scholarly journals Second Copy of Suma Evangelijų from the First Edition of Knygos Nobažnystės (1653)

Knygotyra ◽  
2021 ◽  
Vol 77 ◽  
pp. 72-86
Author(s):  
Mindaugas Šinkūnas ◽  
Mindaugas Šinkūnas
Keyword(s):  
Comparative Analysis ◽  
Title Page ◽  
National Museum ◽  
Prayer Book

It has long been thought that the only known 1653 copy of the first edition of the Knygos Nobažnystės is preserved in Sweden. The sammelband consists of a hymnal without a separate title page, the postil “Suma Evangelijų”, and the prayer book “Maldos krikščioniškos” with the catechism Katekizmas arba trumpas pamokslas. One part (the postil “Suma Evangelijų”) of the Knygos nobažnystės is preserved in the library of the Emeryk Hutten-Czapski National Museum in Kraków. It has hitherto been classified by bibliographers as a counterfeit edition, but a comparative analysis leaves no doubt that it is the second known copy of the first edition of the Knygos Nobažnystės postil “Suma Evangelijų”.

Anton Grigoryevich Rubinstein and his Russian Publishers

2021 ◽  
Vol 18 (3) ◽  
pp. 284-298
Author(s):  
Elena M. Shabshaevich
Keyword(s):  
Comparative Analysis ◽  
Creative Process ◽  
Historical Research ◽  
National Museum ◽  
Archival Documents ◽  
History Of ◽  
Publishing Houses ◽  
The 19Th Century ◽  
First Time ◽  
Extensive List

The article presents a focused look at the professional relations of the composer and pianist Anton Grigoryevich Rubinstein (1829—1894) with his main Russian publishers — V.V. Bessel and P.I. Jurgenson. The article is based on musical and historical research concerning the history of the Bessel and Jurgenson publishing houses, works on copyright, A.G. Rubinstein’s epistolary, and archival documents from the Russian National Museum of Music. For the first time in music science, there are revealed some pages of the history of personal and business contacts of the three named persons, primarily the conflicts related to the rights to publish the composer’s works in Russia. The first documented contract for the publications of A.G. Rubinstein was received by P.I. Jurgenson (for op. 82, 1868). However, the contract of A.G. Rubinstein with the trading house “Bessel and Co.”, concluded in 1871 (though Rubinstein’s first work had been published by Bessel two years earlier), was much more extensive and significant. Under this contract, it was supposed to publish more than fifty A.G. Rubinstein’s works of various genres, so in the 1870s, V.V. Bessel became the main Russian publisher of the composer. However, in 1879, A.G. Rubinstein unexpectedly changed his main publisher in Russia. This position was taken by P.I. Jurgenson, whose trading house also published an extensive list of Rubinstein’s compositions, as well as his literary works. This is evidenced by several notarized contracts, stored in the Russian National Museum of Music, between Rubinstein and “P.I. Jurgenson” company. Thus, the two leading Russian publishers of A.G. Rubinstein legally formalized their relations with the composer, which allows us to follow, in a reasoned and substantive way, the process of maturation of the institution of copyright for music publications in Russia in the last third of the 19th century.Using the example of A.G. Rubinstein, in comparison with the position of M.A. Balakirev, the article also raises the issue of granting copyright to a publisher not only in Russia, but also “forever and for all countries”. The comparative analysis of publications of the same composer by different publishing companies is also new to Russian musicology, this helps identify certain accents that publishers put in popularizing A.G. Rubinstein’s works. The publication of the composer’s works by various publishers also highlights new aspects in his creative process, in the history of the creation, receipt of the opus number, and the titles of some of his works.

