Language, form, and imagery in John’s poetry
Chapter 3 turns to John’s poetry, the first genre in which he wrote and the foundational form of his thought. In their imaginative, narratival depiction of the inner life of the Trinity, John’s Romances explore the communicative nature of language, examining how the loving desire that constitutes the pneumatological bond of Father and Son is also is to be found in the creativity of language itself. John is certainly intrigued by the limits of language that are encountered in the spiritual ascent, which he explores in his glosa and copla poems by playing in various fashions on the theme of the paradoxes involved in human union with the divine. Yet his lira poems, which serve as the basis for his prose commentaries, show him to be chiefly animated by the value of the language and imagery of erotic desire for the depiction of the spiritual ascent. The form and imagery of these poems present a heightened sense of the erotic potential of language itself, which in its very superabundance and excess supports the poem’s accounts of the lovers’ yearning and consummation. Through his poetry, therefore, John presents erotic desire as a force that propels the soul towards its goal, and whose eventual realization in union with God may be meaningfully depicted through the superabundant deployment of images and language drawn from human sexual love.