FROM THE HISTORY OF EMANCIPATION OF UZBEK WOMEN OR THE "KHUDJUM" MOVEMENT

2021 ◽  
Vol 4 (10) ◽  
pp. 45-49
Author(s):  
Shakhlo B. Khasanova ◽  

The article reveals the essence of the policy of emancipation of Uzbek women pursued by the Soviet government, that is, emancipation (from the Latin emancipatio -freedom from dependence and subordination), measures taken to widely disseminate the ideas of Bolshevism. The policy of women's liberation, historically known as the Khujum movement, dealt a powerful blow not only to women's veils, but also to their national, religious traditions and spiritual values.Index Terms: Soviet power, Khudjum movement, Uzbek women, emancipation, socialism, burqa, Khudjum company

Author(s):  
Catherine O. Jacquet

From 1950 to 1980, activists in the black freedom and women's liberation movements mounted significant campaigns in response to the injustices of rape. These activists challenged the dominant legal and social discourses of the day and redefined the political agenda on sexual violence for over three decades. How activists framed sexual violence--as either racial injustice, gender injustice, or both--was based in their respective frameworks of oppression. The dominant discourse of the black freedom movement constructed rape primarily as the product of racism and white supremacy, whereas the dominant discourse of women's liberation constructed rape as the result of sexism and male supremacy. In The Injustices of Rape, Catherine O. Jacquet is the first to examine these two movement responses together, explaining when and why they were in conflict, when and why they converged, and how activists both upheld and challenged them. Throughout, she uses the history of antirape activism to reveal the difficulty of challenging deeply ingrained racist and sexist ideologies, the unevenness of reform, and the necessity of an intersectional analysis to combat social injustice.


2015 ◽  
Vol 1 (1) ◽  
pp. 112-152 ◽  
Author(s):  
Kirsten Pike

Although Disney's 1970s Witch Mountain films were tremendously popular with preteen girls, they have been largely overlooked in historical scholarship on gender, film, and second-wave feminism. To help extend and shed new light on the history of girls on film during the women's liberation era, this article explores how Escape to Witch Mountain (1975) and Return from Witch Mountain (1978) negotiate ideas about youthful female independence, power, and sexuality. Though on the surface these films appear to fit Disney's model of “innocent” entertainment, close analysis reveals patterns common to the era's horror films made for adults—especially preoccupations with, and attempts to control, female sexuality. The specific mode of regulation applied to the preteen heroine depended on her age and maturity level. Thus, kindhearted male characters anxiously try to safeguard ten-year-old Tia (Kim Richard)'s innocent sexuality in Escape, while villainous characters viciously try to terminate it in the sequel. This shift, I argue, is tied to Tia's entrance into adolescence and the attendant horror produced by the intermingling of puberty and supernatural power. The films’ attempts to contain Tia's emerging sexuality speak to diffuse cultural anxieties surrounding female empowerment during the rise of women's liberation; yet, in showcasing girlhood strength and agency, they also offer pleasurable possibilities for youthful female identification. An analysis of the films’ gendered tensions not only illuminates how adult creators envisioned girls in the 1970s, but also suggests how girls growing up at the time might have experienced competing discourses about liberation.


2018 ◽  
Vol 1 (1) ◽  
pp. 263-267
Author(s):  
Françoise Vergès

Abstract This article draws from Françoise Vergès's book, Le ventre des femmes: Capitalisme, racialisation, féminisme,* which traces the history of the colonization of the wombs of Black women by the French state in the 1960s and 1970s through forced abortions and the forced sterilization of women in French foreign territories. Vergès retraces the long history of colonial state intervention in Black women's wombs during the slave trade and post-slavery imperialism, and after World War II, when international institutions and Western states blamed the poverty and underdevelopment of the Third World on women of color. Vergès looks at the feminist and Women's Liberation movements in France in the 1960s and 1970s and asks why, at a time of French consciousness about colonialism brought about by Algerian independence and the social transformations of 1968, these movements chose to ignore the history of the racialization of women's wombs in state politics. In making the liberalization of contraception and abortion their primary aim, she argues, French feminists inevitably ended up defending the rights of white women at the expense of women of color, in a shift from women's liberation to women's rights.


1991 ◽  
Vol 15 (4) ◽  
pp. 635-649 ◽  
Author(s):  
Leonore Tiefer

The Association for Women in Psychology (AWP) was founded in 1969 by American Psychological Association (APA) members who were frustrated with sexism in psychology, in the APA, and at the 1969 APA convention itself. The activism of the 1960s, together with the new women's liberation movement, gave the founders tools and justification for a new organization. This article, the first published AWP history, describes the founding circumstances, early skirmishes concerning structure and operations, evolution of major activities (such as the annual conference, importance of lesbians, growing attention to multiculturalism), and ongoing tensions between centralization and “feminist process.”


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