‘Obliging and curious’: Taylor White (1701–1772) and his remarkable collections

Author(s):  
Victoria Dickenson

Taylor White (1701–1772) was by profession a barrister and judge, active in public life in London. His life as a jurist and as the long-serving treasurer of the Foundling Hospital is documented in the records of his public appointments and in his own official correspondence. This article reveals the other Taylor White, a Fellow of the Royal Society (1725), and an active participant in the practice of science in the mid eighteenth century. White accumulated a significant collection of specimens and drawings of plants, insects, birds and mammals. Over 900 of the zoological drawings are preserved in the Blacker Wood Natural History Collection at McGill University in Montreal. White's passions for natural history and collecting are revealed tangentially through the very few letters in his hand, the notes he made about his own collection, and infrequent references in the books and letters of his friends and fellow naturalists. This article seeks not only to document the sources of White's collection, but also to extract a narrative of acquisition, transport and exchange of specimens that reveals the informal networks of eighteenth-century naturalists, which included not only scientists but also sailors, merchants and curious lawyers. It also explores the work and motivations of the collector engaged in building a reference collection of animal portraits, painted in their true colours and ‘the size of life’. Close study of this collection positions Taylor White within the community of eighteenth-century naturalists and provides a deeply textured exploration of natural history and collecting in the age of Linnaeus.

Author(s):  
Lauren Williams

As part of a themed print issue of Notes and Records dedicated to a research project surrounding the eighteenth-century Taylor White collection of animal paintings, this article provides context by describing the initial acquisition of the collection, and by situating it within the larger Blacker Wood Natural History Collection held at McGill University Library. Highlights of the Blacker Wood Collection are discussed, along with the collection's founder, Dr Casey Wood. The second part of the article provides a brief examination of the movement, in some academic administrative circles, towards the ‘de-professionalization’ of librarian work within academic libraries, and offers an outline of the specialized skills that librarians bring to the description, analysis and preservation of special collections. The Taylor White Project is then offered as an example of research collaborations between scholars and librarians; a description of the advantages of embedding a scholar within specific library collections to work with, rather than replace, a librarian is provided. The author suggests this strategy as one potential answer to the question of ‘de-professionalization’, to move away from divisive discussions towards a more symbiotic relationship between scholars and librarians.


Nuncius ◽  
2016 ◽  
Vol 31 (2) ◽  
pp. 439-483
Author(s):  
Elena Canadelli

The historical catalogs of the museum collections contain a wealth of information for historians seeking to reconstruct their contents, how they were displayed and the ways in which they were used. This paper will present the complete transcription of a draft catalog that was prepared in 1797 for the Museum of Natural History and Antiquities of the University of Padua. Conserved in the university’s Museum of Geology and Paleontology, the catalog was the first to be compiled of the museum, which was established in 1733 thanks to the donation by Antonio Vallisneri Jr. of his father Antonio Vallisneri Sr.’s collection of antiquities and natural history. The catalog was compiled by the custodian of the museum, the herbalist and amateur naturalist Bartolomeo Fabris. It is of great interest because it provides a record of the number and nature of the pieces conserved in the museum at a time when natural history and archeology collections were still undivided. It also provides indications as to how such collections were arranged for display in the public halls of a university at the end of the eighteenth century. Based on this catalog, with additional information drawn from other manuscript and published sources and museum catalogs from the 1830s conserved in various institutes at the University of Padua, it is possible to reconstruct the contents and layout of a significant late 18th-century natural history collection.


2020 ◽  
Vol 47 (1) ◽  
pp. 166-182
Author(s):  
Matthew Fishburn

In 2009, the State Library of New South Wales acquired a collection of 201 letters written by the Royal Navy officer John Septimus Roe. Dating between 1807 and 1829, these letters cover Roe's time serving with Phillip Parker King on the Australian coastal survey voyages of the Mermaid and Bathurst (1817–1823), and later with James Bremer on the Tamar on the Australian north coast and in Southeast Asian waters (1824–1827). This article, based on a close study of the letters, explores how Roe's interest in natural history and ethnography developed during this time, leading to the establishment of an extensive private museum, with the particular encouragement of his brother William Roe, at the family home, the rectory of the church of St Nicolas, Newbury, Berkshire. Roe took advantage of his time, while surveying areas of Australia largely unknown to Europeans, to make a collection of some scientific importance, but the museum was sold and dispersed in 1842, so that the close reading of the letters provides the only substantive account of its contents. The letters also provide an opportunity to make a case study of the web of connections – and opportunities for promotion – that collecting provided for a then quite junior British naval officer. Although no item with a confirmed provenance to the museum is recorded, it is hoped that this article may provide clues that will lead to the unearthing of specimens acquired by Roe which formed part of his enormous natural history collection, and also to the Aboriginal spears, weapons and other implements collected from the remoter stretches of the Australian coast.


