scholarly journals Bibliography of the History of Australian Science, No. 29, 2008

2009 ◽  
Vol 20 (1) ◽  
pp. 147
Author(s):  
Helen M. Cohn

This bibliography, in geographic terms, covers principally Australia, but also New Zealand, New Guinea and other islands of the Pacific Ocean near Australia, and Antarctica. It includes material on the history of the natural sciences (mathematics, physical sciences, earth sciences and biological sciences), some of the applied sciences (including medical and health sciences, agriculture, manufacturing and engineering), and human sciences (psychology, anthropology and sociology). Biographical material on practitioners in these sciences is also of interest. The sources used in compiling this bibliography include those that have proved useful in the past in finding relevant citations. The library catalogues of the Royal Botanic Gardens Melbourne, the National Library of Australia and the National Library of New Zealand Te Puna Matauranga O Aotearoa were particularly useful sources of information. Journals that have yielded articles for previous bibliographies were checked, as were some titles that have not previously been scanned. Hence a number of citations are included that were published earlier than 2008. Assistance has been received from a number of people who sent items or information about items published in 2008 for inclusion in the bibliography. In particular, Professor Rod Home has been most helpful in forwarding relevant citations. Staff of the eScholarship Research Centre at the University of Melbourne, especially Helen Morgan, were of great assistance in the preparation of this bibliography. Readers may have access to information about relevant books, journal articles, conference papers, reports, Master's and PhD theses and reviews published in 2009. They are encouraged to send such information to the compiler at the above email address for inclusion in future bibliographies.

2021 ◽  
pp. 0310057X2110278
Author(s):  
Terence E Loughnan ◽  
Michael G Cooper ◽  
Pauline B Wake ◽  
Harry Aigeeleng

The most recent estimates, published in 2016, have indicated that around 70% of anaesthesia providers in Papua New Guinea are non-physician anaesthetic providers and that they administer over 90% of anaesthetics, with a significant number unsupervised by a physician anaesthetist. Papua New Guinea has a physician anaesthetist ratio estimated to be 0.25 per 100,000 population, while Australia and New Zealand have a ratio of 19 physician anaesthetists per 100,000, which is 75 times that of Papua New Guinea. To reach a ratio of seven per 100,000, recommended as the minimum acceptable by the Lancet Commission in 2016, there will need to be over 35 practitioners trained per annum until 2030, at a time when the average annual numbers of recent years are less than three physicians and less than five non-physician anaesthetic providers. We review the development of anaesthesia administered by non-physician indigenous staff and the stages of development from heil tultuls, dokta bois, liklik doktas, native medical assistants, aid post orderlies, and Anaesthetic Technical Officers up to the current Anaesthetic Scientific Officers having attained the Diploma in Anaesthetic Science from the University of Papua New Guinea.


2001 ◽  
Vol 74 (4) ◽  
pp. 629
Author(s):  
Cyril Belshaw ◽  
Donald Denoon ◽  
Philippa Mein-Smith ◽  
Marivic Wyndham
Keyword(s):  

Author(s):  
Elizabeth Sinn

This chapter takes a broad look at the Pacific Ocean in relation to Chinese migration. As trade, consumption and capital flows followed migrants, powerful networks were woven and sustained; in time, the networks fanned across the Pacific from British Columbia along the West Coast of the United States to New Zealand and Australia. The overlapping personal, family, financial and commercial interests of Chinese in California and those in Hong Kong, which provide the focus of this study, energized the connections and kept the Pacific busy and dynamic while shaping the development of regions far beyond its shores. The ocean turned into a highway for Chinese seeking Gold Mountain, marking a new era in the history of South China, California, and the Pacific Ocean itself.


