XII. —Hastivanj

1904 ◽  
Vol 36 (2) ◽  
pp. 269-272
Author(s):  
H. Beveridge
Keyword(s):  
The Other ◽  
Sixth Century ◽  
Mountain Ridge ◽  
History Of ◽  
First Time

There is a mountain-ridge on the old route to Kamīr viâ Bhimbar and Bahrāmgala which bears the name of Hastīvanj. It is near the ‘Alīābād Serai, but is on the other, or right, bank of the Pīr Pantsāl stream, and is marked on Dr. Stein's map of Kamīr. See also his Rājataranginī, book i, pp. 44–5, and vol. ii, pp. 394–5. Dr. Stein visited the spot and identified it as the place where King Mihrakul, who lived in the first part of the sixth century, is said to have had a hundred elephants thrown over the cliffs. The circumstance is mentioned in the Āīn Akbarī, Jarrett, ii, 382, but both there and at p. 347 id. the place is called in the Persian text Hastī Watar or Vatar. The name Hastīvanj occurs apparently for the first time in Ḥaidar Malik's history of Kamīr, which was written during Jahāngīr's reign and about 1621. After that it occurs in a note to the oldest MS. of the Rājataranginī, written apparently about 1680, and in Narayan Kūl's history, which was written about 1710. Ḥaidar Malik mentions the place in his account of Mihrakul near the beginning of his book. He there describes the incident, and says that the place has since been called Hastīvanj , because hastī means elephant (fīl) in the Hindī (qu. Sanskrit) tongue, and vanj in the same language means ‘going’ (raftan). Narayan Kūl's explanation is similar, and is probably copied from Ḥaidar.

Tale and Parable: Theorizing Fictions in the Old English Boethius

PMLA ◽  
2021 ◽  
Vol 136 (3) ◽  
pp. 340-355
Author(s):  
Jennifer A. Lorden
Keyword(s):  
Old English ◽  
English Language ◽  
Ninth Century ◽  
Sixth Century ◽  
English Writing ◽  
Classical Myth ◽  
History Of ◽  
Consolation Of Philosophy ◽  
First Time ◽  
Fictional Story

AbstractScholarship has often considered the concept of fiction a modern phenomenon. But the Old English Boethius teaches us that medieval people could certainly tell that a fictional story was a lie, although it was hard for them to explain why it was all right that it was a lie—this is the problem the Old English Boethius addresses for the first time in the history of the English language. In translating Boethius's sixth-century Consolation of Philosophy, the ninth-century Old English Boethius offers explanatory comments on its source's narrative exempla drawn from classical myth. While some of these comments explain stories unfamiliar to early medieval English audiences, others consider how such “false stories” may be read and experienced by those properly prepared to encounter them. In so doing, the Old English Boethius must adopt and adapt a terminology for fiction that is unique in the extant corpus of Old English writing.

scholarly journals The system of points of view in Vasily Shukshin's short stories

2021 ◽  
Vol 27 (3) ◽  
pp. 148-154
Author(s):  
Natalia A. Guz ◽  
Yulia G. Babicheva
Keyword(s):  
Short Stories ◽  
Scientific Understanding ◽  
Point Of View ◽  
The Other ◽  
Frequent Change ◽  
History Of ◽  
Points Of View ◽  
First Time

The purpose of the work is to explore the point of view in Vasily Shukshin's short stories in its systematic and diverse manifestation. Topicality is provided by the exceptional significance of this category in narratology. The study of the point of view based on the material of short stories by Vasily Shukshin has been conducted for the first time. The article briefly traces the history of scientific understanding of the category of point of view in foreign and Russian philology and notes the variety of approaches and definitions in the formulation of the concept. The authors use the classification of Boris Uspenskij for analysis and consider the point of view in Vasily Shukshin's short stories in psychological, ideological (evaluative), spatial-temporal and phraseological terms. The positions of Boris Korman, Yuri Lotman, Wolf Schmid and Franz Karl Stanzel also take into account. The authors note the features of Vasily Shukshin's narration that affect the expression of the point of view in the text. Vasily Shukshin's short stories are characterised by a dynamic and frequent change of points of view, which indicates the technique of “montageˮ and similarities in this regard with cinematic techniques. The conclusions generalise the variety of ways and forms of expression of the point of view in the studied artistic material. The point of view in the considered stories is characterised by variability in the correlation of subjects of speech and subjects of consciousness, alternation of external and internal points of view, mutual transitions from one to the other, text interference and other hybrid phenomena.

