scholarly journals ‘The Troubles' and the peace process in Northern Irelanda in Seamus Heaney’s "The cure at Troy"

2021 ◽  
Author(s):  
Juan José Cogolludo Díaz
Keyword(s):  
Northern Ireland ◽  
Social Problems ◽  
Peace Process ◽  
The Political ◽  
Seamus Heaney ◽  
Northern Irish ◽  
The Troubles ◽  
Sectarian Violence ◽  
The Future ◽  
Irish People

Based on Philoctetes, the tragic play by Sophocles, the poet Seamus Heaney creates his own version in The Cure at Troy to present the political and social problems in Northern Ireland during the period that became known euphemistically as ‘the Troubles’. This paper aims to highlight the significance of Heaney’s play in the final years of the conflict. Heaney uses the classical Greek play to bring to light the plight and suffering of the Northern Irish people as a consequence of the atavistic and sectarian violence between the unionist and nationalist communities. Nevertheless, Heaney also provides possible answers that allow readers to harbour a certain degree of hope towards peace and the future in Northern Ireland.

Culture, Rhetoric, and Reconciliation: The Place of Language in the Northern Irish Conflict and Peace Process (1998-2002)

2006 ◽  
Author(s):  
Jennifer Dougherty
Keyword(s):  
Northern Ireland ◽  
Public Discourse ◽  
National Level ◽  
Peace Process ◽  
Seamus Heaney ◽  
Northern Irish ◽  
Potential Conflict ◽  
Positive Role ◽  
Language Play ◽  
The Troubles

Alterations in public discourse towards multiculturalism, reconciliation and liberal democracy at the national level in Northern Ireland are evident from 1998 - 2002, but to what end? To what extent did language play a positive role in the Northern Ireland peace process? Recognizing that language does not tell the whole story of the Northern Irish experience of the Troubles or current peace process, the author highlights how language, as a transmitter and constitutor of culture, has played a role as a signifier of potential conflict, peace and progress (or lack thereof). In particular, the author considers several texts including excerpts from speeches given by Noble Prize Winners—the former First Minister David Trimble and former SDLP leader, John Hume; an IRA apology, Bloody Sunday Inquiry and the Belfast Agreement; and several selections from the work of Northern Irish poets Seamus Heaney and Eavan Boland.

scholarly journals Island cities: the case of Belfast, Northern Ireland

2015 ◽  
Vol 19 (2) ◽  
pp. 5-8
Author(s):  
Stephen A. Royle
Keyword(s):  
Northern Ireland ◽  
Peace Process ◽  
Ways Of Knowing ◽  
The Troubles ◽  
Contested Space ◽  
The Past ◽  
Belfast Agreement ◽  
The Future ◽  
Briefing Document

Abstract The paper considers Belfast as an ‘island city’ with reference to issues of identity and economy and especially in connection with a series of statements from the ‘Futures of Islands’ briefing document prepared for the IGU’s Commission on Islands meeting in Kraków in August 2014. Belfast as a contested space, a hybrid British/Irish city on the island of Ireland, exemplifies well how ‘understandings of the past condition the future’, whilst the Belfast Agreement which brought the Northern Ireland peace process to its culmination after decades of violence known as the ‘Troubles’ speaks to ‘island ways of knowing, of comprehending problems - and their solutions’. Finally, Belfast certainly demonstrates that ‘island peoples shape their contested futures’

‘The Troubles we’ve seen’: film, television drama and the Northern Irish conflict in Britain

2016 ◽  
Author(s):  
John Hill
Keyword(s):  
Northern Ireland ◽  
Peace Process ◽  
Television Drama ◽  
Northern Irish ◽  
The Troubles ◽  
Good Friday ◽  
The Impact ◽  
Relative Scarcity

