterns (e.g. Sauer and Brand 1930), plant use (e.g. Carter 1945), and resources and material and oral culture (e.g. Kniffen 1939). Sauer, his large number of Ph.D. students, and his student’s students, continued to define this research agenda throughout the twentieth century (e.g. Kniffen et al. 1987; Sauer 1971). The continued relevance of this work was signaled recently by the reissue of two classic texts in new editions (Denevan 1992a; Waterman 1993).


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