2018 ◽  
Vol 25 (2) ◽  
pp. 212-233
Author(s):  
Maithreyi Krishnaraj

The beginning of Women’s Studies has a special history in India. It owes its origin not only to some stalwarts but also to the historical times in which its birth took place. Its location in the SNDT Women’s University in Mumbai was at the initiative of Dr Neera Desai, a Professor of Sociology at that university. Her own work on women’s issues in her Master’s thesis and her involvement in the women’s movement gave her the background for envisaging that a women’s university should engage with analysis of women’s condition and not just teach women other academic disciplines. It was with this motive, that the Research Centre for Women’s Studies was set up in 1974, a year before the publication of the report Towards Equality of the Government of India. The university - originally begun at the initiative of the educationist Shri Dhondo Kheshav Karve received a handsome grant from the industrialist Shri Damodar Thackersey and got named after his mother Shrimathi Nathibai Damodar Thackersey hereafter SNDT Women’s University. The Centre with the involvement of able and farsighted administrators at this university spearheaded the development of this Centre, which became the torch bearer for raising women’s issues.


2015 ◽  
Vol 61 ◽  
pp. 531-540
Author(s):  
Sir Peter Knight ◽  
Gerard J. Milburn

Dan Walls, a pioneer of quantum optics and especially the study of non-classical light, died in Auckland on 12 May 1999 after a battle with cancer, at the age of 57 years. Dan Walls completed a PhD with Roy Glauber at Harvard in 1969 and joined the University of Waikato in 1972. Together with his colleague Crispin Gardiner, during the next 25 years he established a major research centre for theoretical quantum optics in New Zealand and built active and productive collaborations with groups throughout the world.


2016 ◽  
Vol 22 (1) ◽  
Author(s):  
Tania Lewis

In the late 1980s and early 1990s, Stuart Hall’s writing began to take a biographical turn. For readers such as myself, then a mature undergraduate pursuing an American Studies degree in New Zealand, this was somewhat of a revelation. The surprise was not so much Hall’s shift from the somewhat dry prose of structural Marxism to the rather more vital style of a postcolonially inflected poststructuralism, but the fact of Hall’s Caribbean background when I, along with no doubt many other geographically distant readers, had assumed him to be exworking class, British and white. Some seven years later, while wrestling with a PhD on the history of cultural studies at the University of Melbourne, I found myself writing an essay for Arena using the question of Hall’s diasporic identity to explore ‘the relations between knowledge production and cultural identity/location.


1978 ◽  
Vol 5 ◽  
pp. 43-61 ◽  
Author(s):  
David Henige

This minor revision in Polynesian scholarship, the undermining of the authenticity of the traditions as historical … is one of the most significant developments in New Zealand archaeology.This [belief in a Great Fleet] arose out of the desire of European scholars to provide a coherent framework by which to interpret the prehistory of New Zealand.As heavily as historians must rely on orally-derived data for their study of the African past, historians of Oceania are far more in thrall to such materials in attempting to reconstruct the history of the various Pacific island groups. Although archeology and historical linguistics can sometimes help to provide broad sequences and interrelationships as well as evidence concerning origins, neither can, of course, provide circumstantial local detail or close dating. Oral traditions, often supported by genealogies of sometimes extraordinary length and complexity, have been collected in all parts of the Pacific almost since the time of Cook, but the latter part of the nineteenth century was a period of particularly feverish activity. The result is a vast body of material, much of it still in manuscript form. Of this corpus far more relates to the Maori people of New Zealand than to the inhabitants of any other island group.In the course of the first half of this century a homogenized orthodox view of New Zealand's more remote past developed -- an interpretation based on three pivotal events, each of which came to be dated calendrically by means of Maori genealogies. The first was the arrival of the “discoverer” of New Zealand, one Kupe, who was dated to ca. 950. Then, two centuries later, came Toi and his companions. Finally, so this version goes, the so-called Great Fleet, comprising about seven large canoes (the number varies slightly) arrived in about 1350, and New Zealand began to be well and truly peopled by Maori.


