scholarly journals The Changes of Cultural Memory in a Liquid Modern World

2020 ◽  
pp. 141-149
Author(s):  
Aurelija Mykolaitytė
Keyword(s):  
Cultural Heritage ◽  
21St Century ◽  
Cultural Memory ◽  
Turning Point ◽  
Modern World ◽  
Aldous Huxley ◽  
Contemporary Culture ◽  
Modern Culture ◽  
Michel Houellebecq ◽  
Web Community

Based on the insights of modern philosophers, particularly Zygmunt Bauman, the work examines how cultural memory can be affected by globalisation and what kind of challenges arise when collective truths are passed on from generation to generation. The sources selected for the analysis are modern dystopias that design possible versions of cultural response. Other subjects significant to the research include phenomena of modern culture that help to uncover the latest trends and the views on cultural heritage held by people of the 21st century. The article comes to the conclusion that the changes of cultural memory in a fluid modern world can be affected deeply by factors such as the ideology of consumerism and the insularity of a web community, but this is only a possibility. Western authors Aldous Huxley and Michel Houellebecq place a stronger emphasis on determinism, whereas Lithuanian writer Jaroslavas Melnikas highlights the possibility of freedom. Nevertheless, notably, all of these texts are projections that primarily encourage critical thinking and demonstrate the ambivalence of the current situation. Contemporary culture is likely at a turning point, but the results of the transformation are still unclear.

A MODERN MUSEUM AS A SPACE OF MULTICULTURAL COMMUNICATION: A REVIEW OF CASES OF RUSSIA AND THE UK

2020 ◽  
Vol 2 (3) ◽  
pp. 103-111
Author(s):  
SVETLANA ALTUKHOVA ◽  
Keyword(s):  
Cultural Heritage ◽  
Cultural Memory ◽  
Social Inclusion ◽  
Social Institution ◽  
Modern World ◽  
Cultural Institutions ◽  
Host Society ◽  
The Uk ◽  
Communicative Strategy

Author considers the issue of transforming the communicative strategy of the modern museum as a promising center for multicultural communication. multicultural communication is understood as a process of interaction between immigrants and the host society. In addition, the inconsistency and ambiguity of understanding the content and consequences of increased immigration, as well as the changes that occur with cultural institutions, also make this story relevant. The author of the article focuses on how a cultural institution such as a museum responds to the challenge of complicated intercultural and multicultural communications in the modern world. The methodological basis for the study is the concept of the «post-museum» and the achievements of the Leyster school of museology in the studies of the communicative and inclusive activities of modern museums. The article presents the author's classification of the levels of work of museums with immigrants and their multicultural communication. The first level is exhibiting and representing the cultural heritage of immigration communities, the second level is attracting immigrants to co-authorship, and the third one is the implementation of comprehensive inclusive work with all ethnic and cultural groups.The highlighted levels are confirmed by real examples and cases from the experience of Russian and British museums, information about which is available on their official websites. In the course of the study, the main conclusions were made. Firstly, to date, there has been a shift in the functional structure of the museum from its custody functions to communication, and the process of interacting with visitors has begun to build on the principle of participation. Secondly, the museum, as a social institution that collects and presents objects of cultural heritage and historical artifacts, works, first of all, with the phenomena of «cultural memory» and «identity», not only representing the latter, but also constructing it through the exposition and museum activity. And thirdly, it is this circumstance that allows museums to become an effective platform for building a multicultural dialogue and processes of social inclusion.

scholarly journals Lecturas ecológicas: hacia un canon de ecolecturas

2021 ◽  
Vol 39 (1) ◽  
pp. 191-210
Author(s):  
Aitana Martos García
Keyword(s):  
Cultural Heritage ◽  
21St Century ◽  
Teaching Methods ◽  
Cultural Memory ◽  
World Literature ◽  
Positive Impact ◽  
Environmental Awareness ◽  
Environmental Crisis ◽  
Intangible Cultural Heritage ◽  
Water Culture

