scholarly journals Hero vis-à-vis Author

2021 ◽  
Vol 40 (45) ◽  
pp. 61-73
Author(s):  
Kujtim Rrahmani

This article examines the complex relationship between the hero and the author. Through a reflexive phenomenological tone, it is argued that the hero depicts the emotional seed of the subject itself while the author is the beautiful mind that projects events and worlds by cultivating the intellectual seed. The call of adventure as a ringing bell for the hero and the author, the proclaimed Death of the Author, the almost confirmed Death of the Hero, and the horizon of the Teacher’s Death are discussed. In this setting, the fear from the authority of the hero and the author remains imminent. This article attempts to move beyond the horizon of death certificates in order to reach primary frequencies at the nexus between author and hero, derived from the very inner tones of the human psyche that come as a call to take us away to the beautiful world of Aha Erlebnis. The author and the hero – they do matter.

2021 ◽  
pp. 174569162097476
Author(s):  
Danielle J. Navarro

It is commonplace, when discussing the subject of psychological theory, to write articles from the assumption that psychology differs from the physical sciences in that we have no theories that would support cumulative, incremental science. In this brief article I discuss one counterexample: Shepard’s law of generalization and the various Bayesian extensions that it inspired over the past 3 decades. Using Shepard’s law as a running example, I argue that psychological theory building is not a statistical problem, mathematical formalism is beneficial to theory, measurement and theory have a complex relationship, rewriting old theory can yield new insights, and theory growth can drive empirical work. Although I generally suggest that the tools of mathematical psychology are valuable to psychological theorists, I also comment on some limitations to this approach.


1882 ◽  
Vol 33 (216-219) ◽  
pp. 15-21

I have endeavoured in this abstract to summarise the results of my recent researches into the minute structure of the brain in the smaller Rodents. The pig and sheep, which were the subjects of my former memoir, possess a highly developed olfactory apparatus conjoined to a well convoluted cortical surface; but in the smaller animals now under consideration the surface of the hemispheres is almost perfectly smooth, while the olfactory organ, from its comparative size and complex relationship, has an important part to play in the architecture of the brain. Animals possessing the latter type of cerebrum have been classed together as the Osmatic Lissencéphales, in contradistinction to those which were the subject of my former enquiries, the Osmatic Gyren-céphales. My researches into the structure of the brain of prominent members of the former group, viz., the rabbit and rat, may be considered under two heads:— ( a .) The histology of the complete cortical envelope.


2020 ◽  
pp. 72-79
Author(s):  
L. Monica Lilly

 In The Alchemist, Paulo Coelho projects Santiago communicating with Nature which he refers to as the common language of the world. A study of The Alchemist will reveal how Santiago, an Andalusian shepherd boy who yearns to travel in search of a bounty treasure explores the wisdom of life. His quest for the treasure buried near the Pyramids propels him to enter an unchartered territory from his homeland in Spain to the Egyptian desert. This paper aims to explore the ecological reflections mired with concepts of slants in philosophy. Ecology on one hand is considered as a branch of science but, despite providing erudition on the subject it is understood that it provides sagacity to understand the universe better. This paper rightly discusses the amalgamation of nature and literature. It is indeed a manifestation of the recurrently believed ideologies that connect human psyche and platitudes of the cosmos. The logos that interrelates the existing connection between the non human and the human species require an exceptional mastery. This paper will analyze and depict the emotions connected with nature from the spectacle of the Protagonist Santiago in The Alchemist.


2019 ◽  
Vol 53 (2) ◽  
pp. 532-543
Author(s):  
Francesco Bratos

The complex relationship between literature and law has been widely debated. Over the last 20 years, the judicial novel has been the subject of renewed consideration from critics. Numerous studies have pointed out how literary and judicial practices seem characterized by common methods of narrative organization and communication of experiences. Beyond the controversy on the classification of the judicial novel as literary genre, the representation of courtrooms has undeniably become one of the recurring tropes of the 20th-century novel. Within this multifaceted literary movement, the unique style of Italian judiciary literature warrants its articulation as a distinct genre. The working hypothesis of this article is that the political and cultural centrality acquired by the Italian Magistratura, as result of a longstanding confrontation with the political powers, is essential in studying the success of the Italian judiciary novel, together with the emergence of a vast number of jurist-writers. Analyzing specifically the work of the jurist-writer Gianrico Carofiglio, I will demonstrate how the Italian legal thriller transforms the representation of the trial, dealing with the literary tradition as well as with law’s own representation.


Tekstualia ◽  
2015 ◽  
Vol 2 (41) ◽  
pp. 13-28
Author(s):  
Edward Kasperski

The article focuses on the debate on the conception of the author over the past century that has resulted in a series of attempts to undermine the position of the author and even remove this category from theoretical considerations (the idea of the death of the author). It points to a schizophrenic gap between critical theory and reading practice in which the author remains indispensable for interpretation. The theories that aim to exclude the author are based on certain paradoxes, such as regressus as infi - tivum when a text is treated as a combination of quotes or creatio ex nihilo when the author is completely erased. The second part of the article offers an analysis of Witkacy’s Gyuabal Wahazar with a view to showing the ways in which the authorial subject is constituted and bound to the author’s existence. It emphasizes the concomitant indispensability and indeterminacy of the subject.


