scholarly journals The city as an environment for the realization of power relations: an interdisciplinary object of study

Author(s):  
Вячеслав Михайлович Савеленко ◽  
Татьяна Владимировна Попова ◽  
Владимир Андреевич Ишунин

В статье рассматриваются основные концепции изучения города в разных областях научного знания, анализируются подходы и взаимодействие наук в общем познании городского пространства. Каждая наука по своему интерпретирует понимание города и рассматривает его элементы с точки зрения своей компетенции. Использование методико-методологического инструментария философии как интегральной системы научного знания позволяет анализировать полученные данные и приводить их к единой модели обоснования специфических черт города, представляющего собой уникальное явление человеческой жизнедеятельности. Однако каждая наука, опираясь только на собственный эмпирический материал, допускает ошибку: создаёт идеальный образ, который не всегда соответствует реальной картине. Каждый исследователь концентрирует внимание на конкретных элементах изучения, тем самым отдавая им приоритет в понимании городской среды. Этот факт актуализирует метод междисциплинарного изучения городского феномена. В контексте социогуманитарных исследований, опирающихся на методы социологии, демографии, политологии и культурологии, город рассматривается как среда осуществления властных полномочий, в которой нарастает зависимость социодинамических процессов от характера институциональных ограничений, накладываемых властными структурами в отношении населения. The paper considers the main concepts of studying the city in various fields of scientific knowledge, analyzes the approaches and interaction of sciences in the general knowledge of urban space. Each science interprets the understanding of the city in its own way and considers its elements from the point of view of its competence. The use of methodological tools of philosophy as an integral system of scientific knowledge allows us to analyze the obtained data and lead them to a single model of substantiation of specific features of the city, which is a unique phenomenon of human life. However, each science, relying only on its own empirical material, makes a mistake: it creates an ideal image that does not always correspond to the real picture. Each researcher focuses on specific elements of study, thereby giving them priority in understanding the urban environment. This fact actualizes the method of interdisciplinary study of the urban phenomenon. In the context of sociohumanitary studies based on the methods of sociology, demography, political science and cultural studies, the city is considered as an environment for the exercise of power, in which the dependence of sociodynamic processes on the nature of institutional restrictions imposed by power structures on the population increases.

2018 ◽  

This edited volume provides a multifaceted investigation of the dynamic interrelations between visual arts and urbanization in contemporary Mainland China with a focus on unseen representations and urban interventions brought about by the transformations of the urban space and the various problems associated with it. Through a wide range of illuminating case studies, the authors demonstrate how innovative artistic and creative practices initiated by various stakeholders not only raise critical awareness on socio-political issues of Chinese urbanization but also actively reshape the urban living spaces. The formation of new collaborations, agencies, aesthetics and cultural production sites facilitate diverse forms of cultural activism as they challenge the dominant ways of interpreting social changes and encourage civic participation in the production of alternative meanings in and of the city. Their significance lies in their potential to question current values and power structures as well as to foster new subjectivities for disparate individuals and social groups.


2017 ◽  
Vol 2 (3) ◽  
Author(s):  
Ana Carla de Lira Bottura

This article introduces partial discussions from a doctoral research in progress that has as object of study the tendency to paci cation and concealment of con icts veri ed in the production process of contemporary urban space - particularly in the most recent Brazil- ian cities - as well as its strategies and mechanisms of control. As a eld of study, it is proposed the city of Palmas, capital of Tocantins, last planned capital of the twentieth century, founded on May 20, 1989, a year that symbolizes the opening of the Western world to the neoliberal economic policy. Based on the observation of the absence of signi cant movements of resistance to the urban space production process at Palmas and interpreting it as a re ection of pacifying tendency of consensus and appeasement / masking of con icts as a feature of neoliberal city, we propose the hypothesis of physical and territorial con guration of the city as a laboratory of the neoliberal model of urban management, in which socio-spa- tial dynamics gradually developed in other contemporary cities through processes historically constructed, get explicit and take place, immediately or in a very short time. Through a historical ap- proach to the context of its creation and occupation, we propose an urban space production reading based on the recognition of char- acteristics relating to its conditions of New Town and neoliberal city as well as the incipient action of the social movements dedicated to the struggles for housing as social agents in this process. 