Protogeometric Vases from Amorgos in the Museum of the British School

1989 ◽  
Vol 84 ◽  
pp. 177-185
Author(s):  
R.W.V. Catling ◽  
R.E. Jones
Keyword(s):  
Chemical Analysis ◽  
Early History ◽  
The Other ◽  
The South ◽  
South West ◽  
British School ◽  
History Of ◽  
First Time

Two vases, a cup and an oinochoe, from Arkesine in south-west Amorgos are published for the first time. It is argued that both are probably Middle Protogeometric, one an import from Euboia, the other from the south-east Aegean; chemical analysis supports both attributions. Their implications for the early history of Amorgos are discussed.

On the Eelworm Disease of Primulas caused by Anguillulina dipsaci, Kühn

1937 ◽  
Vol 15 (4) ◽  
pp. 221-232 ◽  
Author(s):  
E. E. Edwards
Keyword(s):  
High Order ◽  
The Other ◽  
Complete Destruction ◽  
Great Severity ◽  
History Of ◽  
First Time

In Britain, the year 1937 is likely to be memorable in the history of cultivation of many species and varieties of plants belonging to the genus Primula, as witnessing, for the first time, attacks of great severity by the nematode, Anguillulina dipsaci in a number of plantations of Primulas, reducing the vitality of the plants wherever it occurred, and in many instances causing complete destruction of certain species. The plants classed as members of the Candelabra Section, which includes some of the finest and most extensively grown species and varieties in the whole genus, proved particularly susceptible but, while members of many of the other Sections of Primulas did not escape attack, the injury inflicted was not usually of such high order of severity.

Systematics of Senecio section Crociseris (Compositae, Senecioneae)

Phytotaxa ◽  
2015 ◽  
Vol 211 (1) ◽  
pp. 1 ◽  
Author(s):  
JOEL CALVO ◽  
INÉS ÁLVAREZ ◽  
CARLOS AEDO
Keyword(s):  
Central Asia ◽  
Evolutionary History ◽  
Morphological Characters ◽  
The Other ◽  
Distribution Maps ◽  
History Of ◽  
Perennial Herbs ◽  
First Time ◽  
Northwestern Africa ◽  
Shape And Size

The complexity of the evolutionary history of Senecio is reflected in its conflicted taxonomy. Within this genus, Senecio section Crociseris (Compositae, Senecioneae), a group of perennial herbs distributed in Europe, western and Central Asia, and northwestern Africa, was not fully revised. A worldwide revision of this section recognizing 28 species and eight subspecies is presented here. The main morphological characters revealed as useful for distinguishing between species are the number and shape of supplementary and involucral bracts, synflorescence architecture, indumentum, and the shape and size of leaves and achenes. In this new taxonomic treatment S. provincialis and S. lagascanus have been segregated from S. doronicum, within which three subspecies are recognized (S. doronicum subsp. orientalis is validly published herein). On the other hand, S. ruthenensis from France and S. lusitanicus from Portugal have been synonymized to S. lagascanus, as well as S. ovatifolius, S. pisidicus, and S. tmoleus from Anatolia to S. kolenatianus, S. olympicus, and S. castagneanus respectively, S. bertramii from Lebanon to S. cilicius, and S. delbesianus from Syria to S. racemosus subsp. racemosus. Sixty eight names are lectotypified, the names S. barrelieri, S. pyrenaicus, and S. scopolii are neotypified, and one epitype is designated for the name S. perralderianus. Descriptions and distribution maps are provided for all the species included, as well as an identification key. Nine species are illustrated for the first time.

