The Sky, Sun, Moon and Stars in The Renaissance Churches Wood Carving from Southwestern Bulgaria (Semantic aspects)

2021 ◽  
Vol 5 (2) ◽  
Author(s):  
Vasil Markov ◽  
Keyword(s):  
Christian Art ◽  
Celestial Bodies ◽  
Wood Carving

The study presents images of the sky, sun, moon and stars in Christian art from Southwestern Bulgaria. Emphasis is placed on the semantics of the images and the cultural and historical layers in them. The author has studied the connection between the images of the celestial bodies and the beliefs about them from the Bulgarian folk mythology.

Symmetric Multistep Methods Revisited: II. Numerical Experiments

1999 ◽  
Vol 173 ◽  
pp. 309-314 ◽  
Author(s):  
T. Fukushima
Keyword(s):  
Multistep Methods ◽  
Computational Time ◽  
Integration Time ◽  
Implicit Methods ◽  
Symmetric Methods ◽  
Celestial Bodies ◽  
The Stability ◽  
Predictor Corrector ◽  
Symmetric Multistep Methods ◽  
Integration Errors

AbstractBy using the stability condition and general formulas developed by Fukushima (1998 = Paper I) we discovered that, just as in the case of the explicit symmetric multistep methods (Quinlan and Tremaine, 1990), when integrating orbital motions of celestial bodies, the implicit symmetric multistep methods used in the predictor-corrector manner lead to integration errors in position which grow linearly with the integration time if the stepsizes adopted are sufficiently small and if the number of corrections is sufficiently large, say two or three. We confirmed also that the symmetric methods (explicit or implicit) would produce the stepsize-dependent instabilities/resonances, which was discovered by A. Toomre in 1991 and confirmed by G.D. Quinlan for some high order explicit methods. Although the implicit methods require twice or more computational time for the same stepsize than the explicit symmetric ones do, they seem to be preferable since they reduce these undesirable features significantly.

“Eternal Bodies”: images of archangels in the upper parts of Nubian buildings

2020 ◽  
pp. 713-736
Author(s):  
Magdalena Łaptaś
Keyword(s):  
Near East ◽  
Structural Elements ◽  
Christian Art ◽  
The Earth ◽  
Cosmic Space

Images of archangels and angels, which were painted on the walls, in the upper parts of the buildings and, on their structural elements, were very popular in Christian Nubian painting as attested by the discoveries from Church SWN.BV on the citadel in Old Dongola. These images, which derive from pre-Christian art, depict the eternal nature of the archangels and angels. Presenting this group of representations, the author traces the origins of these images to highlight the role of these spiritual beings as intermediaries between God and humankind. As such, they move freely between the Heavens and the Earth, so the air and cosmic space are their natural surroundings. Moreover, archangels govern the forces of nature, the planets, and the seven skies. Therefore, their sanctuaries were located on hill summits, in the upper chapels, on structural elements of ecclesiastical buildings, etc. The Nubian tradition is therefore part of a broader Mediterranean tradition, the roots of which should be sought in the Near East.

Sign in / Sign up

Export Citation Format

Share Document