Postlude

2019 ◽  
pp. 227-234
Author(s):  
William Cheng

A brief Postlude critiques societies’ common narratives around trauma as a source of beauty, musical and otherwise. It asks whether tropes of “tortured artists” and “no pain no gain” foreclose imaginations of realities in which the beautiful can—or should—exist without the romantic mandates of incipient terror.

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