COMPARATIVE ANALYSIS OF THE CONTENT OF THE TARAS SHEVCHENKO NATIONAL UNIVERSITY OF KYIV’S LINGUISTIC EDUCATIONAL MUSEUM EXPOSITION WITH SIMILAR INSTITUTIONS IN THE WORLD

2019 ◽  
pp. 26-32
Author(s):  
A. М. Bocharnikova
Keyword(s):  
Comparative Analysis ◽  
The Netherlands ◽  
General Purpose ◽  
The Internet ◽  
National Museum ◽  
Structural Elements ◽  
The Past ◽  
The Us ◽  
The World ◽  
National University

The article contains information on all general-purpose linguistic museums that are currently functioning in the world, functioned in the past, or are at the project stage. In cases where this is possible, the structure of museum’s exposition is examined. Criteria that have played a key role in the division of museums’ content into structural elements are defined. The accuracy of exposition authors’ compliance of their approaches has also been analyzed. The first linguistic museum in the world that opened its doors to visitors was Taras Shevchenko university of Kyiv’s Linguistic Educational Museum founded in 1992 by the order of the university’s rector. During next sixteen years it was world’s only linguistic museum till the year 2008 when National Museum of Language in the US was opened. In 2013 a new linguistic museum named Mundolingua was established in Paris. After 2014 when the museum in USA was closed and till now it continues to be the only linguistic museum in the world except Linguistic Educational Museum in Ukraine that is functioning. At present times there are several big projects of establishing a comprehensive linguistic museum in different countries. Among them is Planet Word in Washington, Museum der Sprachen der Welt in Berlin, Museum of Language in London. The work upon these projects is in progress and hasn’t reached the stage of completeness. There are also two websites available on the Internet that have the name of museum but does not contain any traces of the exposition content. These are the website of the above mentioned National Museum of Language and Taalmuseum in the Netherlands. Both of these websites are portals for announcements concerning exhibitions, lectures and meetings in different places that are somehow referred to language topics. In this article the structure of the museums content has also been analyzed. Linguistic Educational Museum in Kyiv was established for academic purposes therefore its content has the same structure as the Introductory Linguistics course. At the same time it reveals the principles of the museum exposition author’s Doctor of Science thesis named the Metatheory of Linguisics.

scholarly journals Collections of extant cetaceans in Italian museums and other scientific institutions. A comparative review

10.4081/15 ◽  
2012 ◽  
Vol 153 (2) ◽  
pp. 145
Author(s):  
Luigi Cagnolaro ◽  
Michela Podestà ◽  
Marco Affronte ◽  
Paolo Agnelli ◽  
Fabrizio Cancelli ◽  
...  
Keyword(s):  
Comparative Analysis ◽  
Detailed Analysis ◽  
Research Data ◽  
Title Page ◽  
Font Size ◽  
Short Introduction ◽  
Scientific Institutions ◽  
Comparative Review ◽  
Place Of Origin ◽  
Research And Education

<div class="page" title="Page 1"><div class="layoutArea"><div class="column"><p><span style="font-size: 9pt; font-family: 'TimesNewRomanPSMT';">This paper summarizes more than four decades of cetacean research data collected by the Museo Civico di Storia Naturale di Milano and, between 1986 and 2003, by the Centro Studi Cetacei of the Società Italiana di Scienze Naturali. It is the result of the collaboration among scientists of several Italian museums. A detailed analysis concerning the amount and taxonomic representative</span><span style="font-size: 9pt; font-family: 'TimesNewRomanPSMT';">- </span><span style="font-size: 9pt; font-family: 'TimesNewRomanPSMT';">ness of the extant cetacean collections in Italian naturalistic museums and analogous institutions up until and including 2007 has been carried out. Adequately preserved and anatomically most significant specimens only have been taken into consideration. On the whole 1033 specimens representing 41 species are considered herein. They are housed in 53 institutions, of which the following ones hold the most important collections: the museums of Calci (Pisa), Genova, Firenze, Milano, Roma Zoology, </span><span style="font-size: 9pt; font-family: 'TimesNewRomanPSMT';">Siena, Comiso and Napoli. All the surveyed institutions are listed, with a short introduction about their material and an inven</span><span style="font-size: 9pt; font-family: 'TimesNewRomanPSMT';">- </span><span style="font-size: 9pt; font-family: 'TimesNewRomanPSMT';">tory of it. Specimens are then arranged in systematic order and some further data are provided in a table for each species. Such tables report the items of each museum with regard to quantity, preserva</span><span style="font-size: 9pt; font-family: 'TimesNewRomanPSMT';">- </span><span style="font-size: 9pt; font-family: 'TimesNewRomanPSMT';">tion techniques and, whenever possible, collecting data. Finally, a comparative analysis of the results is presented under multiple profiles: historical, preservation techniques, suitability of the specimens for research, place of origin, and the importance of the Italian cetacean collections for research and education. </span></p><p> </p></div></div></div>

scholarly journals Eucharistic Themes in Ukrainian Art of the XVII-XVIII centuries: A Review of the Monuments

