Faith, Diversity, and Education: An Ethnography of a Conservative Christian School

2021 ◽  
Vol 25 (1) ◽  
pp. 117-118
Author(s):  
Marla J Lohmann
Author(s):  
Daiva Milinkevičiūtė

The Age of Enlightenment is defined as the period when the universal ideas of progress, deism, humanism, naturalism and others were materialized and became a golden age for freemasons. It is wrong to assume that old and conservative Christian ideas were rejected. Conversely, freemasons put them into new general shapes and expressed them with the help of symbols in their daily routine. Symbols of freemasons had close ties with the past and gave them, on the one hand, a visible instrument, such as rituals and ideas to sense the transcendental, and on the other, intense gnostic aspirations. Freemasons put in a great amount of effort to improve themselves and to create their identity with the help of myths and symbols. It traces its origins to the biblical builders of King Solomon’s Temple, the posterity of the Templar Knights, and associations of the medieval craft guilds, which were also symbolical and became their link not only to each other but also to the secular world. In this work we analysed codified masonic symbols used in their rituals. The subject of our research is the universal Masonic idea and its aspects through the symbols in the daily life of the freemasons in Vilnius. Thanks to freemasons’ signets, we could find continuity, reception, and transformation of universal masonic ideas in the Lithuanian freemasonry and national characteristics of lodges. Taking everything into account, our article shows how the universal idea of freemasonry spread among Lithuanian freemasonry, and which forms and meanings it incorporated in its symbols. The objective of this research is to find a universal Masonic idea throughout their visual and oral symbols and see its impact on the daily life of the masons in Vilnius. Keywords: Freemasonry, Bible, lodge, symbols, rituals, freemasons’ signets.


Author(s):  
Peggy J. Miller ◽  
Grace E. Cho

Chapter 4, “Nuanced and Dissenting Voices,” examines the nuances diverse parents brought to their understandings of childrearing and self-esteem. Framed within Bakhtinian theory, this chapter gives voice to African American parents, working-class parents, conservative Christian parents, and mothers, particularly women who had experienced low self-esteem. These parents endorsed self-esteem, but refracted the language of the self-esteem imaginary in ways that made sense, given their diverse values and ideological commitments, social positioning, and idiosyncratic experiences. This chapter also describes the perspectives of two groups from the larger study who challenged key elements of the dominant discourse: grandmothers of Centerville children who raised their children in an earlier era, and Taiwanese parents who grew up in a different cultural context but were temporarily residing and raising their children in Centerville. These two groups of dissenters underscore again the book’s theme that self-esteem is rooted in time and place.


1982 ◽  
Vol os-25 (3) ◽  
pp. 31-37
Author(s):  
R. G. Patterson
Keyword(s):  

2012 ◽  
Vol os-55 (1) ◽  
pp. 37-50
Author(s):  
Briony Scott
Keyword(s):  

1950 ◽  
Vol 12 (3) ◽  
pp. 341-362
Author(s):  
Robert F. Byrnes

The principal obstacle to the success of Edouard Drumont's campaign against the Jews in France following the enormous success of La France juive in 1886 was his inability to elaborate a program which could tie effectively “the revolutionary worker and the conservative Christian.” Antisemitism served as a binding force, but Drumont was not so successful in his use of that weapon as Hitler later was in Germany. Most French Socialists by 1891 or 1892 had clearly rejected antisemitism, and by 1892 as well many conservatives had become frightened by the apparent radical aims of the antisemitic campaign. Even those Catholics who were still supporters of Drumont when Captain Dreyfus was arrested in 1894 were followers of Drumont only because no other party or group could attract them.


2006 ◽  
Vol 14 (1-2) ◽  
pp. 127-142
Author(s):  
Erin Runions

AbstractThis paper puts the political concerns expressed by secular apocalypse in Ang Lee's Hulk (2003) into conversation with the political concerns expressed by religious apocalypse in conservative Christian discourse. The film sets a revised version of the Akedah, in which the wife/mother is killed instead of the son, at the heart of its plot and of its critique of U.S. foreign policy. Set within Lee's apocalyptic analysis of repressed trauma, this quasi-biblical allusion points toward the repeating biblical tradition of the murdered wife/mother. One such repetition of this originary trauma can be found in what Diana Edelman has argued to be Yahweh's murder of his wife Asherah in Zechariah 5:5-11, a text which can be read in the same psychoanalytic terms that the film evokes. Both film and text represent the missed encounter of trauma and the entombment of the lost love object. In both film and text, the lost object, the mother, is entombed, encrypted and forgotten. But because this proto-apocalyptic text is one that conservative Christians take up in their defence of the war on Iraq as the precursor to the doomed Whore of Babylon, this text, uncannily, brings the film into contact with its religious apocalyptic roots. But where the biblical text is read in ways that only increase a violent repetition compulsion, the film models mourning and letting go as a way of working through the trauma. Thus, the film offers an alternate way of reading the biblical text in culture.


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