scholarly journals Masculinity in Algirdas Landsbergis's Short Stories

2021 ◽  
Vol 40 (45) ◽  
pp. 122-133
Author(s):  
Gabija Bankauskaitė ◽  
Raminta Stravinskaitė
Keyword(s):  
Short Stories ◽  
Emotional Stability ◽  
Analytical Psychology ◽  
The World ◽  
General Experience ◽  
Post War ◽  
Divine Child

 In interwar and post-war societies, men were required to show endurance, courage, and emotional stability, but their traumas, caused by the experience of war and the economic, political, and social realities of the post-war period, are just started to be analysed. Algirdas Jeronimas Landsbergis (1924–2004), a playwright, prose writer, editor, literary and theatre critic of the Lithuanian diaspora, conveys these themes in his work. The images of masculinity revealed in the texts help clarify the general experience of the society hidden in the works and understand what kind of masculinity prevailed in society after the world wars changed the lives of women and men. Using K. G. Jung’s theory of analytical psychology, the article analyses A. Landsbergis’ short stories, which literature researchers less studied. Texts are explored as reflections and shapers of society, and in the case of masculinity, it is discussed what is meant by the archetypes of masculinity recorded in the literature. Based on the work of R. L. Moore and D. Gillette and J. C. Campbell, the archetypes of the divine child, the child prodigy, the Oedipus child and the hero and mature masculinity – the king, warrior, magician and lover are distinguished.

scholarly journals Znaczenie obrazów symbolicznych w opowiadaniu „Nema povratka” Miodraga Bulatovicia

2017 ◽  
Vol 164 ◽  
pp. 79-89
Author(s):  
Justyna Fudala
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Short Story Collection ◽  
The World ◽  
Story Collection ◽  
Post War ◽  
Symbolic Images

The importance of symbolic images in the story Nema povratka written by Miodrag BulatovićMiodrag Bulatović is a representative of a grotesque avantgarde trend in post-war Serbian literature. In his short stories and novels, he referred to the notions of evil and moral decay. In a short story collection entitled Vuk i zvono, he depicted a war-stricken countryside of Montenegro, in which all elements of the world depicted are gradually devoured by fire. Only a few of the short stories from the above-mentioned collection have been translated into Polish. In the analytical part of the article, the most important motifs found in the translated texts are discussed.Значење симболичких слика у причи Нема повратка Миодрага БулатовићаY причама из збирке Вук и звоно доминира ватра, са којом су повезане људске судбине. Читалац има утисак да је човек само играчка у рукама судбине, а ватра преовладава у ње- говом животу. Булатовић приказује свет, који изгледа као пакао на земљи. Свеприсутност људских несрећа, рата и ватре ствара слику света пуног безнађa и туге. Зло се рaђa у људи- ма и утиче на њихов даљи живот. У циљу приказања трагизма и безнађа споменути писац користи много симбола, a њиховo значење je битно за разумевање текста.

Squatting: The Fight for Decent Shelter, 1970s–1980s

2018 ◽  
Vol 11 (1) ◽  
pp. 27-50
Author(s):  
John Marsland
Keyword(s):  
Welfare State ◽  
Public Services ◽  
Second World War ◽  
World War ◽  
Housing Policies ◽  
The West ◽  
The World ◽  
Housing Needs ◽  
Post War ◽  
Second World

During the twenty years after the Second World War, housing began to be seen as a basic right among many in the west, and the British welfare state included many policies and provisions to provide decent shelter for its citizens. This article focuses on the period circa 1968–85, because this was a time in England when the lack of affordable, secure-tenured housing reached a crisis level at the same time that central and local governmental housing policies received wider scrutiny for their ineffectiveness. My argument is that despite post-war laws and rhetoric, many Britons lived through a housing disaster and for many the most rational way they could solve their housing needs was to exploit loopholes in the law (as well as to break them out right). While the main focus of the article is on young British squatters, there is scope for transnational comparison. Squatters in other parts of the world looked to their example to address the housing needs in their own countries, especially as privatization of public services spread globally in the 1980s and 1990s. Dutch, Spanish, German and American squatters were involved in a symbiotic exchange of ideas and sometimes people with the British squatters and each other, and practices and rhetoric from one place were quickly adopted or rejected based on the success or failure in each place.

