Global Constructions of ‘Korupsi’ in a Local Public Sphere: A Cross-Cultural Malaysian Reception Study

2002 ◽  
Vol 102 (1) ◽  
pp. 113-125
Author(s):  
Tony Wilson
Keyword(s):  
Public Sphere ◽  
Television News ◽  
Cross Cultural ◽  
Audience Response ◽  
The Public ◽  
Reception Study ◽  
Social Events ◽  
Audience Responses ◽  
The Public Sphere ◽  
News Programs

Audience responses to television are at the heart of sense-making in the public sphere. Research on viewers' readings of economic, political and social events in news programs, invariably constructed around the activities of ‘significant’ individuals, is of particular consequence for understanding the functioning of a democracy. This paper is a cross-cultural reception study of how audiences come to interpret the program genre of television news. In a process of comprehension characterised by fusing/feuding horizons of understanding the world, viewers playfully accommodate the meaning of programs in their everyday lives. Analysis of television's reception should be tested against audience activity. Theory must be corroborated. Drawing from a significant literature discussing the phenomenology of ludic experience, the article theorises trans-cultural reception of Western (British) television by Asian (Malaysian) viewers as seriously ‘playful’. Academic assertions are assessed as illuminating audience response.

scholarly journals The ignored audience: A multi-method reception study on children and television news in Albania

Childhood ◽  
2017 ◽  
Vol 24 (2) ◽  
pp. 230-244 ◽  
Author(s):  
Emiljano Kaziaj ◽  
Sofie Van Bauwel
Keyword(s):  
Critical Thinking ◽  
Public Sphere ◽  
News Media ◽  
Television News ◽  
News Coverage ◽  
Broadcast News ◽  
Emotional Maturity ◽  
The Public ◽  
Reception Study ◽  
The Public Sphere

Children are not considered to be an appropriate audience for news coverage based on their presumed lack of emotional maturity, critical thinking and proper knowledge. This article challenges these views by presenting the opinions of children aged 10–15 who report having watched broadcast news nearly every day. Additionally, the views of adults aged 25–62 are investigated. Children contest to the ways they are being portrayed by the news media and demonstrate their need to be considered as active participants in the public sphere, which is presented by the news media as an exclusive domain for adults.

scholarly journals Making Whiteness Visible and Felt in Fairview

Humanities ◽  
2021 ◽  
Vol 10 (2) ◽  
pp. 81
Author(s):  
Michael Pearce
Keyword(s):  
Public Sphere ◽  
White Privilege ◽  
Political Context ◽  
White People ◽  
The Public ◽  
Black Lives Matter ◽  
Audience Responses ◽  
The Public Sphere

In this article I analyse how Jackie Sibblies Drury’s play Fairview makes white audience members feel white. As a play that exposes whiteness and calls white people to account for their racism, Fairview speaks to contemporary global antiracist activism efforts. Therefore, I begin by situating Fairview in the transatlantic cultural and political context of Black Lives Matter. I then discuss the theatrical devices Drury employs in Fairview in order to make whiteness felt before going on to analyse a range of white audience responses to the production at London’s Young Vic Theatre in 2019/2020. I reflect on these responses in relation to how white people react to accusations of white privilege and power in the public sphere and identify shared strategies for sustaining whiteness. In conclusion, I consider Fairview as a model of affective antiracist activism.

Take it Outside

2015 ◽  
Vol 5 (4) ◽  
pp. 54-63 ◽  
Author(s):  
Jennifer Scheper Hughes ◽  
James Kyung-Jin Lee ◽  
Amanda Lucia ◽  
S.Romi Mukherjee
Keyword(s):  
United States ◽  
Public Sphere ◽  
The United States ◽  
Cross Cultural ◽  
The Public ◽  
Cultural Experiences ◽  
The Public Sphere

California is experiencing a proliferation of public religious celebrations like never before. The authors focus on four public celebrations: the throwing of colors during Holi, an annual pilgrimage to Manzanar, the Peruvian celebration of El Señor de Los Milagros, and Noche de Altares. Even as these and many other similar festivals simultaneously represent the irruption and interruption of the sacred in the public sphere, these festivals reflect the multi-religious character of immigration. These public rituals say something about the pursuit of belonging in California and in the United States within an increasingly diverse and multicultural landscape. Those who participate together as intimate strangers are often seeking only a temporary affiliation, perhaps a place for a moment to engage one another beyond the context of the marketplace. In sharing in these religious and cross-cultural experiences, participants become enmeshed in the complicated and vibrant diversity of California, up close and personal, as physical as the bodies encountered there.

