Phusikos Kai Theologikos Logos, St Paul and Athenagoras at Athens

1988 ◽  
Vol 41 (1) ◽  
pp. 11-26 ◽  
Author(s):  
T. F. Torrance
Keyword(s):  
Subject Matter ◽  
Second Century ◽  
Secondary Importance ◽  
Early Christian ◽  
Theological Discourse ◽  
The Way

In the early Christian treatise Peri tes anastaseos ton nekron, written in the last quarter of the second century, Athenagoras of Athens drew a distinction between two kinds of theological discourse or argument (logos), ‘on behalf of the truth’ (huper tes aletheias) and ‘concerning the truth’ (peri tes aletheias), in which he clearly had in mind St Paul's missionary address to the Athenians on Mars' Hill. Owing to its nature discourse concerning the truth is of primary importance for it provides necessary knowledge of the actual subject-matter, while discourse on behalf of the truth is of secondary importance for it does not establish the truth but is useful in opening the way for it by removing the undergrowth of false and hostile opinion. It is in this light that Athenagoras' two extant works are to be appreciated, Presbeia ton Christianon which is admittedly of an apologetic nature, and Peri tes anastaseos ton nekron in which he offered a reasoned account of the truth of the resurrection.

Early Christian Reception of the Prophets

2016 ◽  
Author(s):  
Ronald E. Heine
Keyword(s):  
Second Century ◽  
Third Century ◽  
Reading Practices ◽  
Early Christian ◽  
The Third ◽  
Christian Understanding ◽  
Vision Of God ◽  
Hebrew Prophets ◽  
The Way

The Hebrew prophets were essential to the early Christian understanding of the identity of Jesus. This chapter first examines the use of the Hebrew prophets in the reading practices in the second-century worship assemblies of the Christians in relation to those of the early synagogue. This provides an understanding of an early Christian appropriation of the prophets that was not apologetic. It then turns to the third century to show the concern for unity between the Hebrew prophets and the Christian Gospel. Finally, it compares the way four major Christian exegetes of the third and fourth centuries, traditionally separated into the opposing hermeneutical camps of Alexandria and Antioch, interpreted Isaiah’s vision of God, to argue that differing theological positions had come to influence the interpretation of Scripture more than differing hermeneutical procedures.

scholarly journals The Contribution of Non-Canonical Gospels to the Memory of Jesus: The Gospel of Thomas and the Gospel of Peter as Test Cases

2018 ◽  
Vol 64 (4) ◽  
pp. 435-454
Author(s):  
Jens Schröter
Keyword(s):  
Significant Contribution ◽  
Social Memory ◽  
Second Century ◽  
Test Cases ◽  
Gospel Of Thomas ◽  
Early Christian ◽  
The Social ◽  
Apocryphal Gospels ◽  
The Way

This article argues that the social memory approach makes a significant contribution to the interpretation of the early gospel tradition. This approach helps to overcome an anachronistic distinction between ‘canonical’ and ‘non-canonical’ (or ‘apocryphal’) Gospels by highlighting the way Jesus was portrayed in various Gospels of the first and second century. Early Christian Gospels in general presuppose the post-Easter perspective on Jesus as a divine figure, but depict his activity and teaching in different ways. A closer look at the Gospel of Thomas and the Gospel of Peter demonstrates how these Gospels take up and continue perspectives which can be observed already in the earlier Gospels in their own ways. Thereby they provide glimpses of different social and theological contexts of second-century Christianity.

Gospels before the Book

2018 ◽  
Author(s):  
Matthew D. C. Larsen
Keyword(s):  
Fluid Collection ◽  
Printing Press ◽  
Methodological Framework ◽  
Reading Practices ◽  
Early Christian ◽  
Textual Tradition ◽  
Textual Culture ◽  
Early Christian Studies ◽  
The Way

What does it mean to read the gospels “before the book”? For centuries, the way people have talked about the gospels has been shaped by ideas that have more to do with the printing press and modern notions of the author than they do with ancient writing and reading practices. Gospels Before the Book challenges several subtle yet problematic assumptions about authors, books, and publication at work in early Christian studies. The author explores a host of underappreciated elements of ancient textual culture, such as unfinished texts, accidental publication, postpublication revision, and multiple authorized versions of the same work. Turning to the gospels, he argues the earliest readers and users of the text we now call the Gospel according to Mark treated it not as a book published by an author but as an unfinished, open, and fluid collection of notes (hypomnēmata). The Gospel according to Matthew, then, would not be regarded as a separate book published by a different author but, rather, as a continuation of the same unfinished gospel tradition. Similarly, it is not the case that, of the five different endings in the textual tradition, one is “right” and the others are “wrong.” Rather, each ending represents its own effort to fill in what some perceived to be lacking in the Gospel according to Mark. The text of the Gospel according to Mark is better understood when approached as unfinished notes than as a book published by an author. Larsen also offers a new methodological framework for future scholarship on early Christian gospels.

