The Mother of Invention

2021 ◽  
pp. 224-236
Author(s):  
Thomas Cline

This chapter speculates on the historical and philosophical origins of design practices as a means of situating design education within contemporary educational discourse. It builds from Plato’s assertion that 'Necessity is the mother of invention', a proverb that can be thought of as foundational to the creation of those design artifacts that assist in mediating our human relationships with and in the physical world. In returning to practices in design education that emphasize the concepts of invention and innovation as fundamental necessities, educators and students may come to understand design as a realm of knowledge existing outside the binaries of both the contingent and the universal.

Trictrac ◽  
2016 ◽  
Vol 9 ◽  
Author(s):  
Liliana Danciu ◽  
Petru Adrian Danciu

The axes of the creation and birth of the imaginary as a mythical language. Our research follows the relationships of the concepts that are taking into account creation on the double axis of verticality and horizontality. We highlight those symbolic elements which would later constitute the mythical language about the sacred space-temporality. Inside this space-temporality a rich spectrum of mythical images develops; images capable of explaining the relationships of the creation plans. Without a religious perception of the temporality, the conceptualization of the axis would remain a philosophical approach. Through our point of view, the two are born simultaneously. Thanks to them, creation can be imagined. The first “frozen” formula of the mystical human spirit can be thought, brought to a palpable reality, expressed in an oral and then a written form. Studied together, temporality (sacred or not) and space are permanently imagined together. For example, a loss of mundane temporality in the secret ecstasy that offers to the soul an ascending direction does not mean getting out of universal temporality, but of its mundane section. In the sacred space the soul relates to time. Even the gods are submitted by the sacred, Aeon sometimes being synonymous to destiny. The universal creator seems to evade every touch, but not consistently, only when he avoids the descent into its created worlds. In sacredness, time and space seem or become confused, both expressing the same reality, by the immediate swing from thinking to deed. The mythical imagery conceives the displacement in the primary space-temporality by the spoken word. So, for something to appear and live, the spoken word is required. Even the divine dream appears as a pre-word of a creator’s thought. The thought follows the spoken word, the spoken word follows the gestures which finally indicate the meanings of the creative act, controlling the rhythm of the creation days. These three will later be adapted through imitation in rite. We are now situated at the limit of the physical world, a real challenge for the mythical imagery. The general feature of the mythical expression on the creation of the material world is the state of the divinity’s exhaustion, most often conceptualized by sacrifice or divine fatigue. The world geography identifies with the anatomy of a self-gutted god. Practically, material creation is most likely the complete revelation of God’s body autopsy. As each body decomposes, everything in it is an illusion. An axial approach of the phenomenon exists in all religious systems. The created element’s origin is exterior, with or without a pre-existing matter, by a god’s sacrifice or only because it has to be that way. This is the starting point of the discussion on the symbolism of axiality as a reason for the constitution of the language of creation, capable of retelling the imaginary construction of myth in an oral and then written form.


2020 ◽  
Vol 9 (1) ◽  
pp. 396-411
Author(s):  
Petrônio José Domingues

This article investigates the trajectory of the Grêmio Dramático, Recreativo e Literário Elite da Liberdade (the Liberdade Elite Guild of Drama, Recreation, and Literature), a black club active in São Paulo, Brazil, from 1919 to 1927. The aim is to reconstruct aspects of the club’s history in light of its educational discourse on civility, which was used as a strategy to promote modern virtues in the black milieu. By appropriating the precepts of civility, Elite da Liberdade helped construct a positive black identity, enabled the creation of bonds of solidarity among its members, and made itself a place of resistance and struggle for social inclusion, recognition, and citizens’ rights.


2015 ◽  
Vol 11 (2) ◽  
Author(s):  
Milla Benicio

RESUMO O principal objetivo deste artigo é traçar o itinerário científico e filosófico que permitiu à modernidade a criação de um novo campo de visibilidade dentro da ciência, enfraqueceu o antigo pressuposto da centralidade do homem em relação aos demais seres e levou a uma complexa transformação nas relações do homem com o mundo natural. Nosso foco será, portanto, a grande reorganização epistemológica e cultural do Ocidente, cujas quebras de paradigmas revolucionaram não apenas as noções ligadas à natureza, mas, principalmente, ao papel do homem nesse cenário.Palavras-chave: Reorganização Epistemológica; Homem; Mundo Natural.      ABSTRACT This article aims to draw the scientific and philosophical route which allowed to modernity the creation of a new field of visibility within science. This field weakened the old assumption of the centrality of human beings in relation to other and led to a complex transformation in human relationships with the natural world. Our focus will therefore be the major epistemological reorganization of the Western, whose breaking paradigms revolutionized not only the concepts related to the nature, but, mainly, to the role of the man in this scenario.Keywords: Epistemological Reorganization; Man; Natural World.