scholarly journals Te Papa: A Forum for the World?  A Narrative Exploration of a Global Public Sphere

2021 ◽  
Author(s):  
◽  
Philipp Schorch
Keyword(s):  
Public Sphere ◽  
Museum Studies ◽  
Cross Cultural ◽  
Academic Disciplines ◽  
Empirical Reality ◽  
Cultural Encounters ◽  
Discursive Space ◽  
The Public ◽  
Cultural Dialogue ◽  
The Public Sphere

<p>The reinvention of the museum as "forum" within the new museology and the notion of the "public sphere" are inextricably linked. Both concepts have been theoretically scrutinised in museum studies, critical theory, cultural studies and other academic disciplines, but there is a lack of empirical insights into their actual functioning. This thesis offers an empirical interrogation of the "museum forum" idea. It sheds ethnographic light on cross-cultural encounters in a "cosmopolitanised" world illuminating what it means to experience a museological space and how a public sphere is "lived". Drawing on a long-term narrative study of global visitors to the Museum of New Zealand Te Papa Tongarewa (Te Papa), this thesis humanises Te Papa as a particular global public sphere, or discursive space. The critical hermeneutic analysis facilitates an understanding of "cross-cultural dialogue" and the "public sphere" as interpretive actions, movements and performances made by cultural actors. By exploring individual experiences instead of totalised abstractions, this study dissects the complexity of cultural worldmaking and politics elucidating "interpretive contests" and their "enunciation". Due to the in-depth empirical insights and their multilayered contextualisation, the "museum forum" evolves from an abstract idea into a concrete discursive world of negotiations. This thesis examines Te Papa as a particular place, space and empirical reality. It interrogates seemingly universal concepts such as "culture" and "politics" producing empirically situated, contextualised and rich theoretical propositions of significance for the human sciences in general as well as critical museum studies in particular.</p>

scholarly journals Quand la droite nationaliste montre les minarets : la médiatisation ambiguë d’une initiative populaire en Suisse

2015 ◽  
Vol 40 (1) ◽  
Author(s):  
Philippe Gonzalez
Keyword(s):  
Public Sphere ◽  
Media Coverage ◽  
Television News ◽  
The Public ◽  
News Program ◽  
Public Recognition ◽  
French Speaking ◽  
The Media ◽  
The Public Sphere ◽  
Using Data

This contribution addresses the anti-minaret referendum accepted by the Swiss people in 2009, using data drawn from the main television news program in French-speaking Switzerland. The analysis tries to point out ambiguities in the media coverage of this referendum and to show how increasing the Muslims’ visibility worked against their public recognition. The clarification of the concept of visibility pays attention to the ways in which certain actors (politicians of the nationalist right) force others (the Muslims of Switzerland) to appear in the public sphere, creating controversy and publicizing their identity aspirations. This investigation leads to an inquiry on the normative conditions necessary for democratic debate.Cette contribution revient sur l’initiative anti-minarets acceptée par le peuple suisse en 2009, à partir de matériau provenant du principal journal de la Télévision suisse romande. L’analyse tente de ressaisir les ambiguïtés inhérentes à la médiatisation de cette initiative et de montrer comment la visibilisation des musulmans a joué en défaveur de leur reconnaissance publique. L’élucidation du concept de visibilité se veut attentive à certaines formes d’instrumentalisation par des acteurs (des politiciens de la droite nationaliste) qui en forcent d’autres (les musulmans de Suisse) à apparaître dans l’espace public, afin de susciter une controverse et publiciser leur programme identitaire. L’enquête débouche sur une interrogation relative aux conditions normatives nécessaires à la tenue d’un débat démocratique.

