Aristotelian Powers, Mechanism, and Final Causes in the Late Middle Ages

Author(s):  
Henrik Lagerlund

Henrik Lagerlund explores the topic of final causality in the High and later Middle Ages. He argues that the seventeenth-century mechanists weren’t the only ones critiquing and rejecting final causality. There were earlier figures who developed a form of mechanical materialism that eschewed final causes, most notably William of Ockham and John Buridan. Lagerlund begins with the way that Ockham and Buridan in the fourteenth century understood the mereology of the body. Bodily substances were composed of essential parts and integral parts. Essential parts were its metaphysical constituents, its matter and substantial form. Integral parts were its various extended bits. This distinction generated a metaphysical divide between material objects with extended substantial forms and simple, immaterial substances like God, angels, and the human soul. And this divide raises a number of philosophical puzzles for the entities on either side of it. Of special concern to Lagerlund is the numeric identity and unity of material substances across time. Lagerlund shows how Buridan in particular struggled to make sense of the identity and unity of material substances through time. In the end, Buridan could only say that material substances are successively identical through time; they are not totally or partially identical.

1952 ◽  
Vol 12 (1) ◽  
pp. 1-20
Author(s):  
Thomas C. Smith

As in the Middle Ages in the West, so in Tokugawa Japan (1600–1868) men were fond of explaining the hierarchical society in which they lived by comparing it to an organism. Social classes, Confucian scholars said, were like parts of the body: each had a vital function to perform, but their functions were essentially different and unequal in value. In this scheme the peasants were second in importance only to the ruling military class. Just as the samurai officials were the brains that guided other organs, so the peasants were the feet that held the social body erect. They were the “basis of the country,” the valued producers whose labor sustained all else. But, as a class, they tended innately to backsliding and extravagance. Left alone they would consume more than their share of the social income, ape the manners and tastes of their betters, and even encroach upon the functions of other classes to the perilous neglect of their own. Only the lash of necessity and the sharp eye of the official could hold them to their disagreeable role. They had to be bound to the land; social distinctions had to be thrown up around them like so many physical barriers; and, to remove all temptation to indolence and luxury, they had to be left only enough of what they produced to let them continue producing.


Born to Write ◽  
2020 ◽  
pp. 10-19
Author(s):  
Neil Kenny

From about the late fifteenth century onwards, literature and learning acquired increased importance for the social position of noble and elite-commoner families in France. One reason is the expansion and rise to prominence of the royal office-holder milieu, which had no exact equivalent in, say, England, where the aristocracy was much smaller than the French nobility and where there was no equivalent of the French system of venality of office. In France, family literature often helped extend across the generations a relationship between two families—that of the literary producer and that of the monarch. From the late Middle Ages, the conditions for family literature were made more favourable by broad social shifts. Although this study focuses mainly on the period from the late fifteenth to the mid-seventeenth century, it is likely that the production of works from within families of literary producers thrived especially up to the Revolution.


Vivarium ◽  
2021 ◽  
Vol 59 (1-2) ◽  
pp. 102-122
Author(s):  
Daniel J. Simpson

Abstract Medieval scholastics share a commitment to a substance-accident ontology and to an analysis of efficient causation in which agents act in virtue of their powers. Given these commitments, it seems ready-made which entities are the agents or powers: substances are agents and their accidents powers. William of Ockham, however, offers a rather different analysis concerning material substances and their essential powers, which this article explores. The article first examines Ockham’s account of propria and his reasons for claiming that a material substance is essentially powerful sine accidentibus. However, the article subsequently argues that, given Ockham’s reductionism about material substance, only substantial forms – never substances – are truly agents and powers. Thus, a material substance is essentially powerful but only by courtesy – per accidens, as Ockham calls it – because it has a non-identical part, its substantial form, which does all the causal work by itself, per se.


Author(s):  
James Morton

Chapter 3 describes how the extant Italo-Greek nomocanons survived from the medieval period to the modern day, noting two main vectors: the monastic Order of St Basil (concentrated in Sicily, Calabria, and Lucania), and the Renaissance book market in the Salento peninsula. It also considers the implications of these patterns of source survival for what kind of evidence has survived and what sort of conclusions we can draw from it. Beginning in the late Middle Ages, it explains how the Council of Ferrara-Florence (1438–1445) inspired Pope Eugenius IV to create the monastic Order of St Basil to provide an institutional structure to Byzantine-rite monasticism in southern Italy; this would play a pivotal role in supporting the remaining Italo-Greek monasteries and preserving their manuscript collections into the early modern period. The chapter then turns to the Salento peninsula, observing that families of secular Greek clergy (rather than monasteries) played the most important role in copying and preserving manuscripts in the region. During the Renaissance, the Salento became a popular region for scholarly book collectors to purchase manuscripts, bringing them to great Renaissance libraries such as the Biblioteca Ambrosiana in Milan. The chapter also looks at other ways that manuscripts survived, such as through the efforts of the seventeenth-century Russian monk Arsenii Sukhanov. For the most part, manuscripts that were not stored in Basilian monasteries or purchased from the Renaissance Salento have not been preserved.