2019 ◽  
Vol 40 ◽  
pp. 119
Author(s):  
Gustavo Streck Severo ◽  
Ricardo De Souza Rocha ◽  
Samuel Silva de Brito

Permeable House is the title of the present paper produced for the “Projeto III” course at the Universidade Federal de Santa Maria (Campus Cachoeira do Sul) as part of the Architecture and Urbanism program in the first semester of 2017, related to single family housing projects. Facing the traditional single-family dwelling, we were guided by a unique work methodology that emphasizes certain requests and elicits a mindset concerned about unexpected vital issues. This paper aims to present the specific features of this design planning method towards a specific outcome: Permeable house – an experimental alternative to the usual organization of house designing – identifying the refreshed understanding of architecture from the point of view of this methodology that emphasizes the structure – and the opportunity of designing it along with the initial concerns over form –, the city – considering architecture as an entity that creates the urban space – and the environment – highlighting the role architecture has when it comes to dialoguing with its natural and built surroundings.


Food Security ◽  
2020 ◽  
Vol 12 (6) ◽  
pp. 1461-1475
Author(s):  
Rebecka Milestad ◽  
Annika Carlsson-Kanyama ◽  
Christina Schaffer

AbstractWhile urban indoor farming is a fairly new phenomenon, there is a growing interest from producers, authorities and consumers alike. However, many assumptions are made, and expectations held, about urban indoor farming from a sustainability, food production and food provisioning point of view. These assumptions and expectations need to be tested and assessed. This study assessed greenhouse gas (GHG) emissions and a number of social aspects of a newly established indoor urban farm in Stockholm. The farm was the result of a project created by commercial, civil society and municipal actors with the aim to make use of unused urban space, create jobs and produce food. While lettuce grown on the indoor farm emitted more GHG than lettuce cultivated outdoors in Sweden, it was more climate friendly than imported lettuce in our comparison. Furthermore, the indoor farm created value for the actors involved and for the city district, albeit on a small scale. Many of the positive environmental and social features owed to the small scale of the indoor farm and the context in which it developed. Thus, when evaluating production systems like this one, we need to be cautious and refrain from extrapolating the results.


Author(s):  
Elena L. Iakovleva

The relevance of the research topic is due to the interest in urban space and its cultural and symbolic meaning. The city, perceived as a text, helps in interpreting to understand its specifics and represent it at different levels, which increases, among other things, its tourist attractiveness. The purpose of the study is to analyze the metaphor of Kazan-a woman through the prism of the gastronomic culture of the Tatars. Materials and Methods of Research. The methodological basis of the research consists of the cosmosophical ideas of G. D. Gachev, as well as the books of K. F. Fuchs, K. Nasyri, F. Ibragimova, S. Lutfullina, in which there are characteristics of the gastronomic culture of the Tatars. In the original metaphor, analyzed from the point of view of G. D. Gachev’s cosmosophy, where Kazan represents the Cosmos, and a woman represents Psyche, a missing link is found – the Logos. It is this link that, while remaining an open structure, accommodates various spheres of manifestation of the national mind in the field of culture and art, which helps to identify the feminine qualities of the city when interpreting the metaphor. Results. A stable association associated with Kazan is its Tatar national cuisine. This is no coincidence. The very history of the city according to some extant legends and legends is associated with the cauldron, which is a mandatory attribute of the cuisine. Despite the primacy of the man in the family, the mistress of the kitchen is a woman. It is on her that a huge number of duties are assigned to prepare food and create a spiritual atmosphere during the meal. Gastronomic culture, acting as a Logo, allows us to identify such qualities of Kazan, interpreted as an image of a woman-hostess, as hospitality, cordiality, respect, sensitivity, creativity, rationalism, skillful and careful handling of products. Discussion and conclusion. Clarification of the meaning of the Kazan-woman metaphor requires further study. At the same time, other spheres of culture and various texts of art can act as Logos.