Hanslick and the Institution of Criticism

2011 ◽  
Vol 28 (3) ◽  
pp. 289-324 ◽  
Author(s):  
Dana Gooley
Keyword(s):  
Social Change ◽  
Public Sphere ◽  
Political Life ◽  
Audience Response ◽  
Music Criticism ◽  
Practical Application ◽  
Top Down ◽  
The Public ◽  
The Enlightenment ◽  
The Public Sphere

This article surveys Hanslick’s statements about the purpose and practice of criticism to argue that he viewed music criticism as a medium with the potential to effect political and social change, and not as a practical application of aesthetic principles. Hanslick took up the Enlightenment model of criticism—–which stressed the critic’s role in fostering the public’s independence of judgment through the exercise of reason—–and adapted it to the historical circumstances of post-1848 Vienna. The Enlightenment model had originated from an impetus to emancipate a civil public from top-down, absolute forms of authority. It resonated powerfully with Hanslick because he believed that artistic, social, and political life in Vienna after 1848 was gradually liberating itself from the paralyzing, passive, and repressive ethos of Vormärz, and that the critic could contribute to this historical emancipation. Hanslick thus broke his earlier identification with the Left Hegelian “philosophical” model of criticism, which did not share the Enlightenment’s optimistic conception of the public sphere. His commitment to the critic's public mission manifested as an effort to position his voice as the “silent” inner conscience of the average educated listener. His self-consciousness about aligning his voice with that of the public came to the surface in reviews where his opinion did not match the audience response. Many of Hanslick’s criteria for musical judgment were aimed at defending the listener’s freedom from the interference of external critical authorities as well as from composers and whose musical ideas were turgid or unclear. In service to these freedoms he was willing to criticize composers such as Beethoven, Schumann, and Brahms, as well as conservative classicists and music historians.

scholarly journals Te Papa: A Forum for the World?  A Narrative Exploration of a Global Public Sphere

2021 ◽  
Author(s):  
◽  
Philipp Schorch
Keyword(s):  
Public Sphere ◽  
Museum Studies ◽  
Cross Cultural ◽  
Academic Disciplines ◽  
Empirical Reality ◽  
Cultural Encounters ◽  
Discursive Space ◽  
The Public ◽  
Cultural Dialogue ◽  
The Public Sphere

<p>The reinvention of the museum as "forum" within the new museology and the notion of the "public sphere" are inextricably linked. Both concepts have been theoretically scrutinised in museum studies, critical theory, cultural studies and other academic disciplines, but there is a lack of empirical insights into their actual functioning. This thesis offers an empirical interrogation of the "museum forum" idea. It sheds ethnographic light on cross-cultural encounters in a "cosmopolitanised" world illuminating what it means to experience a museological space and how a public sphere is "lived". Drawing on a long-term narrative study of global visitors to the Museum of New Zealand Te Papa Tongarewa (Te Papa), this thesis humanises Te Papa as a particular global public sphere, or discursive space. The critical hermeneutic analysis facilitates an understanding of "cross-cultural dialogue" and the "public sphere" as interpretive actions, movements and performances made by cultural actors. By exploring individual experiences instead of totalised abstractions, this study dissects the complexity of cultural worldmaking and politics elucidating "interpretive contests" and their "enunciation". Due to the in-depth empirical insights and their multilayered contextualisation, the "museum forum" evolves from an abstract idea into a concrete discursive world of negotiations. This thesis examines Te Papa as a particular place, space and empirical reality. It interrogates seemingly universal concepts such as "culture" and "politics" producing empirically situated, contextualised and rich theoretical propositions of significance for the human sciences in general as well as critical museum studies in particular.</p>

The Public Sphere and the Telangana Movement

2014 ◽  
Vol 152 (1) ◽  
pp. 143-157 ◽  
Author(s):  
Padmaja Shaw
Keyword(s):  
Public Sphere ◽  
News Media ◽  
Public Discourse ◽  
Television News ◽  
The Public ◽  
Other Information ◽  
History Of ◽  
The Public Sphere ◽  
Television Coverage ◽  
Political Turmoil

The 60-year-old demand for a separate state for the Telangana region was an instance in India's recent history when political turmoil resolved itself primarily through the force of argumentation and public discourse. News media and other information forums played a complex role in this process. The multi-pronged debate on Telangana helped revitalise the public sphere, setting in motion what Habermas calls ‘a critical process of public communication through the very organisations that mediatize it’. Live coverage of events on television news channels triggered intense debates on other forums, where inclusive, independent argumentation could take place. The intense television coverage was part of a continuum of political discourse on various platforms, transforming and being transformed in the context of a history of oppositional politics. This article argues that it is the availability of spaces for critical rational debate that is crucial for democratic practice.

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