2019 ◽  
pp. 124-141
Author(s):  
Татьяна Владимировна Денисюк
Keyword(s):  
Comparative Analysis ◽  
Jesus Christ ◽  
Fine Arts ◽  
Art Museum ◽  
National Museum ◽  
Grape Vine ◽  
First Time ◽  
Atoning Sacrifice

Статья посвящена изучению евхаристической тематики в украинском искусстве XVII-XVIII вв. Впервые сделан обзор памятников украинского изобразительного искусства на тему символико-аллегорического изображения темы Евхаристии. В статье приведены примеры икон и картин из собрания Национального музея в Львове, Музея волынской иконы (г. Луцк, Украина), Национального художественного музея Украины (г. Киев), Национального Киево-Печерского историко-культурного заповедника. Анализ композиций позволил выделить и систематизировать символические сюжеты евхаристического содержания. В статье подробно рассматриваются иконы: «Христос Виноградная Лоза», «Христос в точиле», «Христос в чаше», «Недреманное око»; картины: «Пеликан», «Соглядатаи земли Ханаанской», а также другие памятники изобразительного искусства, которые раскрывают христианский догмат Евхаристии, искупительную жертву Христа. Эти сюжеты были широко распространены в иконописи, скульптуре, лицевом шитье, гравюре, резьбе, керамике. Также описаны редкие случаи использования символических сюжетов «Недреманное око» и «Христос Виноградная Лоза» в стенописи. В статье отмечены иконографические особенности каждого сюжета, подробно описаны и проанализированы изображения, проведён сравнительный анализ разных икон с изображением одинакового сюжета, изучен контекст и значение некоторых композиций. The article is devoted to the study of the Eucharistic theme in the Ukrainian art of the XVII-XVIII centuries. For the first time made the review of the monuments of Ukrainian art on the theme of symbolic and allegorical image of the Eucharist theme. The article presents examples of icons and paintings from the collection of the National Museum in Lviv, the Museum of Volyn Icon (Lutsk, Ukraine), the National Art Museum of Ukraine (Kiev), the National Kiev-Pechersk Historical and Cultural Reserve. The analysis of the compositions made it possible to identify and systematize the subjects of the Eucharistic content. The article describes in detail the: “Jesus Christ the Grape-Vine”, “Christ in the winepress”, “Christ in the bowl”, “Undreaming Eye”; pictures: “Pelican”, “The Spies of the land of Canaan” and other monuments of the fine arts, that reveal the Christian dogma of the Eucharist, the atoning sacrifice of Christ.These subjects were widely distributed in icon painting, sculpture, sewing, engraving, carving, and ceramics. The rare instances of the use of the symbolic plots “Undreaming Eye” and “Jesus Christ the Grape-Vine” in murals are described. The iconographic features of each subject are also noted in the article, images are described and analyzed in detail, a comparative analysis of different icons with the image of the same subject was carried out, the context and meaning of some compositions were studied.

Buddhist collection of The National Museum of Ust-Orda Buryat Autonomous Okrug: study and cataloging

2019 ◽  
Author(s):  
Екатерина Владимировна Асалханова
Keyword(s):  
Comparative Analysis ◽  
Cultural Studies ◽  
Art History ◽  
History Education ◽  
Musical Instruments ◽  
National Museum ◽  
Interdisciplinary Study