Author(s):  
Elena Grunt ◽  
◽  
Ludmila Russkikh ◽  

The article examines the urban identity of the inhabitants of the Ural metropolis. Today, urbanisation has reached an enormous scale and speed of development, and these processes cannot but have an impact on certain changes in human life. For people to live productively, there must be some common ground, something to unite them, something to hold them together. Urban identity is the inception of unity. The study is aimed at the analysis of what city dwellers think about the existence/absence of urban identity. The study was conducted in 2018 in Yekaterinburg, which is one of the largest metropolises in the Urals; for the purpose of the research, qualitative and quantitative strategies were applied. During the study, 345 Yekaterinburg residents were enquired via the combination questionnaire method (online survey, street interview). The sampling was random. Respondents were randomly sampled from city residents born in Yekaterinburg and having resided in the city for over 20 years. The study revealed that Yekaterinburg residents recognise the existence of urban identity in the metropolis. City residents attribute major significance to local identity (47.0 % of respondents). Its indicators are the residents’ engagement with the city, the urban space, knowledge of the city’s culture, and being born in or living in the metropolis for a long time. Territorial and national identities are of minor significance in the practice of integration into urban space. The survey found that every second person surveyed thinks that ideally one should be born and grow up in Yekaterinburg, passing through all the stages of socialisation, and if they were not born, then they should live in the city for at least 10 years to be a true resident of Yekaterinburg.


2018 ◽  
Vol 15 (6) ◽  
pp. 693-707 ◽  
Author(s):  
Olga N. Astafyeva ◽  
Natalia V. Kuzmina

The article examines the aesthetic category of “interesting” as a dominant of urban environment development. The authors try to comprehend this category from the point of view of cultural know­ledge. The article includes a theoretical section, where, basing on well-known concepts, the authors outline the principles of embedding the “interesting”, as something aesthetics and artistic, in the postmo­dern fabric of modern megacities. The analytical part of the article is based on specific examples represen­ted by urban cultural landscapes, by the post­modern clash of art and non-art in urban space, by event communications and other forms of urban culture representation. The study resulted in designation of one of the main problems of modern cities: as a result of their excessive saturation with “interesting”, there can be observed a gro­wing cultural and aesthetic insensitivity to the “inte­resting” among their citizens.From the methodological point of view, the study revealed that, in interpretation of modern phenomena of socio-cultural reality, it is not enough to proceed from the basic principles of a particular science. So, the interdisciplinary approach, as a methodolo­gical resource in demand today, allows revealing, by the example of the concept of “inte­resting”, the interconnection and interdependence of the methodological approaches of aesthetics and culturology for stu­dying the cultural environment of modern cities.The authors analyze the “interesting” as an instrument of influencing on the cultural environment of the city and the perception of its text. As a result, the “interesting” intensifies the nonlinearity and fractality of urban space. On the example of Russian ci­ties development, the article reveals that the formation of a new cultural environment is always connected not only with changing of artistic design solutions or/and aesthetics trends. The authors prove that the need for “interesting” widens the frames of the subject field of aesthetics. The “interesting” is moving to the cen­ter of interdisciplinary cultural studies.


Author(s):  
V.V. Medvedev ◽  

The article presents the study of the interaction of indigenous society’s representatives and the urban space on the example of the city of Surgut, Khanty-Mansi Autonomous District - Yugra. The purpose of the article is to determine the ways and practices of indigenous societies’ identity demonstration and ethnicity markers in the urban space. Methodological rationale is represented by the provisions of the hermeneutical approach as a practice of interpreting and constructing processes. The analyzed theoretical and empirical material allows a complex study of the research actors.