1983 ◽  
Vol 36 (1) ◽  
pp. 124-129 ◽  
Author(s):  
H. C. Freiesleben

The term ‘portolan chart’ first occurs in Italy in the thirteenth century, not long after this aid to navigation came into general use on board ship. The Italian word portolano, however, can best be translated as ‘pilot book’ or ‘sailing directions’, a different aid to navigation of which one example survives from the fourth century b.c., and pilot books are indeed still published in modern form by all seafaring nations. References by Herodotus in the History make it probable that such documents already existed in his time, and under the name of periplus they continued up to the sixth century a.d.; after which they do not appear again until the golden age of navigation in Italy and Catalonia in the late Middle Ages, apart from some much simpler early medieval types. The portolano or periplus is a description of ports, with information required by the navigator concerning anchorages, dangers threatening landfall and the winds and weather over wider areas. Commercial information was sometimes included, obviously also a matter of interest to the mariner who could read, though it may be doubted if many of them then could.Italian portolan charts exist from almost the same period as the portolani, both of them denoted by the same word compasso, but while the pilot books have their modern successors the charts were only produced up to the beginning of the seventeenth century and are not really the forerunners of the modern sea chart.


2017 ◽  
Vol 17 (2) ◽  
pp. 190-196 ◽  
Author(s):  
J. Konieczny ◽  
K. Labisz ◽  
K. Głowik-Łazarczyk ◽  
J. Ćwiek ◽  
Ł. Wierzbicki

Abstract In Poland, researchers have a very strong interest in archaeometallurgy, which, as presented in classical works, focuses on dating artefacts from the prehistoric and early medieval periods in the form of cast iron and copper castings. This study, extending the current knowledge, presents the results of a microstructure investigation into the findings from the Modern era dating back to the late Middle Ages. The investigated material was an object in the form of a heavy solid copper block weighing several kilograms that was excavated by a team of Polish archaeologists working under the direction of Ms Iwona Młodkowska-Przepiórowska during works on the marketplace in the city of Czestochowa during the summer of 2009. Pre-dating of the material indicates the period of the seventeenth century AD. The solid copper block was delivered in the form of a part shaped like a bell, named later in this work as a “kettlebell”. To determine the microstructure, the structural components, chemical composition, and homogeneity, as well as additives and impurities, investigations were carried out using light microscopy, scanning electron microscopy including analysis of the chemical composition performed in micro-areas, and qualitative X-ray phase analysis in order to investigate the phase composition. Interpretation of the analytical results of the material’s microstructure will also help modify and/or develop new methodological assumptions to investigate further archaeometallurgical exhibits, throwing new light on and expanding the area of knowledge of the use and processing of seventeenth-century metallic materials.


Pro Memorie ◽  
2021 ◽  
Vol 23 (2) ◽  
pp. 237-265
Author(s):  
Louis Sicking ◽  
Jan de Klerk

Abstract In the Middle Ages, goods washed up on the beach or fished up from the sea were an important economic asset. The customs and rules that determined the status of these goods are referred to as the ‘law of wreck’ or ‘right of wreck’. Several competing interest groups were involved: the local inhabitants as salvagers, finders or beach combers; merchants, skippers and ship-owners; landowners and the prince. Seventeenth century Dutch lawyers like Hugo Grotius and Johan van Heemskerk painted a favourable picture of the law of wreck in the Dutch Republic by pointing to the greed of the medieval counts of Holland who would only have exploited the misery of castaways. This article shows how the law of wreck developed in Holland and Zeeland in the late Middle Ages and how its rules were applied in the stewardship of North Holland between 1340 and 1400. Although the preserved accounts of the stewardship show that the count did take advantage of washed up goods, the count also had drowned people found on the beach buried and allowed merchants who could prove their goods had washed up on the Dutch beach to recover them.


2012 ◽  
Vol 21 (1) ◽  
pp. 23-39 ◽  
Author(s):  
Edward Nowacki

ABSTRACTThe theory that the antiphon is a kind of refrain and that its original purpose was to be inserted between all the verses of its respective psalm was articulated by Giuseppe Maria Tommasi in the seventeenth century and has been transmitted by liturgical historians with little criticism ever since that time. The present article examines the evidence on which that theory rests, with special attention to the writings of Amalar of Metz, and finds it to be inconclusive or positively contrary to the claims that have been built upon it. The article considers the evidence of antiphonal psalmody at Mass, as transmitted in Ordo Romanus I, and finds support there for the view that antiphons were normally performed only at the beginning and end of their respective psalms. After considering briefly the Liber Pontificalis and the tradition of psalmodic differentiae, the article turns to the treatment of antiphonal psalmody by the liturgical historians Guillaume Durand and Radulph de Rivo in the late Middle Ages and finds in their writings no evidence of a belief that frequent interpolation was the authentic primitive practice. The article concludes that two iterations of the antiphon, once at the beginning and once at the end of the psalm, suited its original thematic intent and that the theory of reiteration after every verse – effectively conflating antiphonal and responsorial psalmody – may be no older than the liturgical scholarship of Tommasi in the late seventeenth century.


Author(s):  
Janine Larmon Peterson

This introductory chapter begins by describing the cult of a layman in Cremona, Italy, named Albert of Villa d'Ogna (d. 1279). Albert was a humble wine carrier and a local saint who could have lapsed into obscurity if not for Franciscan chronicler Salimbene de Adam's famous description of him and the dogged efforts of his community to canonize him, which resulted in a seventeenth-century canonization process. According to his contemporary Salimbene, Albert was a wine porter but also a drunk sinner. The bishops of Cremona, Parma, and Reggio promoted his devotion although his supposed miracles were false and “deceptive.” Salimbene's ire at the fact that bishops allowed his veneration without papal authorization reveals two points of contention about the construction of sanctity in late medieval Italy. The first was what criteria should assess holiness and the relative weight of each factor when assessing “true” or “false” sanctity. The second was about the process of sanctification and how it should occur. This book is about those citizens of the Italian peninsula in the late Middle Ages who created and promoted Albert's cult and who continued venerating him regardless of papal authorization or the disparagement of institutional insiders like Salimbene. It is about the people who did the same for roughly thirty other saints, some of whom individually faced excommunication or collectively faced interdict for their choice of holy patrons.


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