В статье исследуется буддийская коллекция Национального музея Усть-Ордынского Бурятского округа, включающую иконы-танка, скульптуру, ритуальные предметы, музыкальные инструменты. Целью исследования является изучение экспонатов и составление каталога этой коллекции. С помощью метода сравнительного анализа отечественных и зарубежных коллекций проводится атрибуция экспонатов. Автор представил междисциплинарное исследование с применением методов музееведения, истории, искусствоведения, этнологии, культурологии. Результатом проведенной работы стал аннотированный и иллюстрированный каталог буддийской коллекции Национального музея Усть-Ордынского Бурятского округа. Область применения результатов: музееведение, искусствоведение, образование. The article is about the buddhist collection of The National Museum of Ust-Orda Buryat Autonomous Okrug (included Thangka, sculpture, ritual objects, musical instruments). The aim of the research is to study the exhibits and compile a catalog of this collection. Using the method of comparative analysis of domestic and foreign collections, the author carries out the attribution of exhibits. The author presented an interdisciplinary study using the methods of museology, history, art history, ethnology, cultural studies. The result of the work was an annotated and illustrated catalog of the Buddhist collection of The National Museum of Ust-Orda Buryat Autonomous Okrug. The scope of the results: museology, art history, education.

scholarly journals Newfound Excerpts from the Nomocanon in the Synaxarion from the Andrey Sheptytsky National Museum

2020 ◽  
Vol 65 (1) ◽  
pp. 20-29
Author(s):  
Marina Chistiakova
Keyword(s):  
Comparative Analysis ◽  
Present Article ◽  
Point Of View ◽  
16Th Century ◽  
National Museum ◽  
Initial Part ◽  
Source Text ◽  
Grand Duchy Of Lithuania ◽  
Grand Duchy

The article is devoted to two previously unknown excerpts from the Nomoсanon (Kormchaya), found in the late 16th century Synaxarion (or Prologue) from the Andrey Sheptytsky National Museum in Lviv, Rk 252. This manuscript contains readings from September to December and represents a specific version of the expanded edition of the Prologue, characteristic of the writing tradition of the Grand Duchy of Lithuania. The sermons, included in this copy for 17 and 25 November, are borrowed from the Nomoсanon of Fourteen Titles without commentaries, namely from the initial part of the Collection of Apostolic Rules. A comparative analysis of the articles has demonstrated that the compiler selected some successive fragments from the oldest Slavonic version of the Kormchaya and also made some omissions. The first sermon is focused on the ordination of bishops and the rules of conduct of all ranks of the clergy. The second article forbids the ordination of priests for a fee and under the auspices of the Duke. It also specifies that the bishops’ meetings should be held twice a year. A textological analysis has shown that the synaxarian sermon of 17 November had been somewhat shortened. From a linguistic point of view, excerpts from the Nomocanon bear exact correspondence to the source text. Both sermons contain brief passages from other authors and sources (St. Nilus of Sinai, the Book of Psalms, etc.). Because of the similarity in style of the work with the source, it may be assumed that extracts from the Kormchaya were simultaneously included into the Prologue by the same person, probably at a later stage of editing of this version of the Prologue. At the end of the present article, two newly discovered synaxarian articles from the Kormchaya are published.

scholarly journals Semiotics with Style and Situation: Multi-modal Comparative Analysis of Title pages of Native and Non-native English Novels

2021 ◽  
Vol 14 (2) ◽  
pp. 263-282
Author(s):  
Manvender Kaur Sarjit Singh ◽  
Muhammad Imran Shah ◽  
Eram Javed ◽  
Rabia Feroz
Keyword(s):  
Comparative Analysis ◽  
Title Page ◽  
Bench Mark ◽  
Maximum Information ◽  
Native Title ◽  
Multimodal Analysis ◽  
Modern Age ◽  
Google Search ◽  
Title Pages ◽  
Selection Of

The communicative function of text can be obtained through the multimodal analysis of the text which contains the interaction and integration of two or more semiotic resources, graphics and text. This study investigated the structure of the titles and graphics of the title pages along with the situation of the content of native and non-native title pages of English novels of modern age. 20 title pages including 10 modern native and non-native English novels are randomly selected from the Google search engine. Multimodal analysis including Jeffries (2016) model to analyse the structure of the text of the title pages, Davy (2013) model to analyse the graphical features of the title pages and Bernstein (2003) to investigate the situational features presented in the title pages of the novels have been followed.  A bench mark technique was used to identify the graphics of title pages, structure of the title phrases and situation presented in the title pages. The results generated from qualitative analysis indicated that mostly the native authors observed all of the features mentioned by the great linguists, stylitions and graphic experts while selecting the design of title pages whereas, non-native authors and publisher have not kept these features in mind while selecting the contents of title page of their composition. It causes lack of readership as the readers cannot extract maximum information from the title page.  The study has opened new dimensions to the new researchers and it also beneficial for the authors and publisher in the selection of the title pages.Key words: Semiotics, Graphics, Situation, Text, Title-page

