Eschatological Imagery and Earthly Circumstance

1959 ◽  
Vol 5 (4) ◽  
pp. 229-245
Author(s):  
Amos N. Wilder

Ancient eschatological texts are, as literary remains, undecoded hieroglyphs and enigmas unless we are able to recreate the world of experience of which they are only ambiguous tokens. Modern study of biblical eschatology is constantly confronted with problems as to the proper interpretation of the cosmic and transcendental language. Depending on the context such questions arise as the following: Did the writer mean his words to be taken literally—including the references to immediate fulfilment? Are they to be read as ‘Oriental poetry’, or as ‘poetic heightening’, or as an ‘accommodation to language?’ Are we to take the figurative discourse as a ‘clothing’ of otherwise incommunicable revelation or vision? Is the cosmic language supposed to refer to ‘spiritual’, that is, super-mundane realities; or to such realities seen as paralleling earthly phenomena; or is it rather an imaginative version of the earthly phenomena themselves? At what points are we to recognize more or less transparent historization of older myth and symbol? Does the eschatological imagery of Deutero-Isaiah represent merely a poetic idealization of a mundane New Age while that of the late apocalypses denotes the absolute end of all created existence? Does this later dualistic eschatology signify in fact the end of the world and a sheerly miraculous future state, or does it teach by hyperbole the transformation of the world?

2017 ◽  
Vol 39 (2) ◽  
pp. 265-276 ◽  
Author(s):  
Kas Saghafi

In several late texts, Derrida meditated on Paul Celan's poem ‘Grosse, Glühende Wölbung’, in which the departure of the world is announced. Delving into the ‘origin’ and ‘history’ of the ‘conception’ of the world, this paper suggests that, for Derrida, the end of the world is determined by and from death—the death of the other. The death of the other marks, each and every time, the absolute end of the world.


Author(s):  
David Cook ◽  
Nu'aym b. Hammad al-Marwazi

“The Book of Tribulations by Nu`aym b. Hammad al-Marwazi (d. 844) is the earliest Muslim apocalyptic work to come down to us. Its contents focus upon the cataclysmic events to happen before the end of the world, the wars against the Byzantines, and the Turks, and the Muslim civil wars. There is extensive material about the Mahdi (messianic figure), the Muslim Antichrist and the return of Jesus, as well as descriptions of Gog and Magog. Much of the material in Nu`aym today is utilized by Salafi-jihadi groups fighting in Syria and Iraq.


Moreana ◽  
2008 ◽  
Vol 45 (Number 173) (1) ◽  
pp. 167-174
Author(s):  
Peter Milward

In conjunction with the current “revisionism” of English history from a Catholic viewpoint, it is time to undertake a corresponding revision of the plays and personality of William Shakespeare. For this purpose it is not enough to rest content with the meagre historical record, but we have to go ahead in the light of recusant history with a reinterpretation of the plays, considering the extent to which they lend themselves to the Catholic viewpoint. This is not merely a matter of nostalgia for the mediaeval past, but it looks above all to the present sufferings of the “disinherited” English Catholics — in the light of the continued presence of Christ who is suffering, as Pascal famously noted, in his faithful even till the end of the world.


2019 ◽  
Vol 41 (1) ◽  
pp. 40-50
Author(s):  
Claire Colebrook

There is something more catastrophic than the end of the world, especially when ‘world’ is understood as the horizon of meaning and expectation that has composed the West. If the Anthropocene is the geological period marking the point at which the earth as a living system has been altered by ‘anthropos,’ the Trumpocene marks the twenty-first-century recognition that the destruction of the planet has occurred by way of racial violence, slavery and annihilation. Rather than saving the world, recognizing the Trumpocene demands that we think about destroying the barbarism that has marked the earth.


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