scholarly journals The social positions of taste between and within music genres: From omnivore to snob

2021 ◽  
pp. 136754942110060
Author(s):  
Jean-François Nault ◽  
Shyon Baumann ◽  
Clayton Childress ◽  
Craig M Rawlings

Are higher status cultural tastes in the modern United States better described as being inclusive and broad or exclusive and narrow? We construct an original dataset in response to conflicting answers to this question. We fill a major gap in the literature on cultural tastes by simultaneously considering taste for both musical genres and artists within genres. By examining the compositional balance of respondents’ taste portfolios, we reconcile seemingly incommensurate theoretical frameworks of class homology and omnivorousness. The results indicate that an omnivorous disposition to music is a relatively middle-status position in the social structure. In contrast, positions characterized by higher levels of cultural capital map onto exclusive and narrower tastes for consecrated culture.

Every region and people has peculiar economic characteristics and these features largely have roots in that region‟s social structure, social psychology and its dynamics. The capitalist economy of the United States has roots in individualismand Protestant Work Ethic, influenced both by Protestant religion and the social character of the Americans; the Client Economy of Saudi Arabia has deep linkages to its tribal social structure and the so-called Bazaar Economy of Afghanistan is profoundly embedded in the Pakhtun social structure of the country. The Pakhtuns of Pakistan have a peculiar social structure and social psychology thereof having profound and extensive influence on the region‟s economy particularly its largely underdevelopedcondition. The paper explores the characteristics of Pakhtun social structure and the interactive linkages between the social edifice and economic development or lack of it.


Author(s):  
Srividhya Venugopal ◽  
Evan Stoner ◽  
Martin Cadeiras ◽  
Ronaldo Menezes

2019 ◽  
Vol 52 (2) ◽  
pp. 284-311
Author(s):  
Todd McCardle

Situated within scholarly research on tracking, within-school racial segregation, and student career aspirations, this qualitative study examines how three Black students in the mainstream program at a magnet high school in the Southeastern United States discussed their career aspirations. Results indicate that while each participant aspired to attend college, their isolation from the social and cultural capital needed to successfully apply for colleges and their academic status within their school would serve as hindrances in gaining access to institutions that would help them accomplish their career aspirations. The data reveal a need to challenge educational policy such as tracking that has historically targeted and marginalized students of color and continues to provide unnecessary obstacles as they seek to reach their ambitions.


2021 ◽  
Vol 9 (58) ◽  

In this article, the reflections of the problem "homelessness" in the field of art will be examined through three different art works created by Andres Serrano within the framework of the subject. The artist focuses on the problem of homelessness in the state of New York, United States, in his art series titled "Nomads” (1990), "Sign of the Times (2013) and “Residents of New York” (2014). Human body is the smallest unit that forms the social structure. It’s effects of its situation between the dilemma of existence and absence in social and psychological areas, will be covered through the dialogues held with the participants that took place in the artist's project. The coding and positioning of the body within the framework of the definition and classification of homeless / homelessness will be mentioned. Besides, the process of transforming the problem into an art work in a creative way will be evaluated. Keywords: Andres Serrano, homeless, homelesness, body, “Nomads”, “Sign of the Times”, “Residents of New York”


2016 ◽  
Vol 6 (1) ◽  
pp. 223-260
Author(s):  
Anna Zawadzka

Abstract The article proposes a sociological reading of the novel I’ll Take You There by Joyce Carol Oates. Though the book can be classified as an initiation novel, it also constitutes an accusation of the very procedure of initiation as forcing individuals to agree and adapt to unfair social mechanisms. The context of the protagonist’s struggles is provided by the social structure of the early-1960s United States, with its inherent misogyny, anti-Semitism, racism and classism. All these factors shape her destiny in accordance with the logic of social reproduction. A destiny of overwhelming power of allocation, which the heroine is trying to resist. As an academic novel, I’ll Take You There is also an insightful deconstruction of the universalism preached within the Western academic world, and especially philosophy.


2018 ◽  
Vol 96 (1) ◽  
pp. 194-214 ◽  
Author(s):  
Tracy Lucht ◽  
Kelsey Batschelet

This study uses in-depth, biographical interviews to understand a range of historical experiences in the careers of individual women broadcasters in the Midwest, a region of the United States that has received relatively little attention from media scholars. The findings demonstrate the barriers these women faced as well as the social and cultural capital available to them as they pursued diverse roles in an industry that did not welcome their full participation. The study contributes to scholars’ understanding of women’s participation in the public sphere during the 1950s to 1970s.


2002 ◽  
Vol 48 (2) ◽  
pp. 204-231 ◽  
Author(s):  
John F. Wozniak

In previous research, core peacemaking criminology themes addressed by authors within the Pepinsky and Quinney reader were examined. These peacemaking criminology themes are types of crimes/social harms embedded in current social structure, types of theoretical frameworks/perspectives guiding peacemaking criminology, and types of peacemaking alternatives to confront the social injustices underlying crimes/social harms in today's society. Building on this previous research as well as a survey of peace-making authors, this article illustrates how elements of a peacemaking criminology theoretical model come into view. The article then explores the basic nature and connections of the elements in this peacemaking criminology theoretical model. The analysis concludes with suggestions of ways this peacemaking criminology theoretical model can be adapted toward future crime research and policies.


2012 ◽  
Vol 644 (1) ◽  
pp. 134-146 ◽  
Author(s):  
Nam-Jin Lee ◽  
Christine L. Garlough ◽  
Lewis A. Friedland ◽  
Dhavan V. Shah

The authors examine the intersection of gender and generation for the field of cultural consumption in the United States, considering their interplay in the social positioning of taste. The authors’ prior work found that while cultural capital in the United States largely parallels the field structure observed in 1960s France, the form of cultural capital in the United States discriminates between nurturance and community, on one side, and aggressiveness and individualism, on the other. To investigate this seemingly gendered and ideological positioning of taste, the authors locate individuals as “occupants” of this social field, distinguishing them by gender and age, and find that gender no longer structures a preference for a particular form of cultural capital among younger citizens. This blending of gendered identities in younger Americans suggests a realignment of the notions of gentility and community as defining femininity and coarseness and individualism as defining masculinity. The gendered patterns of cultural consumption that defined older generations do not define younger ones.


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