Se defiende la necesidad de elaborar lecturas transversales con la educación medioambiental, literaria y del patrimonio, como ejes que sirvan para afrontar retos derivados de la crisis ambiental y de la pérdida de memoria cultural en los estudiantes y ciudadanos en general. Se examinan estas cuestiones a propósito de la cultura del agua como centro de interés, y se proponen criterios para la elaboración de un nuevo canon inclusivo, relativo a textos de literatura universal, con base en lecturas ecológicas. A tenor de estas prioridades, se describe la posible articulación de los ejes de conciencia ambiental, patrimonio cultural tangible e intangible, y la metodología didáctica más útil para promover lectores disidentes, que deseen poner en valor la cultura del agua propia de cada comunidad. Todo ello en consonancia con las nuevas corrientes educativas y culturales y en beneficio de la educación del ciudadano del siglo XXI. This article argues in favor of developing readings at the crossroads of environmental, literary and heritage educations. These will be the axis proposed to address challenges arising from the environmental crisis and the loss of cultural memory in students and citizens in general. These issues are explored especially in relation to the emblematic problem of water culture. We propose some criteria for the development of a new inclusive ecological canon with world literature texts. Based on these priorities, we describe the possible foundations of environmental awareness, of tangible and intangible cultural heritage and of the most useful teaching methods to promote dissident readers who wish to foster water culture within specific communities. All this is in keeping with new educational and cultural currents and seeks to have a positive impact on the education of 21st century citizens.

scholarly journals Egypt's cultural heritage in conflict situations: examination of past and present impact

2019 ◽  
pp. 521-550
Author(s):  
Nevine Nizar Zakaria
Keyword(s):  
Comparative Analysis ◽  
Cultural Identity ◽  
Cultural Heritage ◽  
21St Century ◽  
Cultural Memory ◽  
Conflict Situations ◽  
The Future ◽  
History Of ◽  
Heritage Protection ◽  
Illegal Activities

In recent decades, the remarkable cultural heritage of Egypt has been threatened by loss or damage due to many conflict situations. These have led to looting, smuggling, vandalism, encroachment, illegal activities, and many more threats which put the fate of Egypt’s heritage in jeopardy of disappearance and demolition. The loss of Egyptian heritage is not only a loss of history, but of cultural identity, memory and existence. These types of threats are by no means a recent phenomenon, but have been going on for centuries. This paper presents a research into the history of Egyptian heritage in times of conflict especially in the 19th and 20th centuries. Furthermore, it also examines the severe crisis that endangered Egyptian heritage in the 21st century, notably the aftermath of the 2011 Revolution and the subsequent, widespread pillaging of archeological sites and museums. These recent conflicts highlighted concerns about the future of Egyptian antiquities and their protection, and raised serious concerns about how to protect Egyptian patrimony and preserve the collective cultural memory of Egypt. A comprehensive, comparative analysis of Egyptian and international legislation pertraining to cultural heritage protection has been conducted in order to examine its efficiency in protecting Egypt’s cultural heritage.

Globalization and interconfessional communications

2001 ◽  
pp. 13-17
Author(s):  
Serhii Viktorovych Svystunov
Keyword(s):  
21St Century ◽  
Global Economy ◽  
Modern World ◽  
The World ◽  
Target Set ◽  
Almost All ◽  
Over Time ◽  
Rapid Appearance

In the 21st century, the world became a sign of globalization: global conflicts, global disasters, global economy, global Internet, etc. The Polish researcher Casimir Zhigulsky defines globalization as a kind of process, that is, the target set of characteristic changes that develop over time and occur in the modern world. These changes in general are reduced to mutual rapprochement, reduction of distances, the rapid appearance of a large number of different connections, contacts, exchanges, and to increase the dependence of society in almost all spheres of his life from what is happening in other, often very remote regions of the world.

The Obligation to Tear Through the Veil: An Analysis and Transformation of Mankind’s Insufficient Complacency Through the Novels of Jenny Offill

Meliora ◽  
2022 ◽  
Vol 1 (2) ◽  
Author(s):  
Maggie Toole
Keyword(s):  
21St Century ◽  
Evolutionary Theory ◽  
Nuclear Family ◽  
Human Existence ◽  
Social Structures ◽  
Clear Picture ◽  
Modern World ◽  
The Core ◽  
The Veil ◽  
Evolutionary Aspects

This thesis explores the ways in which we as humans are alienated by the fundamental social structures of our world and how the novels of Jenny Offill offer a possible remedy. With a specific focus on the psychological and evolutionary aspects of womanhood and motherhood, this text attempts to illustrate the ways in which these novels address the imposing weight of such fundamental structures in the 21st century. Through an analysis of the nuclear family, this thesis examines the debilitating and profound existence of women, and more specifically, mothers. Offill’s novels present a profoundly clear picture of the modern world as it depicts the reality and ramifications of psychoanalytic and evolutionary theory. This work demonstrates how Offill’s texts attempt to remedy the core dissonance of our binary-laden human existence with clarity and realization rather than acceptance of an oversimplified past and a debilitating future.

