Ficção e fricção: imagens da Amazónia no cinema internacional

Author(s):  
Fabiana Wielewicki ◽  
Guy Amado

Explored by foreign travellers in different periods, the Amazon rainforest has long dwelt in the imagery of western countries. This trend is naturally extended to its numerous representations in cinema, often in a stereotyped perspective, full of clichés that respond to entertainment demands or to superficial foreign curiosity. This paper proposes to analyse its presence in some feature films produced mostly (but not only) in Hollywood along the last five decades. It aims at investigating how, in mainstream cinema, the features and characteristics that are supposedly typical of the region are shown, along with the demands of the respective film narratives, and at pinpointing the inevitable mismatches that emerge when facing the complexity of the ‘continent’ that effectively constitutes the region. In genres that run from adventure to comedy, fantasy or horror, film productions have set their plots there – partially, at least, and artificially or effectively – with varying approaches and degrees of depth to the region’s peculiarities. The choice of productions with so-called commercial appeal is due to such films having greater reach and international circulation. Thus their features are interesting for their capacity of spreading such imaginary, often with a shallow or distorted bias. The present is not a precise, socio-anthropological comparison between the ‘real’ Amazon region and that which is shown on the screens as a lost tropical paradise or a ‘green inferno’, for instance, but rather to point out how the logics of entertaining may assimilate a complex and multifaceted imaginary and present it in a simplistic, schematic, one-dimensional way.

The Holocene ◽  
2021 ◽  
pp. 095968362110190
Author(s):  
Kury Milena Souza ◽  
Moreira Luciane Silva ◽  
Cordeiro Renato Campello ◽  
Sifeddine Abdelfettah ◽  
Turcq Bruno ◽  
...  

As an ecotone, the region between the Amazon Rainforest and Tropical Savanna (Cerrado) biomes is, by definition, more susceptible to climate change. Therefore, understanding palaeoenvironmental dynamics is essential to address the future responses of such transition areas to climatic fluctuations. In this context, we present a new sediment record for the Late-Holocene retrieved from Barro-Preto, currently an oxbow lake located in an ecotone at the southern Brazilian Amazon border. Our multi-proxy data include carbon and nitrogen isotopes, as well as bulk TOC, chlorophyll derivatives, grain-size and microcharcoal analyses, all anchored on a radiocarbon-dated chronology. The sedimentary process recorded at the Barro-Preto Lake responded to both local and regional climate dynamics. It was influenced by river excursions associated to local responses to precipitation changes by the activation of the palaeochannel connecting the main-stem river and the Barro-Preto lake. This activation was evidenced by the presence of different colour lithology laminations accompanied by coarser sediments and also by climate conditions known to influence the Amazon region. Depositional processes linked to lake dynamics and different oxbow lake cycle stages were also important to explain the changes verified in the Barro-Preto record, endorsing the use of this lake formation for palaeoclimatic reconstructions. The record indicated a rising humidity trend, reflected by a progressive increase in lacustrine productivity, in accordance to other studies carried out in the Amazon region concerning the Late-Holocene, associated with a more southward displacement of the Intertropical Convergence Zone. Despite this rising humidity trend, dry episodic events during the Late-Holocene were evidenced by charcoal data, also coherent with regional Amazon studies, albeit exhibiting increased intensity, suggesting that the transitional nature of the environment might have influenced susceptibility to fires.


Author(s):  
Matheus Mickael Mota Soares ◽  
Luana Machado Barros ◽  
Daniela Aparecida Savariz Bôlla ◽  
Marlus Queiroz Almeida ◽  
Diego da Costa Souza ◽  
...  

Abstract Two individuals of the jaguar, Panthera onca (L.), were captured near the municipality of Presidente Figueiredo, Brazilian Amazon, during the years of 2017 and 2018. The jaguars presented furuncular myiasis caused by the human botfly Dermatobia hominis (L.) on the rear thighs and tail. This is the first record of infestation of D. hominis in P. onca in the Amazon region.


2017 ◽  
Vol 4 (2) ◽  
Author(s):  
Ajmal Majeed ◽  
Jabir K.P

The paper deals with contribution of Muslim philosophers, scholars, scientists and psychologists for psychology in the early development period of psychology. One of the major aim of this paper is to re-evaluate the real and factual origin of concepts about the treatments, theories, psycho-therapies, meditation etc. Today the western countries are ruling over the psychology development. The paper explains and establishes the argument that the Concepts and theories are formed with the contribution of Muslim thoughts and ideas. Islamic approaches and interpretation play a role in the advancement of psychology. The paper focuses on several Muslim scholars like Imam Ghazali, Ashraf Ali Yhanvi, Muhammad ibn Zakariya al-Razi, Abu-Ali al-Husayn ibn Abdalah ibn-Sina,etc. whose contributions are not mentioned in any academic discussion or textbooks of psychology or related publication. So the paper will be a thoughtful work for the psychologists to rethink about the contribution and the role of Islam and Muslims in psychology. Prophet Muhammed (pbuh) is one of the best person who lived in this world to lead the humans toward well- being in all perspectives of life. The paper concludes with the argument that the Islamic concepts and Muslim scholars have a great role in the advancement of psychology.


2021 ◽  
Vol 59 (2) ◽  
pp. 9-19
Author(s):  
Adam Lowenstein

Abstract This essay analyzes how George A. Romero, in his underrated psychological vampire film Martin, translates individual trauma (slow, process-based, unrecognized) into collective trauma (sudden, event-based, recognized) through a vocabulary of horror. The language of trauma spoken by Martin is not the one we expect from the horror film, with its traditional investments in fantastic spectacle. Instead, it is a language that combines horror’s fantastic vocabulary and documentary’s realist vocabulary in ways that undermine our attempts to distinguish between the two modes. Romero’s vision urges us to see catastrophe where we are accustomed to seeing only the mundane, and collective trauma where we routinely see only individual trauma. In Martin’s version of horror, the economic decline of Braddock, Pennsylvania, is paired with trauma connected to the Vietnam War and immigration. The film moves between these coordinates to revisualize the distinctions that divide the fantastic from the real as well as the individual from the collective.