A REVISION OF PEDICULARIS SERIES CURVIPES (PRAIN) HURUS. (OROBANCHACEAE)

2006 ◽  
Vol 63 (1) ◽  
pp. 49-65 ◽  
Author(s):  
T. HUSAIN ◽  
A. GARG ◽  
P. AGNIHOTRI ◽  
R. R. MILL
Keyword(s):  
The Other ◽  
Geographical Range ◽  
Restricted Area ◽  
Ne India ◽  
Taxonomic History ◽  
History Of ◽  
Related Series ◽  
Seed Characters ◽  
First Time

Pedicularis L. series Curvipes (Prain) Hurus. (=Pedicularis [unranked] Curvipes Prain) in the Orobanchaceae (often included in the Scrophulariaceae s.l.) is revised. It is demonstrated that the correct name for the series is Pedicularis ser. Curvipes, not Pedicularis ser. Curvipedes as used by at least two previous authors. Arguments are presented for the retention of the three existing species, Pedicularis curvipes Prain, Pedicularis nagaensis H.L.Li and Pedicularis amplicollis T.Yamaz., and the taxonomic history of each is summarized. Pedicularis curvipes from Sikkim and Pedicularis nagaensis from NE India are very similar but can be distinguished on corolla and seed characters. Flowering material of Pedicularis curvipes collected from cultivated material of uncertain origin in 1900 is positively identified as that species for the first time. The known geographical range of Pedicularis nagaensis, which was previously believed to be endemic to a restricted area of Nagaland in NE India, is extended to include Manipur. Pedicularis amplicollis from Bhutan is distinct from both the other two and easily separable by its woolly, 4-lobed calyx. A key to the series and formal taxonomic accounts of each species are provided. The relationships of the series with related series, particularly Pedicularis ser. Furfuraceae, are discussed.

scholarly journals Evolution of Lyrical Image in Ballets of Azerbaijani Composers

2021 ◽  
Vol 4 (2) ◽  
pp. 179-187
Author(s):  
Lala Huseynli
Keyword(s):  
Cultural Context ◽  
The Other ◽  
Musical Culture ◽  
Specific Content ◽  
Historical Approach ◽  
Historical Method ◽  
Other Hand ◽  
History Of ◽  
First Time

This article is devoted to the study of the evolution of the lyrical image in the ballets of Azerbaijani composers. The presented article emphasizes that the Azerbaijani ballet on the extension of the history of the Azerbaijani school of composition functioned indefinitely as an important component of the Azerbaijani musical culture. The theme of this article is actualized in the aspect of the historical approach, as each ballet of Azerbaijani composers, on the other hand, reflected the significant features of the artistic, historical and cultural context. On the other hand, the study of the evolution of the lyrical image in the Azerbaijani ballets reflects the dynamics of the development of the Azerbaijani school of composition. Moreover, the figurative system in Azerbaijani ballets represents the slender line of artistic connections of Azerbaijani culture. The purpose of the research is to study the role of the lyrical image in the evolution of the Azerbaijani ballet. The research methodology is based is based on the use of a historical approach to determine the basic definitions of the study. The expediency of the historical method is due to the fact that the development in the space of historical time should be based on certain basic categories that would reflect the school of composition, its national specifics. The scientific novelty of the research is that for the first time the peculiarities of the evolution of the lyrical image in Azerbaijani ballets – from its origin to modern functioning – are analyzed; the nuances of style creation in the Azerbaijani school of composers in the specified aspect are considered, and also certain art processes are systematized. Conclusions. It is proved that the combination of deep lyricism with dramatic emotions is characteristic of the transfer of lyricism in the drama of ballets at all historical stages of development, in different stylistic contexts. Lyrical images in the ballets of Azerbaijani composers have similar features and are due to the specific content of the national worldview.

scholarly journals New records of planktonic foraminifera in the Shuaiba Formation (Aptian Age), Mesopotamian plain, South of Iraq

2019 ◽  
pp. 1322-1335
Author(s):  
Zain Alabdeen A. Al-Shawi ◽  
Maher M. Mahdi ◽  
Abbas H. Mohammed
Keyword(s):  
New Records ◽  
Planktonic Foraminifera ◽  
Oil Fields ◽  
The Other ◽  
Arabian Plate ◽  
History Of ◽  
South Of Iraq ◽  
The Many ◽  
First Time ◽  
Southern Iraq

