Friedrich Nietzsches Ecce homo (Turin 1888–Leipzig 1908)

2018 ◽  
Vol 25 (1) ◽  
pp. 389-414
Author(s):  
Antonio Morillas ◽  
Jordi Morillas
Keyword(s):  
Ecce Homo

Ecce Homo or the written body

1985 ◽  
Vol 7 (1-2) ◽  
pp. 3-24
Author(s):  
Rodolphe Gasché
Keyword(s):  
Ecce Homo

scholarly journals ‘How to become what you are’: Self-becoming and individuation in Nietzsche’s Ecce Homo and Hesse’s Demian and Steppenwolf

2021 ◽  
Vol 51 (1) ◽  
pp. 3-23
Author(s):  
Thomas Crew
Keyword(s):  
Human Being ◽  
The Status ◽  
Ecce Homo ◽  
The Individual

In this essay I consider the theme of individuation or self-becoming in Nietzsche’s Ecce Homo (1888) and Hesse’s Demian (1917) and Steppenwolf (1927). Although this task appears inter-disciplinary, Nietzsche’s autobiography can be considered a Bildungsroman in which ‘Nietzsche’ plays the protagonist. After showing the correspondences between Nietzsche’s and Hesse’s diagnoses of contemporary Europe, which can be summed up with the notion of ‘decadence’ or nihilism, I suggest that they both point towards the process of self-becoming as the ultimate remedy for both the individual and society. Self-becoming is a painful yet necessary process that holds the repeated destruction of the individual’s identity as the precondition for attaining the status of human being. It is a process implied by Nietzsche’s ‘formula for human greatness’: amor fati. Resistance to individuation leads to a state of ‘miserable ease’, embodied by what Hesse calls the ‘bourgeois’ and what Nietzsche terms the ‘last men’.

“Beholding the Man”: Viewing (or is it Marking?) John’s Trial Scene alongside Kitsch Art

2016 ◽  
Vol 24 (2) ◽  
pp. 245-264
Author(s):  
Andrew P. Wilson
Keyword(s):  
Two Dimensional ◽  
Devotional Art ◽  
The People ◽  
Subject And Object ◽  
Ecce Homo ◽  
Small Stories ◽  
John's Gospel ◽  
Relationship Of ◽  
The Relationship ◽  
Point Of Departure

One of the grand scenes of the Passion narratives can be found in John’s Gospel where Pilate, presenting Jesus to the people, proclaims “Behold the man”: “Ecce Homo.” But what exactly does Pilate mean when he asks the reader to “Behold”? This paper takes as its point of departure a roughly drawn picture of Jesus in the “Ecce Homo” tradition and explores the relationship of this picture to its referent in John’s Gospel, via its capacity as kitsch devotional art. Contemporary scholarship on kitsch focuses on what kitsch does, or how it functions, rather than assessing what it is. From this perspective, when “beholding” is understood not for what it reveals but for what it does, John’s scene takes on a very different significance. It becomes a scene that breaks down traditional divisions between big and small stories, subject and object as well as text and context. A kitsch perspective opens up possibilities for locating John’s narrative in unexpected places and experiences. Rather than being a two-dimensional departure from the grandeur of John’s trial scene, kitsch “art” actually provides a lens through which the themes and dynamics of the narrative can be re-viewed with an expansiveness somewhat lacking from more traditional commentary.


scholarly journals Nietzsche e o gênio francês

2014 ◽  
Vol 1 (35) ◽  
pp. 169-170
Author(s):  
Anônimo
Keyword(s):  
Ecce Homo

Artigo publicado em 1916, na Revista da Semana. O autor informa aos leitores o periódico sobre a tradução francesa de Ecce homo. Tendo a Primeira Guerra Mundial como pano de fundo, ele discorre sobre as inclinações culturais de Nietzsche pela França.

scholarly journals O eterno retorno do mesmo, "a concepção básica de Zaratustra"

2016 ◽  
Vol 37 (2) ◽  
pp. 11-46
Author(s):  
Scarlett Marton
Keyword(s):  
Ecce Homo

Resumo No Ecce Homo, Nietzsche afirma que a concepção básica de Assim falava Zaratustra consiste no "pensamento do eterno retorno, essa fórmula suprema de afirmação a que se pode chegar". Tomando como ponto de partida a análise das diferentes partes desse livro, contamos antes de mais nada definir o lugar que o pensamento do eterno retorno nele ocupa. Estabelecendo a relação desse pensamento com a noção de além-do-homem, o conceito de vontade de potência, o projeto de transvaloração de todos os valores e a ideia de amor fati, pretendemos examinar a maneira pela qual Nietzsche o concebe em Assim falava Zaratustra. Queremos, por fim, avaliar em que medida o pensamento do eterno retorno do mesmo consiste na mais alta aceitação do mundo tal como ele é.

Aaron Riches, Ecce Homo: On the Divine Unity of Christ

Theology ◽  
2017 ◽  
Vol 120 (2) ◽  
pp. 138-139
Author(s):  
Alan Le Grys
Keyword(s):  
Ecce Homo

scholarly journals Estrutura formal e semântica do argumento autogenealógico em Nietzsche

2015 ◽  
Vol 20 (2) ◽  
pp. 105
Author(s):  
Jorge Luiz Viesenteiner
Keyword(s):  
Ecce Homo

O objetivo do texto é analisar a estrutura formal e semântica daquilo que denomino de argumento autogenealógico em Nietzsche, culminando com um breve esboço das suas formas de comunicabilidade. Do ponto de vista formal, trata-se de compreender o conceito de genealogia em seu registro crítico, em estreita conexão com uma práxis interrogativa fomentadora de um distanciamento metódico; do ponto de vista semântico, trata-se de compreender que aquilo que era elaborado por Nietzsche até 1887 em Para genealogia da moral com vistas à cultura, realiza-se nos textos de 1888 com vistas a si mesmo. Finalizo com um breve e plausível sentido de autoencenação, na medida em que Nietzsche transforma a si mesmo em figura de pensamento, especialmente em Ecce homo.

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