Author(s):  
Victoria Dickenson ◽  
Jennifer Garland

For almost 40 years, the British jurist and Fellow of the Royal Society Taylor White (1701–1772) actively engaged in commissioning artists to paint plants and animals for his ‘paper museum’. White amassed a collection of almost 1000 drawings of birds, mammals, fish, amphibians and reptiles, acquired by McGill University in 1927. His first recorded purchase was a watercolour by George Edwards (1694–1773). He also acquired works from Eleazar Albin ( fl.  1690– ca  1742) and Jacob van Huysum ( ca  1687–1740), but the majority of the watercolours were painted by two artists, Charles Collins ( ca  1680–1744) and Peter Paillou ( ca  1712–1782). In 2018 a research group at McGill University Library received funding from the Social Sciences and Humanities Research Council of Canada for the project ‘Undescrib'd: Taylor White's paper museum’. The project produced a complete catalogue of the White collection, including attribution of all unsigned works, and digitized all paintings and notes. This paper documents the process surrounding the original creation of the collection, reviewing the careers of the artists and White's relationship with them, the value of the commissions and the challenges of painting natural history subjects. It also describes the mechanics of painting, including pigments, papers used and artists' techniques.


It is generally believed that the Royal Society was in a state of decline in the eighteenth century; a majority of the members had no scientific background, meetings were disorganized and rowdy affairs, and the presentations were often trivial and anecdotal. As well, a dilettantish approach to science was engendered by a change in emphasis from the physical sciences to antiquarianism and natural history. For a time, collections and classifications came to assume more importance than experimentation. Although Miller has recently questioned the premises which have led to an historical devaluation of the Society’s standing in the eighteenth century, there was plenty of contemporary support for such views, most notably from John Hill. 1 Born at Peterborough in 1714, the son of a clergyman who had studied medicine at Cambridge, little is known of Hill’s formative years. 2 He first came to notice in London about 1738 as an unsuccessful actor and an apothecary. His medical training led to an abiding interest in botany, but without an inheritance he was dependent on patronage, his writing and the sale of proprietary medicines for an income to support his studies in this field.


In 1754 John Ellis was elected to the Royal Society. During the next twenty two years, he won the Copley Prize in 1768, was elected to the Council in 1769, and published over thirty essays and monographs on natural history. In doing this Ellis laid the foundation of one area of zoology with his studies of zoophytes; published on the preservation of seeds and the natural history of coffee; and reported on new plants and insects. Furthermore his papers, containing correspondence with well over one hundred different people, provide a clearer picture o f the interrelationships which operated in the warp and woof of eighteenth century English and colonial science. Ellis was also a merchant in the Irish linen trade; a lobbyest at Westminster for the Irish Linen Board; the Royal Agent for West Florida, and the Colonial Agent for Dominica.


Author(s):  
Emilienne Greenfield

Between the 1750s and 1770s Taylor White compiled over 750 manuscript notes to accompany his collection of animal portraits. These notes are written on individual unbound sheets of paper, and offer descriptions of the birds, mammals and fish that he commissioned to be painted. Examination of the structure and content of White's notes reveals that he chose and edited information from published sources while supplementing this with his own personal observations, that he wrote in both Latin and English, and that he obtained the help of an assistant to copy out many of his drafts in a more refined hand. This article discusses what White's purpose might have been in compiling these notes, what relationship they held to his collection of images, and how his note-taking practices aligned with the contemporary eighteenth-century culture of note-taking and information management in natural history.