Sexual Defilement in Early Christian Texts

2017 ◽  
Author(s):  
Moshe Blidstein
Keyword(s):  
Hebrew Bible ◽  
Second Temple ◽  
Second Century ◽  
Sexual Ethics ◽  
Christian Community ◽  
Early Christian ◽  
Greco Roman ◽  
The Family ◽  
Main Target ◽  
Christian Society

Chapter 7 demonstrates that sexual sin became the main target for purity discourse in early Christian texts, and attempts to explain why. Christian imagery of sexual defilement drew from a number of traditions—Greco-Roman sexual ethics, imagery of sexual sin from the Hebrew Bible and Second Temple texts, and both Jewish and pagan purity laws, all seen through the lens of Paul’s imagery of sexuality and sexual sin. Two broad currents characterized Christian sexual ethics in the second century: one upheld marriage and the family as the basis for a holy Christian society and church, while the second rejected all sexuality, including in marriage. Writers of both currents made heavy use of defilement imagery. For the first, sexual sin was a dangerous defilement, contaminating the Christian community and severing it from God. For the second, more radical current, sexuality itself was the defilement; virginity or continence alone were pure.

Why Phenomenology?

2018 ◽  
Author(s):  
George Pattison
Keyword(s):  
Twentieth Century ◽  
Subject Matter ◽  
Alternative Model ◽  
Phenomenological Approach ◽  
Human Existence ◽  
Present Approach ◽  
The Self ◽  
Existence Of God ◽  
Pure Intuition ◽  
The Way

This chapter sets out the rationale for adopting a phenomenological approach to the devout life literature. Distinguishing the present approach from versions of the phenomenology of religion dominant in mid-twentieth-century approaches to religion, an alternative model is found in Heidegger’s early lectures on Paul. These illustrate that alongside its striving to achieve a maximally pure intuition of its subject matter, phenomenology will also be necessarily interpretative and existential. Although phenomenology is limited to what shows itself and therefore cannot pass judgement on the existence of God, it can deal with God insofar as God appears within the activity and passivity of human existence. From Hegel onward, it has also shown itself open to seeing the self as twofold and thus more than a simple subjective agent, opening the way to an understanding of the self as essentially spiritual.

Connecting Gospels

2018 ◽  
Keyword(s):  
Second Century ◽  
Common Belief ◽  
Field Of Study ◽  
Early Christian ◽  
Single Field ◽  
Vantage Points ◽  
Canonical Texts ◽  
Normative Status ◽  
Two Bodies ◽  
Shed Light

By the late second century, early Christian gospels had been divided into two groups by a canonical boundary that assigned normative status to four of them while consigning their competitors to the margins. The project of this volume is to find ways to reconnect these divided texts. The primary aim is not to address the question whether the canonical/non-canonical distinction reflects substantive and objectively verifiable differences between the two bodies of texts—although that issue may arise at various points. Starting from the assumption that, in spite of their differences, all early gospels express a common belief in the absolute significance of Jesus and his earthly career, the intention is to make their interconnectedness fruitful for interpretation. The approach taken is thematic and comparative: a selected theme or topic is traced across two or more gospels on either side of the canonical boundary, and the resulting convergences and divergences shed light not least on the canonical texts themselves as they are read from new and unfamiliar vantage points. The outcome is to demonstrate that early gospel literature can be regarded as a single field of study, in contrast to the overwhelming predominance of the canonical four characteristic of traditional gospels scholarship.

THE ANTI-BUCOLIC WORLD OF NICANDER'S THERIACA

2014 ◽  
Vol 64 (2) ◽  
pp. 623-641 ◽  
Author(s):  
F. Overduin
Keyword(s):  
Subject Matter ◽  
Professional Knowledge ◽  
Authentic Learning ◽  
Natural World ◽  
Second Century ◽  
Proper Treatment ◽  
Locus Amoenus ◽  
Linguistic Innovation ◽  
Negative Feelings ◽  
Selection Of