1968 ◽  
Vol 5 (02) ◽  
pp. 427-435 ◽  
Author(s):  
John P. Mullooly

Consider an interval of the real line (0, x), x > 0; and place in it a random subinterval S(x) defined by the random variables Xx and Yx , the position of the center of S(x) and the length of S(x). The set (0, x)– S(x) consists of two intervals of length δ and η. Let a > 0 be a fixed constant. If δ ≦ a, then a random interval S(δ) defined by Xδ, Yδ is placed in the interval of length δ. If δ < a, the placement of the second interval is not made. The same is done for the interval of length η. Continue to place non-intersecting random subintervals in (0, x), and require that the lengths of all the random subintervals be ≦ a. The process terminates after a finite number of steps when all the segments of (0, x) uncovered by random subintervals are of length < a. At this stage, we say that (0, x) is saturated. Define N(a, x) as the number of random subintervals that have been placed when the process terminates. We are interested in the asymptotic behavior of the moments of N(a, x), for large x.


Author(s):  
Jaimey Fisher

In eleven feature films across two decades, Christian Petzold has established himself as the most critically celebrated director in contemporary Germany. The best-known and most influential member of the Berlin School, Petzold's career reflects the trajectory of German film from 1970s New German Cinema to more popular fare in the 1990s and back again to critically engaged and politically committed filmmaking. His combination of critical celebration and popular success underscores Petzold's singular cinematic achievement: the deliberate and shrewd negotiation of art cinema and popular Hollywood genre. This book frames Petzold's cinema at the intersection of international art cinema and sophisticated genre cinema. This approach places his work in the context of global cinema and invites comparisons to the work of directors like Pedro Almodovar and Rainer Werner Fassbinder, who repeatedly deploy and reconfigure genre cinema to their own ends. These generic aspects constitute a cosmopolitan gesture in Petzold's work as he interprets and elaborates on cult genre films and popular genres, including horror, film noir, and melodrama. The book explores these popular genres while injecting them with themes like terrorism, globalization, and immigration, central issues for European art cinema. The volume also includes an extended original interview with the director about his work.


Author(s):  
George Toles

This concluding chapter illustrates segments of various interviews Paul Thomas Anderson has given about his feature films, and interviews with actors, such as Philip Seymour Hoffman on The Master. Ultimately, one of the main strands of argument in this book is that Anderson continues to guard the story of his mother that “he might tell;” and yet, the story is always working its way into his narratives about fathers, and carries the real burden of the narrative mystery. The motivation of Anderson's male protagonists in the three films—Punch-Drunk Love, There Will Be Blood, and The Master—becomes increasingly deformed, and in each case the mangling pressure derives from the protagonist's inability to secure a crucial lost balance and alignment with absent maternal shades.


2015 ◽  
Vol 45 (2) ◽  
Author(s):  
Mark Sandberg

AbstractThis paper proposes a reevaluation of the relationship between Swedish feature films and World War I during the years 1914–18, suggesting that a widespread visual repertoire of war imagery circulating in Europe and Sweden through the illustrated weeklies and cinema newsreels created a production and exhibition context in which various visual tropes from the war formed a baseline, taken-for-granted cultural framework for the meaning of Swedish films, even though Sweden was not directly involved in the conflict. The paper chooses as its main case study Victor Sjöström’s 1917 film


Author(s):  
Ankit Srivastava

What are the constraints placed on the constitutive tensors of elastodynamics by the requirements that the linear elastodynamic system under consideration be both causal (effects succeed causes) and passive (system does not produce energy)? The analogous question has been tackled in other areas but in the case of elastodynamics its treatment is complicated by the higher order tensorial nature of its constitutive relations. In this paper, we clarify the effect of these constraints on highly general forms of the elastodynamic constitutive relations. We show that the satisfaction of passivity (and causality) directly requires that the hermitian parts of the transforms (Fourier and Laplace) of the time derivatives of the constitutive tensors be positive semi-definite. Additionally, the conditions require that the non-hermitian parts of the Fourier transforms of the constitutive tensors be positive semi-definite for positive values of frequency. When major symmetries are assumed these definiteness relations apply simply to the real and imaginary parts of the relevant tensors. For diagonal and one-dimensional problems, these positive semi-definiteness relationships reduce to simple inequality relations over the real and imaginary parts, as they should. Finally, we extend the results to highly general constitutive relations which include the Willis inhomogeneous relations as a special case.


Zootaxa ◽  
2018 ◽  
Vol 4438 (2) ◽  
pp. 261
Author(s):  
DIEGO MATHEUS DE MELLO MENDES ◽  
JOMARA CAVALCANTE DE OLIVEIRA ◽  
JULIANA CHAMORRO-RENGIFO ◽  
JOSÉ ALBERTINO RAFAEL

Meconematinae comprise small predatory katydids. There are currently seven genera and 58 species recorded for the Neotropical region. Two new genera of Phlugidini are described from the Amazon region, Arboraptor gen. nov., type species Arboraptor viridis sp. nov., and Tyrannoraptor gen. nov., type species Tyrannoraptor arboreus (Nickle, 2003) n. comb. A key to the Neotropical genera of Phlugidini is included and we provide a map showing the known distribution plus comments on their behavior observed during fieldwork. 


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