THE CONTRIBUTION OF AFRICAN-AMERICANS TO THE CREATION OF KENYA’S EDUCATED CLASS Western Educated Elites in Kenya, 1900–1963: The African-American Factor. By JIM C. HARPER II. New York: Routledge, 2006. Pp. viii+193. No price given (ISBN 0-415-97730-4).

2006 ◽  
Vol 47 (3) ◽  
pp. 527-528
Author(s):  
DEREK R. PETERSON
1995 ◽  
Vol 23 (1) ◽  
pp. 22-23
Author(s):  
Immanuel Wallerstein

Once upon a time, not so very long ago, the study of Africa in the United States was a very rare and obscure practice, engaged in almost exclusively by African-American (then called Negro) intellectuals. They published scholarly articles primarily in quite specialized journals, notably Phylon, and their books were never reviewed in the New York Times. As a matter of fact, at this time (that is, before 1945) there weren't even very many books written about African-Americans in the U.S., although the library acquisitions were not quite as rare as those for books about Africa.


2018 ◽  
Vol 2018 (132) ◽  
pp. 144-171
Author(s):  
Clare Corbould

Abstract In 1925, African American newspapers began reporting on Maurice Hunter’s work as a model for prominent visual and commercial artists, illustrators, and art students. By the 1950s, Hunter’s image had appeared on millions of advertising billboards, in all the major magazines, and in murals and statues in banks, parks, and department stores from Wall Street to Rochester to Cincinnati. Because no agency would represent a black model, Hunter was forced to raise his own public profile and create work opportunities. He did so by emphasizing his authenticity as a performer of nonwhite roles and at the same time his versatility as someone who could model for any role, including female and/or white. As well as permitting Hunter some degree of creative control over his work, his approach garnered him considerable esteem among elite African Americans. They also admired Hunter’s effort to control use of his image whenever photographed. This article examines Hunter’s labor, including his own effort to record it through scrapbooks he donated to the New York Public Library.


Author(s):  
Michael Nowlin

James Weldon Johnson (b. 1871–d. 1938) was born and raised in Jacksonville, Florida. After graduating with a BA from Atlanta University, he became principal of his former grammar school, established the first daily newspaper for Jacksonville’s African American population, and gained admission to the Florida bar. With his brother, the musician J. Rosamond Johnson, he also wrote the song “Lift Ev’ry Voice and Sing” for a commencement ceremony (in 1900), and it eventually became known as the “Negro National Anthem.” He joined his brother in New York in 1902 to launch a successful songwriting team with Bob Cole. Johnson gave up show business in 1906 to become US Consulate, first in Venezuela, then Nicaragua, where he completed his novel The Autobiography of an Ex-Colored Man, which was published anonymously in 1912. In 1914 he moved to Harlem with his wife Grace Nail Johnson (whom he married in 1910). He began writing editorials on a range of subjects for the New York Age, a nationally circulating African American newspaper, and in 1915 he joined the recently established National Association for the Advancement of Colored People (NAACP). He became secretary of the organization in 1920 and remained so until 1930. Fifty Years and Other Poems, his first collection, was published in 1917. In 1922 he edited The Book of American Negro Poetry, the first anthology of its kind, and established himself as a pioneering theorist of African American poetics and a guiding light of the Harlem Renaissance. Johnson modeled his poetic ideas in the 1927 volume God’s Trombones, which appeared in the same year he reissued The Autobiography of an Ex-Colored Man under his name. In 1929, a Julius Rosenwald Fellowship enabled him to devote a year to writing, which resulted in Black Manhattan, a history of African Americans in New York. From 1930 onward, Johnson taught creative writing and African American literature at Fisk University as well as New York University. His 1933 autobiography Along This Way was widely acclaimed, and he collected both new and old poems in the 1935 volume St. Peter Relates an Incident. When he died in a car accident in 1938, Johnson was one of the most honored and respected African Americans in the United States, recognized at once as a man of letters, an advocate of black America’s cultural achievements, and a tireless political opponent of America’s Jim Crow system.


2020 ◽  
Vol 24 (4) ◽  
pp. 549-572
Author(s):  
Themis Chronopoulos

Abstract This article explores the relationship between gentrification and racial segregation in Brooklyn, New York with an emphasis on Black Brooklyn. With more than 2.6 million residents, if Brooklyn was a city, it would be the fourth largest in the USA. Brooklyn is the home of approximately 788,000 Blacks with almost 692,000 of them living in an area that historian Harold X. Connolly has called Black Brooklyn. In recent decades, large portions of Brooklyn, including parts of Black Brooklyn have been gentrifying with sizable numbers of whites moving to traditionally Black neighborhoods. One would anticipate racial segregation to be declining in Brooklyn and especially in the areas that are gentrifying. However, this expectation of racial desegregation appears to be false. While there are declines in indices of racial segregation, these declines are frequently marginal, especially when the increase in the number of whites in Black neighborhoods is taken into consideration. At the same time, gentrification has contributed to the displacement or replacement of thousands of long-term African American residents from their homes. This persistence of racial segregation in a time of gentrification raises many questions about the two processes and the effects that they have on African Americans.


2019 ◽  
pp. 81-97
Author(s):  
James G. Mendez

Black troops and their families suffered from several kinds of violence inflicted on them alone. The rebels had a habit of killing black troops after they had surrendered or been captured. Yet, black troops continued to join the army and support the Union cause in spite of this risk; they fought harder in combat. In addition African-American family members in the North faced violence themselves at home. But, in their case, their assailants were white northerners, such as in the 1863 race riots in Detroit on March 6th and the three-day riots in New York City on July 13th–16th. Blacks were killed and wounded in both riots, and their property was destroyed. Even with the threat of violence against them in the North as well as the South, northern blacks continued to enlist and support the Union war effort. African Americans remained loyal to the Union and to the cause.


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