The last decades have shown that Nicander's Theriaca (second century b.c.e.), a didactic hexameter poem of 958 lines on snakes, scorpions, spiders, and the proper treatment of the wounds they inflict, is a markedly more playful work than most readers thought. Rather than considering the poem as a vehicle of authentic learning, literary approaches to the nature of Nicander's strange poetic world have focussed on his eye for Alexandrian aesthetics, intertextuality, linguistic innovation, and awareness of the didactic tradition that started with Hesiod's Works and Days, but also on his predilection for horror, voyeuristic sensationalism, and gory details. Although literary-minded readers have found it hard to disprove convincingly that Nicander may have had some professional knowledge of his subject matter, a glance at his arcane language is enough to convince any reader that the Theriaca cannot be concerned solely with its explicit subject. In this article I will make some additional observations on the way in which Nicander has turned the Theriaca into a work of literature, focussing on some of the choices that he has made with regard to his less than veracious depiction of snakes and animals. While Spatafora rightly points to Nicander's eye for detail when portraying floral beauty, I will argue that the poet's play with the topos of the locus amoenus has a darker side. Rather than creating an epic world of beauty, Nicander shows his talent for taking the reader along an unpleasant path of apprehension and negative feelings, portraying a choice selection of afflictions. Not only does he have many ways of giving his quasi-scientific account a markedly negative atmosphere, but his world may well be a deliberate reversal of that other well-known Hellenistic portrayal of the natural world, Theocritus' bucolics.

scholarly journals Textual Criticism, Translation Studies, and Symmachus’s Version in the Book of Job

Textus ◽  
2020 ◽  
pp. 1-21
Author(s):  
Alison Salvesen
Keyword(s):  
Hebrew Bible ◽  
Textual Criticism ◽  
Translation Studies ◽  
Second Century ◽  
Book Of Job ◽  
Early Christian ◽  
Variant Reading ◽  
Descriptive Translation Studies

Abstract The late second century CE translator/reviser Symmachus took a very different approach to the versions of his predecessor Aquila. His renderings do not appear to have survived in Jewish circles but were much admired by early Christian scholars, thanks to their preservation in Origen’s Hexapla. However, for textual critics of the Hebrew Bible Symmachus’ free approach has limited his value since his readings cannot be easily retroverted, unlike those of Aquila or Theodotion. In the case of the book of Job, although Symmachus’ “transformations” (to use a term from Descriptive Translation Studies) differ in nature from the freedoms observed in OG Job, while rejecting the narrow isomorphism of Aquila and Theodotion he nevertheless adheres quite closely to his Hebrew Vorlage. This offers the possibility of identifying elements significant for textual criticism in his rendering, including variant reading traditions or a different consonantal text.

The Palingenesis of De rerum natura

1994 ◽  
Vol 40 ◽  
pp. 81-107 ◽  
Author(s):  
Alessandro Schiesaro
Keyword(s):  
Subject Matter ◽  
De Rerum Natura ◽  
Starting Point ◽  
The Subject ◽  
The Way

1. If I had to sum up as concisely as I possibly can the subject matter of this paper, I would probably say that it was originally stimulated by the attempt to understand how Lucretius articulated his didactic plot. What is the plot of a poem that presents itself as analysing nothing less than ‘the nature of things’? It is safe to assume as a starting-point that a didactic poem which intends to revolutionize each and every principle of perception and evaluation of reality cannot remain unaffected by the theoretical views it tries to prove, and that the persuasive impact of those theories on the reader will inevitably be strengthened or weakened by the way the text situates itself in respect to those theories: the poem itself will be the most effective or the most damning example of its own theories.

Everyday Style

2017 ◽  
Author(s):  
Alison Taylor
Keyword(s):  
Case Studies ◽  
Subject Matter ◽  
Detailed Case ◽  
Everyday Aesthetics ◽  
The Everyday ◽  
Film Style ◽  
Positive Representations ◽  
Aesthetic Sensibility ◽  
The Way

Where chapter two deals with ordinary moments in extraordinary films, chapter three explores another aspect of the spectrum of the everyday in cinema: the concept of the everyday as a film style, and its relationship to the everyday as subject matter. This chapter examines the way the everyday as film style has been theorised—predominately as an aesthetic sensibility that privileges the undramatic and routine as a conduit to the profound or transcendent. Chapter three asserts that while this scholarship has been useful in illuminating positive representations of the everyday, its attempts to quarantine the everyday from the dramatic are problematic and ultimately reductive. Instead, through detailed case studies of Bresson’s Money (1983) and Haneke’s The Seventh Continent (1989), the chapter presents an alternate approach that allows for a more nuanced appreciation of everyday aesthetics, allowing for films which do not treat the everyday as strictly positive. These films are unsettling precisely for their lack of authorial guidance on how to respond to horrific narrative events; film style is pared back in such a way that moments of violence are afforded the same aesthetic weight as the representation of ordinary and mundane routines.

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