The 1945 World Order – Process with «Open» Continuation

2020 ◽  
Vol 13 (4) ◽  
pp. 52-79
Author(s):  
V. T. Yungblud
Keyword(s):  
Cold War ◽  
International Relations ◽  
World Order ◽  
International Order ◽  
International Terrorism ◽  
Bipolar Structure ◽  
Political Processes ◽  
The World ◽  
Post War ◽  
The Cold War

The Yalta-Potsdam system of international relations, established by culmination of World War II, was created to maintain the security and cooperation of states in the post-war world. Leaders of the Big Three, who ensured the Victory over the fascist-militarist bloc in 1945, made decisive contribution to its creation. This system cemented the world order during the Cold War years until the collapse of the USSR in 1991 and the destruction of the bipolar structure of the organization of international relations. Post-Cold War changes stimulated the search for new structures of the international order. Article purpose is to characterize circumstances of foundations formation of postwar world and to show how the historical decisions made by the leaders of the anti-Hitler coalition powers in 1945 are projected onto modern political processes. Study focuses on interrelated questions: what was the post-war world order and how integral it was? How did the political decisions of 1945 affect the origins of the Cold War? Does the American-centrist international order, that prevailed at the end of the 20th century, genetically linked to the Atlantic Charter and the goals of the anti- Hitler coalition in the war, have a future?Many elements of the Yalta-Potsdam system of international relations in the 1990s survived and proved their viability. The end of the Cold War and globalization created conditions for widespread democracy in the world. The liberal system of international relations, which expanded in the late XX - early XXI century, is currently experiencing a crisis. It will be necessary to strengthen existing international institutions that ensure stability and security, primarily to create barriers to the spread of national egoism, radicalism and international terrorism, for have a chance to continue the liberal principles based world order (not necessarily within a unipolar system). Prerequisite for promoting idea of a liberal system of international relations is the adjustment of liberalism as such, refusal to unilaterally impose its principles on peoples with a different set of values. This will also require that all main participants in modern in-ternational life be able to develop a unilateral agenda for common problems and interstate relations, interact in a dialogue mode, delving into the arguments of opponents and taking into account their vital interests.

The Russian People as They Are. Turgenev’s View

2018 ◽  
pp. 71-82
Author(s):  
Sergey Nickolsky
Keyword(s):  
Short Stories ◽  
Philosophy Of History ◽  
Literary Genre ◽  
Classical Literature ◽  
The People ◽  
The World ◽  
Natural Man ◽  
The Mind ◽  
Nature And Society ◽  
Philosophical Nature

The question of the Russian man – his past, present and future – is the central one in the philosophy of history. Unfortunately, at present this area of philosophy is not suffciently developed in Russia. Partly the reason for this situation is the lack of understanding by researchers of the role played by Russian classical literature and its philosophizing writers in historiosophy. The Hunting Sketches, a collection of short stories by I.S. Turgenev, is a work still undervalued, not fully considered not only in details but also in general meanings. And this is understandable because it is the frst systematic encyclopedia of Russian worldview, which is not envisaged by the literary genre. To a certain extent, Turgenev’s line is continued by I. Goncharov (the theme of the mind and heart), L. Tolstoy (the theme of the living and the dead, nature and society, the people and the lords), F. Dostoevsky (natural and rational rights), A. Chekhov (worthy and vulgar life). This article examines the philosophical nature of The Hunting Sketches, its structure and content. According to author’s opinion, stories can be divided into ten groups according to their dominant meanings. Thus, in The Hunting Sketches the main Russian types are depicted: “natural man,” rational, submissive, cunning, honest, sensitive, passionate, poetic, homeless, suffering, calmly accepting death, imbued with the immensity of the world. In the image and the comments of the wandering protagonist, Ivan Turgenev reveals his own philosophical credo, which he defnes as a moderate liberalism – freedom of thought and action, without prejudice to others.