2020 ◽  
Vol 10 (86) ◽  
Author(s):  
Natalia Maliy ◽  
◽  
Larysa Dyachenko ◽  

The article considers the formation of professional motivation in future speech pathologists. The importance of solving this issue is emphasized, because the work of a defectologist requires the presence of special characteristics in his personality, the formation of which is carried out during their training. Issues of personal development of the student and the formation of his readiness for future professional activity become the main in the outlined situation. The psychological and personal readiness of the specialist for professional self-realization in modern conditions is important. It is emphasized that the transformation of the requirements for professionals of different natural influences the solution of the question of the complex relationship of personal and professional development of the subject. The question of quality criteria for the training of future speech pathologists can not be considered separately from the requirements of a particular environment in which the specialist works. It is at the stage of professional training in the university begin to develop in a specialist-defectologist those values and motives that determine the success of his work in the profession, and for this it is necessary to study the formation of professional values and motives in the formation of future defectologists.


Stasis ◽  
2021 ◽  
Vol 10 (2) ◽  
pp. 41-76
Author(s):  
Georgy Vanunts

A common narrative about the recent reactionary turn in electoral democracies around the world highlights a fundamental lack in the heart of neoliberal rationality — a lack of political/ social in the version of critical theorists and a lack of morals/ traditions in the version of conservative critics. What if this lack is complemented by an excess, an antinomic element, that overdetermines this shift to the right? Following the mainstream version of neoliberal subject — an entrepreneurial self — this study reaches into the genealogy of the ‘entrepreneur’ concept in the theory of Joseph A.Schumpeter, tracing its roots to the conservative dichotomies of Werner Sombart and Friedrich von Wieser. By placing the ‘entrepreneur’ in the framework of Foucault’s theory of two discourses, I draw out the complex relationship between Schumpeterian concept and its analogues in the mainstream neoliberal theory. An outcome of this analysis is the hypotesis of polidiscoursivity: a problem of ‘barbarian subject’ at the gates (or within the city walls) of the Austrian school’s (neo)liberal utopia.


Tekstualia ◽  
2017 ◽  
Vol 2 (49) ◽  
pp. 65-78
Author(s):  
Justyna Pyra

The article begins with an analysis of two works of art: the photography Self Portrait as a Drowned Man by Hippolyte Bayard (1839–1840), which is one of the fi rst photographs in history, and the painting The Wounded Man by Gustave Courbet (1845–1854). Both these images use the same iconographic theme: the death of the author. This comparison leads to a refl ection about the intersections of photography and death, in an artistic as well as an anthropological sense. The similarity of the subject of both the works, and their rootedness in the time of creation, induce a variety of questions: what was the status of photography shortly after the invention of this medium? How did it affect the notion of art, the social position of the artist, the comprehension of realism, and fi nally – the perception of the world itself? The article tries to answer some of these questions by bringing out the picture of a specifi c moment in (art) history, when both man’s interest in death and the realist’s aspiration to create mimetic representations have found a new refl ection in art thanks to photography.


2019 ◽  
Vol 3 (1) ◽  
pp. 1-96
Author(s):  
Thomas Dreier

Abstract Law and images are generally regarded as two separate areas. Yet, in many ways law and images intersect, such as when legal rules try to control the production, dissemination and consumption of images, and when law is the subject of images. In parallel to the well-established “law and literature”, the paper attempts to connect two fields of research, law studies and visual studies, that are usually disjointed, and it outlines what could be an area of interdisciplinarity research labelled “law and images”. The article explains how images work to the readers not familiar with visual sciences, and how normative prohibitions and commandments function to readers not familiar with law studies. In addition, the article provides a survey of the different issues raised when studying the complex relationship between law and images.


2010 ◽  
Vol 64 (4) ◽  
pp. 620-640 ◽  
Author(s):  
Marc Goergen ◽  
Chris Brewster ◽  
Geoffrey Wood

Summary An influential strand of the finance literature focuses on the nature and extent of shareholder rights vis-à-vis employees. Most of the extant literature on the subject relies on a limited number of case studies and/or broad macroeconomic data, whereas this article draws on evidence from a large scale survey of organizations to test the predictions of the theories on the relative strength of workers and managers across the different governance regimes. This evidence highlights the complex relationship between societal institutions, legal traditions, political parties and electoral systems, on corporate governance regimes and the relative strength of unions and collective representation at workplace level, highlighting the limitations of the mainstream finance and economics rational-incentive based literature, and the value of alternative socio-economic approaches.


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