2018 ◽  
Vol 30 (2) ◽  
pp. 42-56 ◽  
Author(s):  
Barbara Staniforth

INTRODUCTION: The University of Auckland MA in Sociology (Option II–Social Welfare and Development) (“the Programme”) was a qualifying social work programme that admitted students from 1975 to 1979. This article describes this programme and some of the issues that led to its short-lived tenure.METHODS: Semi-structured interviews were conducted with 12 staff and students who had been involved with this programme. One person, involved in the accreditation of the Programme was also interviewed, and one person provided feedback in an email. Information was also obtained through archived University of Auckland documents, reports, and various forms of personal correspondence provided by June Kendrick. FINDINGS: The Programme was championed by the Head of the Department of Sociology (David Pitt). There were resource limitations and philosophical tensions within the Department about the qualification. There was little support for its continuation at the end of a three-year grant and after the departure of David Pitt. The New Zealand Social Work Training Council accredited it after its discontinuation.CONCLUSION: The Programme made a valuable contribution to the profession of social work and social work education and forms an important part of the history of social work in Aotearoa New Zealand. 


2021 ◽  
Author(s):  
◽  
Courtney Johnston

<p>This thesis concerns Peter Tomory's nine years as Director of the Auckland City Art Gallery, between 1956 and 1964. The main theme that emerges in this study concerns the emphasis Tomory placed on professional practices, both at the Gallery and in the visual arts in New Zealand as a whole. The discussion is broken into four chapters. The first chapter sets the context for Tomory's directorship: his professional background, the New Zealand art world of the 1950s, and his initial vision for the Gallery. The second chapter is devoted to Tomory's development of the Gallery's permanent collection, and the third explores the ambitious programme of temporary exhibitions undertaken at the Gallery during his tenure. These broad topics are considered with reference to Tomory's policy statements, and through the close study of selected case studies. The final chapter examines the history of New Zealand art that Tomory developed over his twelve years in New Zealand (including both the texts he published while at the Gallery, and those he wrote while lecturing at the University of Auckland School of Fine Arts from 1965 to 1968) and his call for a more professional approach to art writing in this country. A bibliography of Tomory's published texts is included. A special effort is made in this study to consider Tomory's activities at the Gallery and his writing within their original historical and art-historical contexts, and also with reference to the way these actions and texts have been interpreted and employed by later commentators, especially post-nationalist critics. In this way, it is revealed that the history of New Zealand art formulated in the 1950s and 1960s was less homogenous, more complex and more contentious than it has more recently been portrayed.</p>


2021 ◽  
Author(s):  
◽  
Courtney Johnston

<p>This thesis concerns Peter Tomory's nine years as Director of the Auckland City Art Gallery, between 1956 and 1964. The main theme that emerges in this study concerns the emphasis Tomory placed on professional practices, both at the Gallery and in the visual arts in New Zealand as a whole. The discussion is broken into four chapters. The first chapter sets the context for Tomory's directorship: his professional background, the New Zealand art world of the 1950s, and his initial vision for the Gallery. The second chapter is devoted to Tomory's development of the Gallery's permanent collection, and the third explores the ambitious programme of temporary exhibitions undertaken at the Gallery during his tenure. These broad topics are considered with reference to Tomory's policy statements, and through the close study of selected case studies. The final chapter examines the history of New Zealand art that Tomory developed over his twelve years in New Zealand (including both the texts he published while at the Gallery, and those he wrote while lecturing at the University of Auckland School of Fine Arts from 1965 to 1968) and his call for a more professional approach to art writing in this country. A bibliography of Tomory's published texts is included. A special effort is made in this study to consider Tomory's activities at the Gallery and his writing within their original historical and art-historical contexts, and also with reference to the way these actions and texts have been interpreted and employed by later commentators, especially post-nationalist critics. In this way, it is revealed that the history of New Zealand art formulated in the 1950s and 1960s was less homogenous, more complex and more contentious than it has more recently been portrayed.</p>


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