Feminist Dramaturgy in Practice: Lazarus Theatre Company’s Staging of Elizabeth Cary’s The Tragedy of Mariam

2019 ◽  
pp. 655-677
Author(s):  
Sara Reimers ◽  
Elizabeth Schafer
Keyword(s):  
Tragedy Of Mariam

Reading the Partitioned Body in The Tragedy of Mariam

2017 ◽  
Vol 27 (2) ◽  
pp. 165-183
Author(s):  
Nancy Simpson-Younger
Keyword(s):  
Tragedy Of Mariam

scholarly journals Performing The Tragedy of Mariam and Constructing Stage History

Early Theatre ◽  
2015 ◽  
Vol 18 (2) ◽  
Author(s):  
Ramona Wray
Keyword(s):  
Specific Production ◽  
Site Specific ◽  
Theatre Company ◽  
A Site ◽  
Tragedy Of Mariam

<p>Since the rediscovery of Elizabeth Cary’s drama, <em>The Tragedy of Mariam</em>, the play and its author have generated a veritable critical industry. Yet little has been written about performance, a lacuna explained by a reluctance to think about <em>Mariam</em> as a theatrical creation. This article challenges the current consensus by arguing for the play’s theatrical imprint and by analysing two 2013 performances – a site-specific production at Cary’s birthplace, and a production by the Lazarus Theatre Company. Throughout, <em>Mariam</em> is engaged with in terms of casting, costume, lighting, set and movement, issues that have mostly been bypassed in Cary studies.</p>

Female Performativity in The Tragedy of Mariam

2000 ◽  
Vol 40 (2) ◽  
pp. 293-309
Author(s):  
Alexandra G Bennett
Keyword(s):  
Tragedy Of Mariam
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