This chapter examines films and television dramas dealing with the impact of the Northern Ireland ‘Troubles’ in Britain and the controversies that they generated. It begins with a consideration of early TV dramas such as The Vanishing Army (1978) and Chance of a Lifetime (1980) dealing with the experiences of the returning British soldier. This is followed by an examination of the representation of the IRA’s activities on the British ‘mainland’ in productions such as The Patriot Game (1969), Hennessy (1975), Eighteen Months to Balcombe Street (1977) and The Long Good Friday (1979) as well as an analysis of how the miscarriages of justice that emerged in the wake of the IRA’s bombing campaigns were turned into (documentary)-dramas such as Who Bombed Birmingham? (1990) and In the Name of the Father(1993). The chapter then concludes with some consideration of the ‘peace process’ and the relative scarcity of dramas dealing with the divisions and tensions that were a feature of the earlier period.

scholarly journals “What Is This, the Seventies?” Spectres of the Past (and the Future) in Recent Northern Irish Television

2020 ◽  
pp. 152747642098582
Author(s):  
Colin Coulter
Keyword(s):  
Northern Ireland ◽  
Peace Process ◽  
Television Drama ◽  
Northern Irish ◽  
The Past ◽  
The Future ◽  
Theoretical Frame

For all the gains made during its celebrated peace process, Northern Ireland remains haunted by a conflict that claimed more than 3,700 lives. One of the spaces in which the ghosts of the past manifest themselves is that of television drama. In this article, Mark Fisher’s reading of “hauntology” provides the theoretical frame for an analysis of two recent TV series set in Northern Ireland: The Fall and Derry Girls. Although the programs could not be more different in both tone and content, they both illustrate sharply that the region remains, in John Hewitt’s indelible phrase, a “ghost-haunted land.” In particular, The Fall and Derry Girls reveal that Northern Ireland continues to be deeply troubled both by those who were lost during the conflict and by that which was lost in the transition to peace.

scholarly journals Dante’s Influence on Seamus Heaney’s Poetry on the Troubles in Northern Ireland: “The Strand at Lough Beg,” “An Afterwards” and “Ugolino”

2021 ◽  
pp. 239-260
Author(s):  
Juan José Cogolludo Díaz
Keyword(s):  
Northern Ireland ◽  
Field Work ◽  
Divine Comedy ◽  
Irish Population ◽  
Northern Irish ◽  
Irish History ◽  
The Troubles ◽  
Sectarian Violence ◽  
Epic Poem

Dante’s Divine Comedy had an enormous influence on Seamus Heaney’s oeuvre, especially from Field Work (1979) onwards. Heaney exploits the great Dantean epic poem to create a framework that allows him to contextualise some of the most painful political and social episodes in Irish history, namely the Great Hunger and the secular clashes between Protestants and Catholics. Heaney pays special attention to the problems originating from the outburst of the atavistic and sectarian violence—euphemistically known as “the Troubles”—between the unionist and nationalist communities in Northern Ireland as from 1969, causing great suffering and wreaking havoc on the Northern Irish population for decades.

scholarly journals Memory, Trauma and Forgetting in Northern Irish Drama

2017 ◽  
Vol 1 (2) ◽  
pp. 77-91
Author(s):  
Anthony Roche
Keyword(s):  
Northern Ireland ◽  
Peace Process ◽  
The Other ◽  
Northern Irish ◽  
Violent Incident ◽  
The Troubles ◽  
The Past ◽  
Irish Drama ◽  
Bloody Sunday

The ethical exhortation ‘not to forget’ runs the risk of ‘a memory that would never forget anything’. At the other extreme is the no less dangerous risk of total amnesia, an erasure of the past that immediately suggests Freud and the return of the repressed. The complex balance to be found between memory and forgetting is particularly fraught in Northern Ireland and the politics of how the past is to be negotiated in the current post peace process climate. I propose to look at this subject in relation to the trauma engendered by decades of violence in two Northern Irish plays: Quietly (2012) by Owen McCafferty, set in the post peace process climate of 2009 but harking back to a violent incident in the same location thirty-five years earlier; and Frank McGuinness’s Carthaginians (1988), a canonical play about one of the central events in ‘the Troubles’, Bloody Sunday of 30 January 1972, but set more than a decade later.