Author(s):  
Rishav Jain

With the increasing globalisation and modernisation, the recent interior architecture practices across the globe seem unified and present a huge departure from a sense of identity and belongingness of where it is at. The built landscapes that earlier reflected a rich craft culture are slowly transforming into standardized and homogenized boxes with very little cultural meaning attached to them. This is no different for a country rich with craft traditions like India, where the contemporary interior architectural landscape seems highly disconnected to its craft culture and surrounding context. The chapter focuses on two major discourses; the first one sets up a base with discussion on the notions of craft, space making craft, and contemporary interior design practices in India; and the second one focuses on the need of integrating crafts in interior design education through case studies of a variety of academic courses offered at Faculty of Design, CEPT University, India.


Telegraphies ◽  
2018 ◽  
pp. 81-104
Author(s):  
Kay Yandell

The male telegraphers whose voices originally predominated in disembodied speech forums sometimes suggested that women should be excluded from virtual speech forums, and often worried that women should interact in the virtual world in traditionally gendered ways. Such nineteenth-century women telegraphers as Ella Thayer and Lida Churchill nevertheless voluminously produced literature that provided a format for their own technologically enabled literary utopias of new gender forms in the telegraphic virtual realm. Telegraphy seems to have appealed to women writers exactly because it provided a freedom that authors otherwise achieved primarily through the creation of literature. The freedom women experienced virtually emboldened the inscription of newly gendered models for both virtual and physical-world selfhood through the creation of women telegraphers’ literature.


Author(s):  
Margaret J. Osler

Pierre Gassendi, a French Catholic priest, introduced the philosophy of the ancient atomist Epicurus into the mainstream of European thought. Like many of his contemporaries in the first half of the seventeenth century, he sought to articulate a new philosophy of nature to replace the Aristotelianism that had traditionally provided foundations for natural philosophy. Before European intellectuals could accept the philosophy of Epicurus, it had to be purged of various heterodox notions. Accordingly, Gassendi modified the philosophy of his ancient model to make it conform to the demands of Christian theology. Like Epicurus, Gassendi claimed that the physical world consists of indivisible atoms moving in void space. Unlike the ancient atomist, Gassendi argued that there exists only a finite, though very large number of atoms, that these atoms were created by God, and that the resulting world is ruled by divine providence rather than blind chance. In contrast to Epicurus’ materialism, Gassendi enriched his atomism by arguing for the existence of an immaterial, immortal soul. He also believed in the existence of angels and demons. His theology was voluntarist, emphasizing God’s freedom to impose his will on the Creation. Gassendi’s empiricist theory of knowledge was an outgrowth of his response to scepticism. Accepting the sceptical critique of sensory knowledge, he denied that we can have certain knowledge of the real essences of things. Rather than falling into sceptical despair, however, he argued that we can acquire knowledge of the way things appear to us. This ‘science of appearances’ is based on sensory experience and can only attain probability. It can, none the less, provide knowledge useful for living in the world. Gassendi denied the existence of essences in either the Platonic or Aristotelian sense and numbered himself among the nominalists. Adopting the hedonistic ethics of Epicurus, which sought to maximize pleasure and minimize pain, Gassendi reinterpreted the concept of pleasure in a distinctly Christian way. He believed that God endowed humans with free will and an innate desire for pleasure. Thus, by utilizing the calculus of pleasure and pain and by exercising their ability to make free choices, they participate in God’s providential plans for the Creation. The greatest pleasure humans can attain is the beatific vision of God after death. Based on his hedonistic ethics, Gassendi’s political philosophy was a theory of social contract, a view which influenced the writings of Hobbes and Locke. Gassendi was an active participant in the philosophical and natural philosophical communities of his day. He corresponded with Hobbes and Descartes, and conducted experiments on various topics, wrote about astronomy, corresponded with important natural philosophers, and wrote a treatise defending Galileo’s new science of motion. His philosophy was very influential, particularly on the development of British empiricism and liberalism.


