Mary Moore Mitchell, Eudora Welty, and Me

Norma Flora Cox

doi:10.1353/ewr.2021.0004

Mary Moore Mitchell, Eudora Welty, and Me

Eudora Welty Review ◽

10.1353/ewr.2021.0004 ◽

2021 ◽

Vol 13 (1) ◽

pp. 167-189

Author(s):

Norma Flora Cox

Keyword(s):

Eudora Welty

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Language and Hate in A Worn Path by Eudora Welty

10.31972/dhiscrip19.004 ◽

2019 ◽

Author(s):

Ismael Fahmi ◽

Lanja Dabbagh

Keyword(s):

Eudora Welty

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Teaching the Works of Eudora Welty

10.2307/j.ctv5jxps8 ◽

2018 ◽

Keyword(s):

Eudora Welty

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Eudora Welty Society

Eudora Welty Review ◽

10.1353/ewr.2020.0022 ◽

2020 ◽

Vol 12 (1) ◽

pp. 220-226

Author(s):

Harriet Pollack

Keyword(s):

Eudora Welty

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"The Continuous Thread of Revelation": Eudora Welty Reconsidered

Eudora Welty Review ◽

10.1353/ewr.2020.0004 ◽

2020 ◽

Vol 12 (1) ◽

pp. 13-17

Author(s):

Adrienne Akins Warfield ◽

Sarah Gilbreath Ford

Keyword(s):

Eudora Welty

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Eudora Welty and the House of Fiction

Eudora Welty Review ◽

10.1353/ewr.2020.0007 ◽

2020 ◽

Vol 12 (1) ◽

pp. 53-68

Author(s):

Michael Pickard

Keyword(s):

Eudora Welty

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Precarious Memory: Eudora Welty and the Mississippi State Lunatic Asylum

Eudora Welty Review ◽

10.1353/ewr.2020.0008 ◽

2020 ◽

Vol 12 (1) ◽

pp. 69-86

Author(s):

Keri Watson

Keyword(s):

Lunatic Asylum ◽

Eudora Welty

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Eudora Welty Come from Away

The Hudson Review ◽

10.2307/3851386 ◽

1985 ◽

Vol 38 (3) ◽

pp. 473

Author(s):

Dean Flower ◽

Eudora Welty

Keyword(s):

Eudora Welty

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Elizabeth Bowen and Eudora Welty: Selected Correspondence

Irish University Review ◽

10.3366/iur.2021.0501 ◽

2021 ◽

Vol 51 (1) ◽

pp. 137-161

Author(s):

Allan Hepburn

Keyword(s):

Jane Austen ◽

Gustave Flaubert ◽

Second World War ◽

Contemporary Fiction ◽

Eudora Welty ◽

The Novel ◽

Elizabeth Bowen ◽

World War ◽

Comprehensive Theory ◽

Second World

Over her career, Elizabeth Bowen published ten novels, yet she left no comprehensive theory of the novel. This essay draws especially upon ‘Notes on Writing a Novel’ (1945), ‘The Technique of the Novel’ (1953), and ‘Truth and Fiction’ (1956), as well as opinions that Bowen expressed in her weekly book columns for The Tatler, to formulate her key perceptions of, and rules for, writing a novel. Bowen defined her ideas by drawing upon the empirical evidence of novels by Elizabeth Taylor, Olivia Manning, H.E. Bates, Jane Austen, Gustave Flaubert, and numerous others. She gave particular thought to ‘situation’, by which she means the central problematic or the crux of the story. The situation precedes and fuels plot. The Second World War, Bowen claimed in her essays and reviews, had a decisive influence on heroism and contemporary fiction by heightening its scale and its repertory of situations.

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