To Africanize Spain: Twentieth-Century Spanish Poetry and the Persistent Forms of al-Andalus

2021 ◽  
Vol 73 (4) ◽  
pp. 421-441
Author(s):  
Lubna Safi
Keyword(s):  
Twentieth Century ◽  
Spanish Poetry

Contemporary Spanish Poetry: 1939-1990 (A Special Issue of Studies in Twentieth Century Literature)

Hispania ◽  
1993 ◽  
Vol 76 (2) ◽  
pp. 274
Author(s):  
Jerry Phillips Winfield ◽  
Andrew A. Debicki
Keyword(s):  
Twentieth Century ◽  
Twentieth Century Literature ◽  
Special Issue ◽  
Spanish Poetry ◽  
Century Literature

Spanish Poetry of the Twentieth Century: Modernity and Beyond

1995 ◽  
Vol 69 (2) ◽  
pp. 338
Author(s):  
John Crispin ◽  
Andrew P. Debicki
Keyword(s):  
Twentieth Century ◽  
Spanish Poetry

Spanish Poetry of the Twentieth Century: Modernity and Beyond

1995 ◽  
Vol 60 (3) ◽  
pp. 161
Author(s):  
John C. Wilcox ◽  
Andrew P. Debicki
Keyword(s):  
Twentieth Century ◽  
Spanish Poetry

Twentieth-Century Spanish Poetry

1985 ◽  
Vol 59 (2) ◽  
pp. 207
Author(s):  
Ricardo Gullón ◽  
David Draper Clark
Keyword(s):  
Twentieth Century ◽  
Spanish Poetry

scholarly journals Canon y teaching anthologies : en torno a la enseñanza de la poesía y la pervivencia de ambas

2009 ◽  
Vol 18 ◽  
Author(s):  
José Francisco Ruiz Casanova
Keyword(s):  
Twentieth Century ◽  
Literary Canon ◽  
Anglo Saxon ◽  
Spanish Poetry ◽  
Siglo Xx

El presente trabajo aborda la relación tópica, establecida por la crítica de una manera unánime, entre la «formación» o «constitución» del canon literario (en este caso, el «canon poético») y las antologías. Con este propósito se estudian aquí en algunas cuestiones relativas a las antologías panorámicas de la poesía española editadas en el siglo XX, con especial atención al modelo que la crítica anglosajona denomina teaching anthologies y la inapreciable influencia de dicho modelo en el modo antológico del hispanismo peninsular.This work studies the topical relationship, fitted by criticism just in a way, between «formation» and «constitution» of literary canon (in this case, «poetical canon») and anthologies. With this purpouse, it studies some questions about panoramic anthologies of spanish poetry edited in Twentieth Century, paying special attention to the pattern that Anglo-saxon criticism name «teaching anthologies» and the short influence of this pattern in the anthological way of peninsular hispanic criticism.

The Poetics of Self-Consciousness: Twentieth-Century Spanish Poetry

1996 ◽  
Vol 64 (2) ◽  
pp. 289
Author(s):  
Martha Lafollette Miller ◽  
Jonathan Mayhew
Keyword(s):  
Twentieth Century ◽  
Spanish Poetry

scholarly journals Expresividad y moldes métricos. Perspectivas españolas a finales del siglo XX

2015 ◽  
pp. 155
Author(s):  
Joaquín Moreno Pedrosa
Keyword(s):  
Twentieth Century ◽  
Theoretical Research ◽  
Spanish Poetry ◽  
A Priority ◽  
Siglo Xx

En la poesía española de finales del siglo XX no es frecuente que expresividad y moldes métricos aparezcan como términos opuestos. De forma generalizada, los autores de este período utilizan versos y estrofas clásicas. Además, no es frecuente encontrar entre ellos escritos de indagación teórica sobre cuestiones métricas. Sin embargo, cuando éstos aparecen, la variación sobre los modelos clásicos suele ir unida a la búsqueda de un determinado efecto expresivo. Algunos poetas, como Antonio Carvajal, consideran que estas variaciones deben constituir un objeto preferente de la métrica. Para otros, como Miguel d’Ors, estos desvíos pertenecen más bien al ámbito de la artesanía.In Spanish poetry at the end of the Twentieth Century, expressiveness and metrical forms are not often seen as opposite terms. In general, the authors of this period use classic models of verses and stanzas. Furthermore, theoretical research on metrics is not usually found among them. Nevertheless, when they have appeared, variations on classic models are accompanied by a search for a particular expressive effect. Some poets such as Antonio Carvajal think these variations must be a priority object in metrics. Meanwhile, for other authors like Miguel d’Ors, these innovations belong to the craftmanship scope.

Don Quijote of La Mancha: Symbol of the Spanish Spirit

2017 ◽  
Author(s):  
Tara Downs
Keyword(s):  
Twentieth Century ◽  
Civil War ◽  
Miguel De Unamuno ◽  
Spanish Poetry ◽  
Miguel De Cervantes ◽  
Don Quijote ◽  
Relevant Today ◽  
La Mancha ◽  
History Of ◽  
Sancho Panza

In his masterpiece Don Quijote of La Mancha, Miguel de Cervantes uses protagonists Don Quijote and his squire, Sancho Panza, to discuss various important themes, including the juxtaposition of reality and illusion, and the Spanish culture itself—both of which continue to be relevant today.  He attributes ideas such as illusion and idealism to Don Quijote, and reality and realism to Sancho Panza.  All of these attributes can be applied to Spain, a country with a history full of contrasts.  This is especially clear through the history of Spain in the twentieth century.  At this time Spain lost its last colonies, had a civil war which resulted in a 36 year dictatorship, and, obtained freedom with the death of Franco in 1975.  This study examines poems by writers such as Miguel de Unamuno, Miguel Hernández, and Mario Hernández and analyses the attitudes present towards each of these historic events.  In doing so, it becomes clear that the Spanish mindset shifts between moments of“quijotismo” and moments of “sanchismo.” Therefore, this study aims to demonstrate that by analyzing twentieth century Spanish poetry, it is clear that Cervantes’ masterpiece Don Quijote serves as the symbol of the Spanish spirit throughout history.

Getting the Picture. The Ekphrastic Principle in Twentieth-Century Spanish Poetry

2001 ◽  
Vol 69 (1) ◽  
pp. 115
Author(s):  
John C. Wilcox ◽  
Margaret H. Persin
Keyword(s):  
Twentieth Century ◽  
Spanish Poetry

The poetics of self-consciousness: twentieth-century Spanish poetry

1994 ◽  
Vol 31 (11) ◽  
pp. 31-5919-31-5919
Keyword(s):  
Twentieth Century ◽  
Spanish Poetry
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