Leo Tolstoy

Count Leo Tolstoy (Lev Nikolaevich Tolstoy) is one of the greatest writers of all time. Born in Yasnaya Polyana on 9 September 1828 (28 August, Old Style) to Count Tolstoy and Princess Volkonsky, he lived a long, eventful life and became the father of a large family. War and Peace, Anna Karenina, The Cossacks, The Death of Ivan Ilyich, The Kreutzer Sonata, and many other famous texts garnered Tolstoy the admiration of readers well beyond Russia. From as early as the 1880s, the home estate of the author became a beacon for the entire world, as the prophetic force of Tolstoy’s personality compelled him to stand up for justice and promote nonviolence, social and economic equality, and a new type of art. In works of radical nonfiction like A Confession; The Kingdom of God Is Within You, “The Law of Violence and the Law of Love,” and What Is Art? Tolstoy solidified his reputation as much more than a towering literary figure. The tsarist government banned most of these nonliterary writings, heavily censored his artistic works, and arrested or exiled his followers. In 1901, the Russian Orthodox Church issued a determination to excommunicate Tolstoy for his seditious views. Despising the establishment, Tolstoy cared little that from 1902 to 1906 he received multiple nominations for the Nobel Prize in Literature, yet won none, or that he was equally unsuccessful in winning the Nobel Prize for Peace, for which he was nominated three times (1901, 1902, 1910). At the age of eighty-two, plagued by disputes in his family and among his disciples about his intention to grant free copyright to the entire corpus of his written works, he resolved to leave home, and he died on 20 November 1910 (7 November, Old Style) during his escape. Hundreds of thousands of works in many languages have been written about Tolstoy over the last 165 years, the first 383-page-long bibliography of literature on him having appeared seven years before his death. For too long, Tolstoy scholars tended to downplay the importance of the author’s thought (his “nonartistic” side) and deny that anything was to be gained in studying his sociopolitical, religious, and philosophical views comprehensively. However, this trend in criticism has steadily declined since the beginning of the new millennium. Today, approaches to the study of Tolstoy go beyond literary studies. He is considered a thinker as much as a writer—the two are inseparable in his work—and Tolstoy has left a strong intellectual imprint on world culture. Eleven decades after his death, his ideas are seen as no less than a measure of the state of the world, not just of its state of culture or of the quality of its civilization, but also of its most vital signs.