Beckett’s Expelled

2018 ◽  
Author(s):  
Lyndsey Stonebridge
Keyword(s):  
Human Rights ◽  
Short Stories ◽  
Samuel Beckett ◽  
Red Cross ◽  
Human Suffering ◽  
Dark Background ◽  
The World

Samuel Beckett is known for his unique abstraction of human suffering. This chapter shows how his wartime experiences transformed his writing, producing one of the first really critical literary depictions of the new subject of human rights and humanitarianism. Beckett’s engagement with what he described in 1946 as ‘the time-honoured conception of humanity in ruins’ began with his own experience of displacement and with his work with the Irish Red Cross in Saint-Lô. The characters who wander through the three short stories that he first wrote in French, ‘La Fin’, ‘L’Explusé’, and ‘Le Calmant’, collectively known as the Nouvelles, are both subject to a regime of humanitarian indifference (‘They clothed me and gave me money’ read the first lines of ‘La Fin’) and restless agents, stumbling in a stripped down French, groping for a new narrative. These are the new clowns of the dark background of difference, ironists of their own suffering, chroniclers of the gap that had opened up between the placeless people and the rest of the world.

scholarly journals Emotional Impact of Dishes versus Wines on Restaurant Diners: From Haute Cuisine Open Innovation

2021 ◽  
Vol 7 (1) ◽  
pp. 96
Author(s):  
Ana Mengual-Recuerda ◽  
Victoria Tur-Viñes ◽  
David Juárez-Varón ◽  
Faustino Alarcón-Valero
Keyword(s):  
Qualitative Research ◽  
Empirical Study ◽  
Open Innovation ◽  
Social Life ◽  
Fundamental Importance ◽  
Emotional Impact ◽  
The World ◽  
Unique Experience ◽  
General Experience ◽  
High Level

Haute cuisine is emblematic in the world of tourism and is of fundamental importance in the economic and social life in most countries worldwide. Haute cuisine gastronomic experiences play with the senses, involving the diner, thus generating a unique experience for the customer. This empirical study aims to analyze the influence on the consumer of the characteristic stimuli of a high-level gastronomic experience in a restaurant with two Michelin stars. Using neuromarketing biometrics, combined with a qualitative research technique, the objective of this research was to determine the emotional impact of the presentation and tasting of dishes compared to wines and to draw conclusions about each variable in the general experience. The results indicate that the dishes have a greater influence on the level of interest than the wines, and both have a different emotional impact at different moments of the experience due to its duration.

The Image of the Future in the Situation of the Decline of Culture: Contemporary Russia from the Perspective of O. Spengle

2020 ◽  
Vol 65 ◽  
pp. 323-334
Author(s):  
Inga V. Zheltikova
Keyword(s):  
Contemporary Society ◽  
Creative Activity ◽  
Russian Culture ◽  
The World ◽  
The Future ◽  
History Of ◽  
Post War ◽  
Conservative Values ◽  
Open Question ◽  
Images Of The Future

The concept of O. Spengler suggests that the history of any culture goes through certain stages of development, the last of which is civilization. During this period creative activity in culture is replaced by mechanical imitation and lost connection with the culture formed by the «pra-phenomenon». The author correlates Spengler’s postulates with the processes of actual social reality and comes to the conclusion that contemporary Russia is going through the stage of civilization. The article raises the question of how the future is seen in this situation. The author uses the term “image of the future”, introduced by F. Polak to understand the disinterest of modern post-war Europe in its future. Thus, the lack of interest in the future can be recognized as another characteristic of the state of civilization. The existence in contemporary Russia of distinct images of the future is an open question. Using the methods of content analysis, the author comes to the conclusion that in Russian contemporary society there exists a retrospective image of the future, focused on conservative values, hierarchy of society and its closed nature to the world. Thus, it is concluded that it is wrong to talk about complete absence of images of the future in contemporary Russia. But the nature and content of these images demonstrate the low level of interest in the future, which also indicates the transition of Russian culture to civilization.

The Institute of International Law

1927 ◽  
Vol 21 (4) ◽  
pp. 716-736
Author(s):  
James Brown Scott
Keyword(s):  
International Law ◽  
Great Difficulty ◽  
World War ◽  
The Past ◽  
Scientific Organizations ◽  
The World ◽  
Post War ◽  
In The Mists

The scientific organizations which flourished before the World War have had great difficulty in continuing their labors after its termination. The Institute of International Law has been no exception. It was to have met in Munich in September, 1914, and its program had been completely arranged; but the war which started in August, 1914, necessarily put an end to all arrangements for the session. A resort to arms inevitably brings with it a desire for its avoidance; and the greater the war, the greater the desire. A decade, a generation struggles in the mists and shadows, seeking to extricate itself from the post-war spirit, condemning the past somewhat indiscriminately and advocating innovations which, new in expression, are nevertheless the aspirations of those who, in all time, crushed and bruised by force, seek to replace it by justice.

Sign in / Sign up

Export Citation Format

Share Document