Author(s):  
Edwin D. Rose

The library and herbarium of Joseph Banks was one of the most prominent natural history collections of late eighteenth-century Britain. The examination of the working practices used in Banks's library, which was based at 32 Soho Square from 1777, reveals the activities of the numerous individuals who worked for Banks and on his collections from the early 1770s until 1820. Banks's librarians and their assistants used a range of paper technologies to classify and catalogue the vast numbers of new botanical species being discovered at this time. These practices of managing information changed as the decades progressed, reflecting the changes to systems of classification and the different research projects of Banks and his natural history staff. Banks's great wealth and powerful position as President of the Royal Society gave him the means to build and use this rigorously organized collection and library to influence a range of other private and institutional collections for almost 50 years.


2009 ◽  
Vol 42 (4) ◽  
pp. 539-562 ◽  
Author(s):  
JOHN GASCOIGNE

AbstractThis paper focuses on the response of the Royal Society to the increasing contact with parts of the globe beyond Europe. Such contact was in accord with the programme of Baconian natural history that the early Royal Society espoused, but it also raised basic questions about the extent and nature of the pursuit of natural history. In particular, the paper is concerned with the attention paid to one particular branch of natural history, the study of other peoples and their customs. Such scrutiny of other peoples in distant lands raised basic questions about what methods natural history should employ and the extent to which it could serve as a foundation for more general and theoretical claims. By taking a wide sweep from the beginnings of the Royal Society until the end of the eighteenth century it is hoped light will be shed on the changing understanding of natural history over this period.


Author(s):  
P. J. P. WHITEHEAD

The authorship of the anonymous Conchology, or natural history of shells has often been disputed, as has also the correct dating of the parts of this incomplete book. Some have attributed this work — the first in which the term "conchology" was employed — to the wellknown natural history dealer George Humphrey (? 1745—1825), who indeed seems to have claimed authorship in his Museum Humfredianum of 1779. Others have favoured Emanuel Mendes da Costa (1717—91), author of books on shells as well as fossils and minerals. Others again have settled for joint authorship. However, in the absence of detailed biographical data on either of these two men, the question of authorship of the Conchology has been largely a matter of speculation. The key to the puzzle lies in the rather unusual circumstances that attended the production of the book, for it was during this period that da Costa fell from grace, being convicted of embezzlement and spending some years in prison. No-one has hitherto documented this aspect of da Costa's life, while the most valuable source of all, the eleven volumes of da Costa correspondence in the British Library, has been almost entirely neglected. In the light of these letters, a number of which date from the prison period, together with clues in other letters, it is now possible to date the six parts of the book fairly accurately, and also to assess Humphrey's role in it and to conclude that the real author was da Costa, an unrepentent debtor in the King's Bench Prison. Da Costa's downfall, which can be followed closely in the minutes of the Council of the Royal Society for 1767—68, provides the reason why the Conchology was anonymous, and in turn this serves to narrow down the dates within which it was written. Anonymity was essential, for no collector would allow precious specimens to be borrowed for illustration in the name of a man who had embezzled the funds of the Royal Society to the tune of nearly fifteen hundred pounds (by pocketing subscriptions). Various guesses have been made concerning the duration of da Costa's term in prison, but in fact he was committed to the King's Bench Prison in November 1768 and was not released until four years later, in October 1772. During this time he made translations, worked on catalogues and delivered lectures. The letters written and received in prison show that the Conchology was well under way by early in 1771, although it was probably planned at least a year before and may perhaps have stemmed from a more ambitious project covering several animal groups, dating from late in 1767. The true authorship of the Conchology can be deduced partly from the prison letters and partly from a letter written years later to John Swainson, in which Humphrey criticizes da Costa's text for several of the figures. Humphrey's role seems to have been that of editor. The book was illustrated by John Wicksteed (pls. 1–4,), George Humphrey's brother William (pls. 5, 7) and Peter Brown (pls. 8–12), but the text breaks off in the middle of pl. 5. There were six parts, each with two plates, and from the letters and from two dated wrappers with a copy in the British Museum (Natural History), the parts appear to have been issued at two month intervals between December 1770 and October 1771. The abrupt cessation of the work cannot yet be accounted for. The Conchology is not without taxonomic value, some of the plates illustrating type specimens. However, the history of its production throws important light on da Costa, who was a highly significant — if wayward — figure in eighteenth century natural history, and a man who well deserves a more extensive and detailed biography. Subsequently to the Easter Meeting this study has been reported in the following publication: Whitehead, P. J. P. 1977. Emanuel Mendes da Costa (1717–91) and the Conchology, or natural history of shells. Bull. Br. Mus. nat. Hist. (hist. Ser.), 6 (1): 1–24.


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