Ernő Dohnányi’s String Sextet and other sources in his native town

2009 ◽  
Vol 50 (3-4) ◽  
pp. 315-352
Author(s):  
Deborah Kiszely-Papp
Keyword(s):  
Title Page ◽  
British Library ◽  
National Museum ◽  
Florida State University ◽  
State University ◽  
Compositional Process ◽  
Final Version ◽  
The Mind ◽  
The University ◽  
Unpublished Works

Several newly-discovered manuscripts of unpublished works by Ernő Dohnányi (1877–1960) and other documents in the University Library of Bratislava and the Slovak National Museum — Music Museum Bratislava refute the misconception that this city, the composer’s birthplace, is lacking in sources about him. These manuscripts from the estates of two dedicatees, the Archduchess Isabella and Mártha Rigele, offer fresh insights into Dohnányi’s compositional process, and particularly into the multiple revisions of his String Sextet, originally composed in 1893. Versions 1 and 2 of this Sextet, with geographically divergent manuscript locations in the British Library and at Florida State University, are compared here inasmuch as Dohnányi’s development into a mature composer is clearly demonstrable. The two manuscripts from the estate of the Archduchess Isabella, a set of parts reflecting all known revisions and an autograph transcription provide evidence to support this writer’s hypothesis that the score with title page dated 1896 is probably the final version. The Sonata stands as confirmation that by 1899 the composition had reached its final form in the mind of the composer. Excerpts from Dohnányi’s family letters cited here offer further insights into this period.

scholarly journals Gobernanza criminal. Cogobiernos entre políticos y paramilitares en Colombia

2020 ◽  
Vol 66 (241) ◽  
Author(s):  
Javier Duque Daza
Keyword(s):  
Comparative Analysis ◽  
Qualitative Comparative Analysis ◽  
Title Page ◽  
Los Grupos

<div class="page" title="Page 1"><div class="section"><div class="layoutArea"><div class="column"><p><span>Este artículo presenta los resultados de una investigación en torno a la caracterización de las relaciones entre políticos regionales, partidos y organizaciones criminales en Colombia. El análisis recurre al concepto de </span><span>gobernanza criminal </span><span>y a un enfoque que la asocia con factores de índole político. Se adopta una estrategia metodológica basada en la QCA (Qualitative Comparative Analysis) y se presentan las respectivas evidencias empíricas. Este es un trabajo innovador en Colombia, ya que permite diferenciar tipos de gestión pública de acuerdo con la incidencia de las organizaciones ilegales en ellas, para el caso de estudio, de los grupos paramilitares que interactuaron con partidos, y facciones partidistas, y las estructuras locales de poder. Entre sus hallazgos están las caracterizaciones de este tipo de gestión, la explicación de los factores que la hicieron posible y los efectos que produjeron en la democracia local. </span></p></div></div></div></div>

scholarly journals Evaluation of Online Learning Repositories: A Comparative Study

2018 ◽  
Vol 38 (4) ◽  
pp. 259
Author(s):  
Uttam Kumar Hazra ◽  
Rajesh Das
Keyword(s):  
Online Learning ◽  
Comparative Analysis ◽  
Comparative Study ◽  
Title Page ◽  
Learning Resources ◽  
Post Processing ◽  
The World ◽  
Different Types ◽  
The Comparative Study

<div class="page" title="Page 1"><div class="layoutArea"><div class="column"><p><span>Many online learning repositories available around the world. This paper provides a comparative analysis among selected online learning repositories (eGyankosh, ePG pathshala, MIT resources and Sodhganga) for learning resources. The comparative study is based on some analytical parameters, like generic, content related, retrieval related, post processing, interface related, etc. The collected data have been analysed on the basis of parameters. The results have been displayed through different types of diagrams like multiple bar diagrams, pie diagram, etc. It was found that none of the selected online learning repositories achieved the full score. And also found that Sodhganga ranked the highest position among them. </span></p></div></div></div>

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