Embodied Invention

2021 ◽  
pp. 115-140
Author(s):  
Bettina Varwig

This chapter develops a historical account of Bach’s musicking body, and those of early-eighteenth-century keyboardists more generally, as a way to rethink how Bach’s keyboard music was conceived and performed. It synthesizes aspects of contemporaneous medical, scientific, and theological discourses about the human faculties of touch, memory, and invention, and brings these into dialogue with the inventive and performative dimensions of Bach’s keyboard practice. The chapter unearths historical conceptions of memory as physiologically grounded and distributed across the body, of touch as a corporeal-spiritual faculty, and of human bodies as purposive and intelligent. These notions of a bodily kind of intelligence suggest the need to ascribe much greater agency to the embodied aspects of early-eighteenth-century modes of composing and performing. The chapter thus offers a somatic alternative to the customary focus on mental, disembodied patterns of invention in understanding Bach’s compositional and improvisatory practices at the keyboard.

Author(s):  
Anastasia Chamberlen

This chapter sketches the broader context of the study presented in this book. It starts with a historical account of imprisonment, focusing particularly on women’s imprisonment, and attempts to trace the centrality of prisoner bodies in the delivery of punishment via the prison since the eighteenth century. Through this brief historiography, it examines how the body has been the object and subject of punishment and, since the start, has been part and parcel of the delivery of imprisonment. More specifically, the chapter argues that, since its establishment, women’s imprisonment has been gendered and embodied. The second half of the chapter looks at more contemporary research on women’s experiences in prison, and unpacks the punishment–body relation by connecting the study’s objectives to extant research on women’s prisons.


1976 ◽  
Vol 35 (2) ◽  
pp. 237-256 ◽  
Author(s):  
J. F Richards

In recent years, historians associated with the school of Indo-Muslim history at Aligarh Muslim University have developed a persuasive, now widely accepted, view of imperial decline. Satish Chandra and M. Athar Ali have argued that a primary cause of the collapse of the Mughal empire in the early eighteenth century was the rise of intense factionalism among the Mughal nobility. Conflict within this imperial elite (i.e., the body of amirs or mansabdars holding ranks of 1000 zat or above) resulted from a rapid rise to nearly double the number of nobles during the latter portion of the reign of the Emperor Aurangzeb (1658–1707). This growth in the number of nobles was not matched by a corresponding increase in the resources available to pay them and their followers. Consequently, the system of alienation of the land-tax proceeds for salary payments (the jagir system) broke down simply because not enough lands could be found to meet a sharply enhanced demand.


2010 ◽  
Vol 7 ◽  
pp. 32
Author(s):  
Ville Sarkamo

Military honour and physical commitment to serve king and fatherland played a central role in the ideals of the army of Charles XII of Sweden. These ideals were formed within a culture in which the role of the warrior, dictated by a code of honour, was constantly challenged. My main empirical primary sources consist of the archivale records of the Swedish Diet, which included Placement Committee records from the Diet of 1723. An honourable man had the right to a livelihood and a respectable position in society. My aim is to show that, in order to obtain such a position, a military man had to present himself as someone who had offered his body in the service of his king and country. An appeal to one’s merits in battle was the best way of defending a claim to a post, because bravery in combat was the most respected virtue in military life. Those officers who had clear proof of their bravery, especially in the form of combat wounds, were in the best position. In this sense, honour and the body were closely linked.


2019 ◽  
pp. 89-156
Author(s):  
Thomas Keymer

This chapter approaches the 1700–40 period through close study of Defoe and Pope, and focuses especially, for context, on press control under Harley and others during the reign of Queen Anne and under Walpole in the 1720s and 1730s. Early eighteenth-century cases like that of Joseph Browne (which opened up the prosecution of ironic discourse) gave Pope a larger context in which to frame his mockery of Defoe in The Dunciad; they also informed, more broadly, his satirical exploration of the pillory and its meanings throughout the body of his work. New interpretations are offered of The Shortest Way with the Dissenters and the much-mythologized pillorying that ensued. The provocativeness of Defoe’s pamphleteering is contrasted with Pope’s virtuosity, from Windsor Forest to the Epilogue to the Satires, in insinuating seditious hints while remaining within the parameters of acceptable utterance in verse.


1987 ◽  
Vol 20 ◽  
pp. 53-57
Author(s):  
Peter Holman

Restoration keyboard music has been well served in recent years by modern editions, source studies and thematic catalogues. Thus it is all the more surprising that Brussels Conservatoire MS XY 15139, a large manuscript from the early eighteenth century containing unique pieces by John Blow and William Croft as well as a number of early copies of music by Henry Purcell, has almost entirely escaped notice. It seems that the only references to it in the scholarly literature to date have been a brief description by Margaret Reimann in her article on the Kortkamp family in Die Musik in Geschichte und Gegenwart, and my edition of two Croft suites in the 1982 revision of that composer's Complete Harpsichord Works.


1951 ◽  
Vol 1 (5) ◽  
pp. 105-108
Author(s):  
Leonard G. Hulls

The story of Jonathan Hulls and his scientific work is, for various reasons, of peculiar interest. Although mention of him is to be found in many works dealing with the steam-engine and, in some instances, he is referred to as the inventor of the steam-boat, it is a fact that very little is known concerning the man and his work. From time to time articles dealing with his invention appear in newspapers and journals, sometimes accompanied by drawings which are intended to represent the steam-boat. The authors of these articles usually appear to have given free rein to their imagination, with the result that readers are misinformed. Errors of this sort are not confined to non-scientific literature, and various conflicting statements are to be found spread throughout the body of engineering text-books. The object of this paper is to set out briefly such facts as are known concerning Hulls; to consider the scientific literature to which he had access, and to show how this may have influenced him.


1998 ◽  
Vol 25 (2) ◽  
pp. 283-291
Author(s):  
P.S.M. PHIRI ◽  
D.M. MOORE

Central Africa remained botanically unknown to the outside world up to the end of the eighteenth century. This paper provides a historical account of plant explorations in the Luangwa Valley. The first plant specimens were collected in 1897 and the last serious botanical explorations were made in 1993. During this period there have been 58 plant collectors in the Luangwa Valley with peak activity recorded in the 1960s. In 1989 1,348 species of vascular plants were described in the Luangwa Valley. More botanical collecting is needed with a view to finding new plant taxa, and also to provide a satisfactory basis for applied disciplines such as ecology, phytogeography, conservation and environmental impact assessment.


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