Cultural diplomacy: symbiosis of cultural and legal potential

2021 ◽  
pp. 89-95
Author(s):  
Oksana Stasevska ◽  
Illia Malanchuk
Keyword(s):  
Foreign Policy ◽  
Cultural Heritage ◽  
Cultural Diplomacy ◽  
Armed Forces ◽  
Legal Framework ◽  
Legal Aspects ◽  
Modern World ◽  
Main Body ◽  
Cultural Images

Problem setting. The study of the potential of cultural diplomacy has been growing rapidly in recent times. This is due to the realization of the failures of traditional and «force» diplomacy, which often demonstrate the inability to ensure the successful solution of important international problems. Researchers note the need to use cultural diplomacy to intensify and increase the effectiveness of international cooperation. Target of research. Understanding the actualization of cultural diplomacy of Ukraine in the modern world, an attempt to analyze its legal basis. Analysis of resent researches and publications. The concep «cultural diplomacy» is more common in scientific discourse. Scientists such as D. Vedeneev, V. Kostrov, T. Peresunko, N. Musienko, V. Tsyvaty, M. Kulinich, O. Rozumna, and others have contributed to the development of the role of cultural diplomacy in the foreign policy vector of the Ukraine. Political science works predominate among the researches. Few works analyze the legal aspects of cultural diplomacy. Article’s main body. In the context of globalization there is a loss of national origins. Therefore, states must use all their potential to preserve and enhance their own and the world’s cultural heritage, mutual understanding and support of interethnic harmony. International legal thought defines the concept of «diplomacy» in different ways, sometimes identifying it with international law or foreign policy. However, diplomacy is one of the most important tools of foreign policy, along with its components such as the armed forces, intelligence, economic ties, and so on. Cultural diplomacy is a type of diplomacy that uses the country’s cultural heritage as a means to an end. The role of cultural potential in international relations is highly valued. It is cultural diplomacy, not the use of force to impose political, ideological ideas, which aims to unite countries. Ukraine is returning to the active use of cultural diplomacy tools in the XXI century, when there was an urgent need for broad international support for the implementation of ambitious European integration plans. The system of coordination, stimulation and organization of cultural activities at the international level allows identifying the tasks of cultural diplomacy of Ukraine. Ukrainian cultural diplomacy based on international legal instruments ratified by Ukraine and acts of national legislation. The analysis of the problem allows determining the urgent task of creating a favorable legislative framework for the maximum effectiveness of cultural diplomacy. Conclusions and prospects for the development. The filling of legal gaps in cultural diplomacy should take place in the vector of recognition of culture as a subject of foreign policy, awareness of its reputational and social potential. Ukraine faces the task of updating old and finding new cultural images and symbols to create a decent image of the country, as well as to create an appropriate legal framework for the effective implementation of the tasks of cultural diplomacy.

City’s Cultural Memory: Modern Practices of Symbolizing the Past

2021 ◽  
Vol 18 (4) ◽  
pp. 352-364
Author(s):  
Natalia G. Fedotova
Keyword(s):  
Cultural Memory ◽  
Point Of View ◽  
Fundamental Aspect ◽  
Modern World ◽  
Cultural Meanings ◽  
Urban Identity ◽  
Symbolic Forms ◽  
The Past ◽  
Symbolic Resource ◽  
The City