Shuaiba Formation is an important formation in Iraq, because of their deposition in the important period during the geological history of Arabian plate. The study is focused on a number of selected wells from several fields in southern Iraq, despite the many of oil studies to Shuaiba Formation but it lacks to paleontological studies. Four selected wells are chosen for the current study, Zb-290, Ru-358, R-624, WQ1-353, the selected wells are located within different fields, these are Zubair, Rumaila and West Qurna Oil Fields. In this study fourteen species followed to genus Hedbergella were discovered for first time as well as three genera followed to genus Heterohelix in the Shuaiba Formation at the different oil fields, Hedbergella tunisiensis Range Zone is suggested biozone to the current study, the age of this biozone is Aptian, most of the other genera located within this zone.

scholarly journals The Early Byzantine and Khazar Periods in the Evolution of the Towns on the Inner Mountain Ridge in the Crimea

2021 ◽  
pp. 475-497
Author(s):  
Alexander I. Aibabin
Keyword(s):  
Large Scale ◽  
Eighth Century ◽  
Sixth Century ◽  
Mountain Ridge ◽  
The Status ◽  
The Crimea ◽  
History Of ◽  
Byzantine Period ◽  
The One ◽  
Early Byzantine

From the large-scale archaeological researches of individual urban centres located on the Inner Mountain Ridge of the Crimea, atop of the plateaus of Mangup, Eski-Kermen, and Bakla, there are enough reasons to identify and reconstruct the Early Byzantine and Khazar Periods in the evolution of these towns. The analysis of written sources and materials of archaeological excavations allows the one to substantiate the chronology of the two initial periods in the history of the evolution of the towns located on the Inner Mountain Ridge as: 1 – Early Byzantine, from 582 AD to the early eighth century; 2 – Khazar, from the early eighth century to 841 AD. In the early sixth century, there was the only oppidum or civitatium Dory known in the region in question. Obviously, its fortifications were built by the Goths living atop of the plateau of Mangup from the mid-third century on. In the Early Byzantine Period, in the late sixth century, when the region of Dory was incorporated into the Empire’s borderland province, military engineers realised the state-sponsored program and constructed fortifications and a church in the castle (κάστρον) of Δόροϛ and fortified towns of various types (πόλισμα) atop of the mountains of Eski-Kermen and Bakla. Although the engineers immediately planned and constructed fortifications, access roads, gates, sally ports, a church, streets, and other objects on a greater part of the uninhabited plateau of Eski-Kermen, only the citadel was built on the already inhabited terrace of the plateau of Bakla. In the Khazar Period, Δόροϛ kept the status of the capital of Gothia and the bishop’s see. At Eski-Kermen there probably was an archon supervising the building of the town according to a single plan, while at Bakla there appeared suburban area covered by residential houses. The archontes of the towns located atop of Eski-Kermen and Bakla were civil and church governors of the klimata, just as their predecessors had done earlier.

A History of the Development of Flight Refuelling

1960 ◽  
Vol 64 (599) ◽  
pp. 687-691
Author(s):  
J. A. Miller
Keyword(s):  
United States Of America ◽  
The United States ◽  
First World War ◽  
The Other ◽  
World War ◽  
The First World War ◽  
Great Idea ◽  
History Of ◽  
First Time ◽  
First World

Whenever a new and truly great idea is put forward for the first time it is usually received with scorn and derision by those whom it directly concerns. Such was the initial reception of the idea of refuelling aircraft in flight.Soon after the First World War air carnivals became very popular around the flying fields of the United States of America and it was in a search for new stunts that two intrepid fliers hit on the idea of transferring fuel by hose pipe from one aircraft to another. The two single-seater aeroplanes flew one above the other, the upper one carrying the extra fuel; in order to transfer it the pilot threw a length of hose overboard leaving it trailing behind him. The receiver aircraft then manoeuvred into position and the pilot caught the hose and put the nozzle into his reserve fuel tank. When a small quantity of fuel had been transferred, he pulled out the hose and threw it clear of his aircraft, leaving the donor aircraft to haul it in.

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