Tragic Pathos and Border Syndrome: Constantine Giannaris’s Hostage

2020 ◽  
pp. 103-124
Author(s):  
Philip E. Phillis ◽  
Philip E. Phillis

Giannaris’s film provides an original evocation of border crossing through its reimagining of the 1999 hijacking of an intercity bus in Greece by a clandestine Albanian migrant who endured police brutality in Greece. This chapter affords an in-depth analysis of the film’s form and thematic preoccupations so as to comprehend issues of mobility that are essential to (cinematic) migrant journeys. The author argues that the film’s layered use of on-screen and off-screen mobility reveal the politics of transnational migration and their impact on the migrant’s body. These conventions and their ideological are conveyed to the reader through close readings of select scenes. To further achieve this, the author resorts to the notion of ‘border syndrome’, coined by Gazmend Kapllani in his Short Border Handbook and to Hamid Naficy’s meditations on border subjects in his Accented Cinema, and argues that Hostage reimagines the migrant as a tragic outsider, prone to victimhood.

2020 ◽  
Author(s):  
Alex Yang Li

Transnational migration shapes young people’s sexual subjectivity in profound ways as cultural and racial borders are crossed. In this context, interracial relationships occupy an uneasy position in young Chinese’s lives against parental authority, patriarchal gender relations, nationalism, and assimilation. As a racial minority in New Zealand (NZ), the Chinese diaspora’s notions of masculinity and femininity are both subjugated by racial stereotypes, constraining the possibilities of sexual expression and producing uneven power relations in intimate relationships. Simultaneously subject to assumptions of sexual sameness by co-ethnics and sexual difference by NZ society, Chinese young people must constantly negotiate the two tugging sets of racial relations in their practice of interracial dating. The entanglement of these power relations illustrates that being diasporic is simultaneously a racial/gendered/sexual project.


2019 ◽  
Vol 7 (1) ◽  
pp. 71-86 ◽  
Author(s):  
Aryan Karimi

Despite the rise in displaced population numbers, refugees’ transnational lives, and those of sexual-racial minority refugees in particular, have remained at the margins of transnational migration studies. In this article, I focus on the case of gay Iranian refugees in Canada and analyze their pre-migration transnational lives and understandings of the asylum process, their post-migration transnational ties, and their activism practices. I underline refugees’ transnational agencies and argue against the rhetoric that represents refugees as passive migrants whose emigration means detachment from home countries. Based on my field work findings, I endorse analytical and methodological shifts to simultaneously explore refugees’ pre-migration and en-route lives in addition to their post-migration lives to stress the power relations that, through social ties, affect refugees’ transnational practices. I connect transnational, forced, and queer migration literature to the Bourdieusian social theory and, in conclusion, argue that it is necessary to deploy de-nationalized methods of inquiry to account for intra-group diversities as well as border-crossing social ties in addition to economic ties.


2021 ◽  
Vol 12 (2) ◽  
pp. 76-91
Author(s):  
Aparna Mishra Tarc

This essay engages the border-crossing poetics of transnational migration through an engagement with Valeria Luiselli’s fictional depictions of migrant children in her novel Lost Children Archive. Engaging the migrating and intertextual forum of children’s witness and memory in the novel, I follow Luiselli’s moving depiction of child migrants as wholly undocumented and lost people outside the adult world of articulation. I argue that Luiselli’s novel documentation conjures up historical, contemporary, and autobiographical memories of migrant and displaced children comprising the colonial story of modernism. I consider children’s articulations, construction and witness of migration through my readings of the stories of migrating childhood delivered by Luiselli’s fictional depiction. I find, Luiselli’s moving rendition of children’s migration presents new challenges to educational and popular discourses of childhood, migration, and the responsibilities of the adult communities.


Imbizo ◽  
2020 ◽  
Vol 11 (1) ◽  
Author(s):  
Okwudiri Anasiudu

Literature is one of the arenas of discourse where the meaning potential of language can be explored. Interestingly, literary language is more figurative than denotative. One of the functions of language in literary discourse is to represent reality. The reality literature represents varies, depending on the historical time and social events a writer focuses on. Some aspects of global reality captured in current literature include transnational migration, border crossing and how migrants negotiate their identities in new cultures and spaces. For the African writer, the foregoing is a source of inspiration for what has become known as the African migrant novel. Against this background, this paper explores the representation of migrant experiences with particular attention paid to the use of language. An aspect of language explored in this paper is the use of deictic words in NoViolet Bulawayo’s We Need New Names and the deployment of deictic forms, such as pronouns, verbs, and adverbs in order to specify personal and collective identity, physical and psychological displacement and spatiotemporal referencing in the novel. M. A. K. Halliday’s and Roger Fowler’s functional linguistic models are adopted as a theoretical framework within a descriptive and qualitative methodology. This paper notes that the recurrent use of the first-person pronoun in singular form (I) foregrounds the text as a Bildungsroman. It also underscores the process of self-evolution of Darling, the protagonist, from an a priori subject to a self-conscious a posteriori subject. The paper shows that deictic words as deployed in the novel enabled Bulawayo, the author, to create distinct narrative voices, from a personal voice to a collective voice. A guiding assumption of this paper is that it is not enough to say that a narrative has a first, second, or third person narrative speaking voice without pointing to the text to show how it is realised with data drawn from the text. It is on that basis that this research contributes significantly to the multidisciplinary interconnection between the field of linguistics and literature (stylistics) to demonstrate how a writer can engage nouns and pronouns as linguistic resources for the construction of migrant experiences, whether encompassing personal or group identity, nostalgia and memory, dislocation, or hybridity.