The article is devoted to the discourse of the city’s cultural memory. The relevance of studying this topic is determined not only by the fundamental aspect associated with the episodicity of existing studies of this phenomenon. From an applied point of view, the city’s cultural memory is a symbolic resource that can be used to create an appealing image, form a sustainable urban identity, and strengthen the citizen’s sense of belonging to the city. The accumulation and objectification of cultural memory take place in symbolic forms, which makes it important to study the practices of symbolizing the urban past, the essence of which is to generate the significance of the relevant or latent layers of cultural memory for the citizens.The article presents the results of the final stage of research related to the study of the process of constructing the cultural memory of the city. The purpose of the article is to analyze modern practices of symbolizing fragments of the urban past, which mean their significance for contemporaries. Basing on the culturological cross-section of the issue, the author integrates different research contexts. The methodological basis of the article is the communicative approach that focuses on the processes of meaning formation, and the constructivist method that considers memory as a multi-layered and dynamic construct. Analyzing the practices of symbolizing the urban past by the example of Russian cities, the author of the article demonstrates how the episodes of the city’s memory are updated in the modern world, how cultural meanings become memorable for citizens. The author uses the results of previous studies and identifies the following elements of the symbolization of the urban past: a) ways of encoding fragments of the past; b) communicative trajectories of memory symbolization; c) factors of producing meanings about the collective past of the city. The obtained results open up new frontiers in understanding the processes of formation of the collective ideas about the city, and prospects for empirical research, forecasting and constructing the cultural memory of Russian cities, giving them the opportunity to change their present and future.

scholarly journals MIgrations in the modern world and their implications for security policy of the Transatlantic community.

2018 ◽  
Author(s):  
Jarosław Gryz
Keyword(s):  
Social Security ◽  
21St Century ◽  
Security Policy ◽  
Security Management ◽  
Modern World ◽  
Formula One ◽  
Economic Issues ◽  
The One

The purpose of submitted Article is to indicate the character of the challenges related to migrations, their selected forms and influence on Transatlantic community states security . Thesis stipulates that the phenomenon of migrations in the first half of the 21st century more and more strongly defines the context of social security of states implying Transatlantic bonds and international actions taken or not undertaken in their formula. One can assume that migrations, in addition to political and military as well as economic issues, will be the one of domains of NATO security management. The above-mentioned factors will lead to a change in the character of the relations within the Transatlantic Community. <br>

scholarly journals They Arrived Completely Intact: The Evacuation of Chersonese Museum Collections to Sverdlovsk

2020 ◽  
Vol 8 (2) ◽  
Author(s):  
Anton Mokhov ◽  
Andrey Shamanaev ◽  
Karina Kapsalykova
Keyword(s):  
Cultural Heritage ◽  
Emergency Evacuation ◽  
Modern World ◽  
Cultural Institutions ◽  
Museum Exhibits ◽  
Military Conflicts ◽  
Great Patriotic War ◽  
Archival Documents ◽  
Public Organisations ◽  
The Military

This article considers the emergency evacuation of the collections of the Chersonese Historical and Archaeological Museum from Sevastopol to Sverdlovsk during the Great Patriotic War, between September and December 1941. The authors analyse some issues concerning the preparation and transportation of the museum collection and the interaction between state structures and cultural institutions in wartime conditions. The study is based on unpublished archival materials from the funds of the State Archive of Sverdlovsk Region and the Documentation Centre of Public Organisations of Sverdlovsk Region. The study of problems connected with saving cultural heritage during military conflicts is relevant considering the threat of local wars in the modern world. At present, military actions pose serious risks of the destruction, damage, and illicit transfer of museum exhibits. The authors employ the historical and anthropological approach, paying a great deal of attention to the historiography of the issue of cultural heritage preservation during the Great Patriotic War. The experience of evacuating heritage collections from the Chersonese Museum is both unique and typical. One hundred and eight crates of artifacts, books, and archival documents were sent from Sevastopol to Sverdlovsk, accompanied by a single employee of the museum, S. F. Strzelecki. Owing to his effort, the priceless collection was successfully delivered to the rear. Most problems faced during the emergency evacuation of the Chersonese collections related to the deficit of material resources, rapid changes in the situation at the front, inefficient interaction between the bodies of power, academic and cultural institutions, and deficiencies in the transportation system. The authors argue that during the early stages of the Great Patriotic War, the conditions in the military and cultural spheres posed a significant threat to the preservation of cultural heritage. There were no mobilisation plans for museums and the authorities failed to assess the real risks of wartime. Taking these factors into account should help diminish the threat of cultural heritage loss during military conflicts.

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