scholarly journals Richard Bean’s The Big Fellah (2010) and Jez Butterworth’s The Ferryman (2017): two plays about the Northern Troubles from outside of Northern Ireland

2020 ◽  
Vol 73 (2) ◽  
pp. 115-126 ◽  
Author(s):  
Hiroko Mikami
Keyword(s):  
Northern Ireland ◽  
Northern Irish ◽  
The Troubles ◽  
Good Friday ◽  
Good Friday Agreement

During the three decades of the Troubles of Northern Ireland (1969-1998), a remarkable amount of plays about the Troubles was written and almost of them, it seems, had been ‘monopolised’ by (Northern) Irish playwrights. Recently, however, certain changes about this monopoly have been witnessed and those who do not claim themselves as Irish descendants have begun to choose the Northern Troubles as their themes. Also, there have been growing concerns about violence worldwide since 9.11. This article deals with two plays, Richard Bean’s The Big Fellah and Jez Butterworth’s The Ferryman, neither of which was written by an Irish playwright and examines whether and to what extent it is possible to say that they can transcend regional boundaries and become part of global memories in the context of the post-Good Friday Agreement and the post 9.11.

A Shared Future? Exclusion, Stigmatization, and Mental Health of Same-Sex-Attracted Young People in Northern Ireland

2010 ◽  
Vol 43 (2) ◽  
pp. 488-508 ◽  
Author(s):  
Dirk Schubotz ◽  
Malachai O'Hara
Keyword(s):  
Mental Health ◽  
Northern Ireland ◽  
Young People ◽  
Sex Education ◽  
Peace Process ◽  
School Bullying ◽  
Political Agenda ◽  
Same Sex ◽  
Northern Irish ◽  
Young Life

For more than a decade the Peace Process has fundamentally changed Northern Irish society. However, although socioreligious integration and ethnic mixing are high on the political agenda in Northern Ireland, the Peace Process has so far failed to address the needs of some of the most vulnerable young people, for example, those who identify as gay, lesbian, or bisexual. Public debates in Northern Ireland remain hostile to same-sex-attracted people. Empirical evidence from the annual Young Life and Times (YLT) survey of 16-year-olds undertaken by ARK shows that same-sex-attracted young people report worse experiences in the education sector (e.g., sex education, school bullying), suffer from poorer mental health, experience higher social pressures to engage in health-adverse behavior, and are more likely to say that they will leave Northern Ireland and not return. Equality legislation and peace process have done little to address the heteronormativity in Northern Ireland.

‘Britain's Irish Question: Britain's European Question?’ British-Irish relations in the context of European Union and The Belfast Agreement

2000 ◽  
Vol 26 (1) ◽  
pp. 83-97 ◽  
Author(s):  
ELIZABETH MEEHAN
Keyword(s):  
Northern Ireland ◽  
World Politics ◽  
Global Perspective ◽  
Northern Irish ◽  
The Troubles ◽  
Good Friday ◽  
Definition Of ◽  
Irish Question ◽  
The Relationship ◽  
The Eu

If students of world politics can be reasonably accused of ignoring the Troubles in Northern Ireland—in part because they seemed to have little to do with the larger East-West confrontation and partly because they were so obviously about something distinctly national in character—then by the same token specialists on Northern Ireland can justly be accused of a certain intellectual parochialism and of failing to situate the long war within a broader global perspective. The quite unexpected outbreak of peace however only emphasizes the need for a wider understanding of the rise and fall of the Northern Irish conflict. This article explores the relationship between the partial resolution of the Irish Question—as expressed in the Good Friday Agreement of 1998—and the changing character of the European landscape. Its central thesis is that while there were many reasons for the outbreak of peace in the 1990s, including war weariness, it is difficult to understand what happened without situating it in a larger European framework and the new definition of sovereignty to which the EU has given birth.

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