2020 ◽  
Vol 38 (2) ◽  
pp. 256-285
Author(s):  
T. S. Simyan

The article is devoted to the visual and speech genres of Old Tiflis, which are revealed in the visual and verbal texts of famous artists N. Pirosmani, V. Elibekyan and Armenian writer A. Ayvazyan. The carnival spirit of Old Tiflis influenced the visual and verbal signs of the gastronomic infrastructure. The article is written by a semiotic, typological method, as well as an interdiscursive approach (painting, fiction). In addition, Bakhtin’s theory has become a metalanguage for identifying speech genres of urban space. An empirical analysis of the material showed that Pirosmani's paintings were a vivid example of visual advertising and, in fact, were multichannel creolized texts. Only later, when the symbolic capital of Pirosmani increased, his paint- ings began to be perceived as glowing examples of primitivism. In other words, they were “connected” to global discourse, and their primary function was for- gotten. In the main function of the signage, the paintings were the products of demand of the gastronomic infrastructure of Old Tiflis: they depicted the frames “food”, “feast”, they were also visual menus of Tiflis gastropubs (dukhans). The utilitarian demand for signs generated the brilliant paintings of Pirosmani, and at the same time, he became the author of urban space. This phenomenon is also affected in the literary discourse (A. Ayvazyan), in which two methods of modeling urban space are manifested. Firstly, the city is mod- eled in consciousness, expressed at the level of the signified (maps, sketches), and then embodied in life. That is how many cities of historical Armenia were built in diachronic point of view. Secondly, the painter (Pirosmani, Grigor – the hero of the story of Ayvazyan) painted and created in the city space (interior, exterior). The motives of his work were his own inner experiences. The multilingualism of urban space created a demand for advertising signs in different languages. Since the “social bottom” did not possess the linguistic norm of the Russian language, in the eyes of native speakers the urban texts seemed ridiculous, perceived with humor. Similar texts are found in various artists of Old Tiflis (Pirosmani, Gudiashvili, Elibekyan ect.). The same thing appears in the art discourse (Ayvazyan), which gives examples of playing with names, with language (toasts of fun and burial), etc. In addition, an analysis of such a speech genre as toast revealed that it incorporates proverbs, sayings, and in the thematic plan, the following manifestations can be called: spell-wish, wish-curse, wish-criticism, etc. The presence of a similar speech genre and the revealing of the functioning of the toast showed that eating was comprehended by different wishes, and the thematic and syntagmatic analysis of toasts can become a tool for reconstructing the axiological system of Old Tiflis society (homeland, city, parents, children, sisters and brothers, uncles and aunts, etc.).


2019 ◽  
Vol 28 (4) ◽  
pp. 44-59
Author(s):  
S. A. Smirnov

The article considers the city from the point of view of its educational potential and in the categories of educational space, approaching the main cultural and historical forms of the city as educational institutions. With this review, at least three focus points are retained: 1) Consideration of the city space and its infrastructure as an educational space and educational infrastructure that are not reducible to usual school and university (the latter should also be culturally and historically distributed, showing their basic etymons and missions); 2) Consideration of education as an institution of educational and, more broadly, anthropological practices of the development and formation of a person, and not as a disciplinary institution and matrix; 3) Consideration of the repertoire of anthropological practices development as a practice unfolding in urban space. It is shown that these three foci act as mirrors directed at each other, mirroring and showing each other mutual potential and mutual scarcity, the need for each other. The actual wealth (thesaurus) of the urban space depends on the density, frequency and variety of connections between these areas. Next, we look at specific cultural and historical forms, such as the Temple, School, Museum, University, etc., which constitute the basic infrastructure nodes of the city space itself. These cultural institutions are considered not so much from the point of view of their internal tasks, but from the position of their place in the city, in the urban space, with regard to their place and role as special educational nodes-institutions in this space. Further, the urban space is considered in the categories of the campus city, in which this space is linked by different anthropological practices repertoires.


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