Author(s):  
Stefanie Van De Peer

Films about refugees have been embraced by accented cinema. Indeed, exilic filmmakers continue to test the boundaries of cinema, and specifically its strong bonds with nation and land. But not all exiles are refugees. This article offers that for Arab refugees the journeys across the sea define their filmmaking and thus also the refugee film. If we acknowledge the sea as a central theme, motif and stylistic element in (some) refugee cinema, spectators may be able to experience refugee cinema more ethically. Using the concept of “Mediterranean thinking” as a central analytical tool, this article focuses on the visual representations of refugees in films made on and in the Mediterranean Sea, problematising the injustices in the representation of refugees since the so-called “refugee crisis”. With a film-philosophical approach to four films from North Africa and Syria, I emphasise how filmmakers directly or indirectly address the senses of their spectators with a cinema that highlights the instability of knowledge and power through movement and fluidity. An in-depth analysis of the visual qualities of water places fluid space and time at the centre of these refugee films. In Mediterranean refugee filmmaking, water enables an embodied experience that leads to allegiance and sympathy, in order to achieve solidarity. This approach is based on a desire to contribute to a new historiography in the service of a more just world. Transnational journeys shape the representations of refugees travelling, transforming and transcending the Mediterranean. Ultimately, this article examines how the migrant and the sea itself develop with the “refugee crisis”, visualised in a cinema adrift on the Mediterranean Sea.


Author(s):  
Gejing Li ◽  
D. R. Peacor ◽  
D. S. Coombs ◽  
Y. Kawachi

Recent advances in transmission electron microscopy (TEM) and analytical electron microscopy (AEM) have led to many new insights into the structural and chemical characteristics of very finegrained, optically homogeneous mineral aggregates in sedimentary and very low-grade metamorphic rocks. Chemical compositions obtained by electron microprobe analysis (EMPA) on such materials have been shown by TEM/AEM to result from beam overlap on contaminant phases on a scale below resolution of EMPA, which in turn can lead to errors in interpretation and determination of formation conditions. Here we present an in-depth analysis of the relation between AEM and EMPA data, which leads also to the definition of new mineral phases, and demonstrate the resolution power of AEM relative to EMPA in investigations of very fine-grained mineral aggregates in sedimentary and very low-grade metamorphic rocks.Celadonite, having end-member composition KMgFe3+Si4O10(OH)2, and with minor substitution of Fe2+ for Mg and Al for Fe3+ on octahedral sites, is a fine-grained mica widespread in volcanic rocks and volcaniclastic sediments which have undergone low-temperature alteration in the oceanic crust and in burial metamorphic sequences.


2019 ◽  
Vol 21 (44) ◽  
pp. 24478-24488 ◽  
Author(s):  
Martin Gleditzsch ◽  
Marc Jäger ◽  
Lukáš F. Pašteka ◽  
Armin Shayeghi ◽  
Rolf Schäfer

In depth analysis of doping effects on the geometric and electronic structure of tin clusters via electric beam deflection, numerical trajectory simulations and density functional theory.


2019 ◽  
Vol 24 (4) ◽  
pp. 312-321 ◽  
Author(s):  
Diana Moreira ◽  
Fernando Barbosa

Abstract. Delay discounting (DD) is the process of devaluing results that happen in the future. With this review, we intend to identify specificities in the processes of DD in impulsive behavior. Studies were retrieved from multiple literature databases, through rigorous criteria (we included systematic reviews and empirical studies with adult human subjects), following the procedures of the Cochrane Collaboration initiative. Of the 174 documents obtained, 19 were considered eligible for inclusion and were retained for in-depth analysis. In addition, 13 studies from the manual search were included. Thus, a total of 32 studies were selected for review. The objectives/hypotheses, results, and the main conclusion(s) were extracted from each study. Results show that people with pronounced traits of impulsivity discount rewards more markedly, that is, they prefer immediate rewards, though of less value, or postponed losses, even though they worsen in the future. Taken together, the existing data suggest the importance of inserting DD as a tool for initial assessment in conjunction with measures of addiction and stress level, as well as the consideration of new therapies.


1958 ◽  
Vol 3 (6) ◽  
pp. 145-148
Author(s):  
ROBERT R. HOLT
Keyword(s):  

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