Narrative and Number in Busby Berkeley’s Footlight Parade
Keyword(s):
The backstage film musical was a successful genre of the brief ‘Pre-Code’ era of American film history (1929-1934), in which audiences witnessed the inner workings of a theatre studio and watched the creation and performance of a musical production unfold. This essay focusses on one of these film musicals, Footlight Parade, and examines its key musical numbers: ‘Honeymoon Hotel’, ‘By a Waterfall’ and ‘Shanghai Lil’. Using these examples, the article analyses the relationship between musical number and film narrative, while relating the film to wider issues surrounding musicals in the ‘Pre-Code’ era and beyond.
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2017 ◽
Vol 54
(1)
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pp. 1-20
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2022 ◽
Vol 17
(1)
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pp. 0-0
2014 ◽
Vol 24
(2)
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pp. 186-230
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2016 ◽
Vol 6
(2)
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pp. 81-90
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2016 ◽
Vol 15
(2)
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pp. 55-65
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