Art Scents ◽  
2020 ◽  
pp. 209-228
Author(s):  
Larry Shiner

Chapter 11 considers the claim that the best perfumes should be classified as part of the fine arts. The chapter argues that from the perspective of contemporary aesthetic definitions of fine art, perfumes have all it takes to be fine art since they have complex structures that develop over time that can be used to represent ideas and express emotions. Yet the second half of the chapter argues that from the perspective of contemporary contextual and historical definitions of art, perfumes are more like design art than fine art. The contextual case against fine art status is based on a model of art and design practices that involves roles, intentions, media, norms, and institutions. If we compare the creation of a commercial perfume designed by a perfumer with a “perfume” commissioned by an artist for an installation, commercial perfume looks like a design art. Chapter 11 ends in an impasse.


Author(s):  
İnanç Işıl Yildirim

Intelligent spaces are rooms or areas that are embedded with sensors and actuators which enable the spaces to perceive and understand what is happening in them. Through an increasing number of computers and wireless communication technologies networked them, these spaces have the ability of receiving the parameters of physical world which users exist in their relevant context, analysing and processing the data with the interfaces between the physical and digital world, and react or change their mode and augment the human functionality, on time. Integration of computer and physical space results a space which have the computer's thinking ability. Due to the space having intelligence, sensors and the capability to communicate, definitions are not the same as in usual space. Pervasive computing is transforming interior spaces by allowing utilities, goods and information to appear dynamically where and when they are needed. Also, we are face with the space that can understand what is happening inside and outside it and which is not passive to the changing environmental situations. Intelligent interiors can become immersive sensory environments that combine the advantages of automation and modern technology with sensory feedback and materiality. The advances in hardware, system design, and software made enable to achieve this vision. In this world, physical objects and spaces are linked to the digital world and information about the physical world can be used to support human functionality and experience. In this paper, the vision of intelligent space will be explained and the innovations that helped to realize these spaces will be introduced. The social and psychological impacts of the future technologies while designing interior space will be discussed. The changing way we work and live and interfering boundaries of the space titles were asked by the way of a short questionnaire to the Interior Design Students who have the seminar about Intelligent and Interactive Spaces this semester, so their knowledge about these spaces and computer technologies are enough to comment the questions. This will give us the idea of future’s interior designers’ new role in these environments. These finding will give us a supporting knowledge about intelligent or thinking spaces and their impacts on the roles of interior designers.Keywords: Intelligent spaces, pervasive environments, interior design education, future vision.


Lex Russica ◽  
2019 ◽  
pp. 80-91
Author(s):  
D. E. Bogdanov

The technology of 3D printing creates serious challenges to the legal system that in its development is lagging behind scientific and technological progress. The development of 3D printing technology leads to the «digitalization» of objects of the material world when the boundaries between the physical world and the digital space are blurred. If 3D printing digitalizes objects of the material world, bioprinting digitalizes the human body. An individual tends to depend on the digital incarnation of his body or its individual organs in the corresponding electronic 3D models.Bioprinting is aimed at the formation of a new medical paradigm that will result in overcoming the deficiency of human organs and tissues in the field of transplantology. The discovery of the possibility of reprogramming differentiated cells and obtaining induced pluripotent stem cells eliminates the ethical and legal problem associated with the use of stem cells of the embryo. This should be taken into account in the development of a model of legal regulation of relations connected with the creation of bio-print human organs.Bioprint organs are synthetic organs, so the relations associated with their creation and implantation need independent legal regulation. Contemporary transplantology legislation and bans and prohibitions contained in it do not take into account the features of the creation of organs through 3D bioprinting. It is acceptable to commercialize relations in the field of bioprinting, to perform non-gratuitous transactions in this area, as well as to permit limited turnover of «bioprinting» organs subjecting them to the regulation applied to any other objects of civil law. Legislation on biomedical cellular products is also not able to regulate relations related to the creation and implantation of bio-printed human organs. Thus, the need arises to adopt a special legislative act aimed at regulating relations at all stages of the use of bioprinting technology.


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