scholarly journals Protest Reactions to Contemporary Art Exhibitions: Origins and Symbols of Public Ressentiment

2021 ◽  
Vol 9 (2) ◽  
Author(s):  
Carolina-Joanna Gomes ◽  
Tatyana Kruglova
Keyword(s):  
Public Sphere ◽  
Modern Society ◽  
Art Exhibitions ◽  
Modern Culture ◽  
The Public ◽  
The Enlightenment ◽  
Phases Of Development ◽  
The Public Sphere

This article examines the peculiarities of protests against the offensive content of artworks in the context of one of the most significant discoveries of modern society, the public sphere and its historical transformations. Art is one of the most sensitive indicators of the state of values and symbols, which makes it vulnerable, forming a space for various protests. A distinction is made between conflicts around art that have an etiology within the enlightenment paradigm and modern types of conflicts, in which the accusation that art offends the public and social groups dominates. The initiative for protests in modern culture comes from a public that perceives art in contrast to the previous dominant powers. The discourse of offence lies at the centre of art-related conflict, since the content of protest is heavily loaded with symbolic connotations (ethical, religious, political, ethnic, etc.). The authors analyse offense and its genesis in the modern. It is argued that the source of ressentiment is not within art, but outside it, in the public sphere, while the work is perceived as a medium or symbol of this source. In order to provide a systematic description of protests against art, the authors propose the concept of ressentiment as a mental and value attitude (M. Scheler), in which emphasis is placed on the significance of the long-term attitude that results from the repression of affects. Due to the inhibition of the response impulse, the reaction is transferred to another object. This explains the displacement of the negative reaction from the real cause of suffering to objects of a symbolic nature, in this case to the world of art. Based on the phases of development of ressentiment and its structural elements (themes, social environment, actors) identified by Ch. Pak and using discourse analysis of materials from the public sphere (media, social networks), a case study was examined: an exhibition by the photographer Jock Sturges, Absence of Shame (Moscow) in 2016–2017. It is proved that the motivator of the protest was not the exhibition itself, but the content of the blogger’s posts, the discourse around it, and other ways of representing the biography and oeuvre of the photographer in the public sphere. It is shown that ressentiment as an attitude is formed from the outside and seeks material for its establishment in the outside world. For the formation of a conflict, a preliminary formulation of the discourse of offence is necessary: further dissemination by public groups can consolidate affects and turn them into actions. Provocative art, which violates the boundaries of aesthetic conventions of the art field, risks becoming an object of substituted protest when entering the public sphere.

Boundary Politics in the Public Sphere: Openness, Secrecy, and Leak

1998 ◽  
Vol 16 (2) ◽  
pp. 172-192 ◽  
Author(s):  
Agnes S. Ku
Keyword(s):  
Public Sphere ◽  
Modern Society ◽  
Discursive Practices ◽  
Ideal Types ◽  
The Public ◽  
Political Dynamics ◽  
The Media ◽  
The Public Sphere ◽  
The Relationship

The issue of openness/secrecy has not received adequate attention in current discussion on the public sphere. Drawing on ideas in critical theory, political sociology, and cultural sociology this article explores the cultural and political dynamics involved in the public sphere in modern society vis-à-vis the practice of open/secret politics by the state. It argues that the media, due to their publicist quality, are situated at the interface between publicity and secrecy, which thereby allows for struggles over the boundary of state openness/secrecy in the public sphere. A theory of boundary politics is introduced that is contextualized in the relationship among state forms, the means of making power visible/invisible (media strategies), and symbolic as well as discursive practices in the public sphere. In explaining the dynamics of boundary politics over openness/secrecy, three ideal-types of boundary creation are conceptualized: open politics secrecy and leak. The theory is illustrated with a case study of the Patten controversy in Hong Kong.

Maria Antonia of Saxony and the Emergence of Music Analysis in Opera Criticism

2013 ◽  
Vol 25 (1) ◽  
pp. 37-73 ◽  
Author(s):  
Estelle Joubert
Keyword(s):  
Public Sphere ◽  
Music Analysis ◽  
Canon Formation ◽  
Conceptual Space ◽  
The Public ◽  
The Enlightenment ◽  
Musical Excerpts ◽  
The Public Sphere ◽  
To Receive

AbstractThe Enlightenment witnessed the rise of a public whose role as sovereign arbiter of operatic taste irreversibly changed the processes by which fame and renown were bestowed upon composers. The public sphere – a conceptual space in which texts (including music) were disseminated and debated – emerged as an expansive intellectual forum in which composers, performers and works could be evaluated. In spite of opera's long-standing association with fame and renown, its role in the processes leading to ascriptions of musical value and fame in the Enlightenment public sphere is a significant dimension of canon formation that has yet to be fully investigated. This article offers a case study of Electress Maria Antonia of Saxony (1728–1780), whose mutually beneficial relationship with the Breitkopf firm, coupled with its redesigned ‘movable type’ in 1755, prompted a new mode of opera criticism, one that focused sharply on the music itself. Maria Antonia's Il trionfo della fedeltà (1754) and Talestri (1762) were the first operas to receive reviews featuring in-text musical examples, fuelling the public's quest to monumentalise Maria Antonia as celebrated composer. Ultimately, the inclusion of musical excerpts in opera criticism was an important step toward the construct of the work as separate from individual localised performances.

scholarly journals ”Kampagnen med Blæk i stedet for Blod”: Håndskrifter, trykk og opinionskamp i skandinavisk offentlighet, 1801–1814

2017 ◽  
Vol 14 ◽  
pp. 106-128
Author(s):  
Ruth Hemstad
Keyword(s):  
Nineteenth Century ◽  
Public Sphere ◽  
Print Culture ◽  
The Public ◽  
Vital Part ◽  
Monitoring Activities ◽  
The Public Sphere ◽  
Secret War

“The campaign with ink instead of blood”: Manuscripts, print and the war of opinion in the Scandinavian public sphere, 1801–1814Handwritten pamphlets circulated to a high extend as part of the war of opinion which went on in the Norwegian-Swedish borderland around 1814. This ‘campaign with ink instead of blood’, as Danish writers soon characterized this detested activity, was a vital part of the Swedish policy of conquering Norway from Denmark through the means of propaganda. This ‘secret war of opinion’, as it was described in 1803, culminated around 1814, when Sweden accomplished its long-term goal of forming a union with Norway. In this article I am concerned with the role and scope of handwritten letters, actively distributed as pamphlets as part of the Swedish monitoring activities in the borderland, especially in the period 1812 to 1813. These manuscripts were integrated parts of the manifold of publications circulating within a common, although conflict oriented Scandinavian public sphere in the making at this time. The duplication and distribution of handwritten pamphlets, and the interaction with printed material, as Danish counter pamphlets quoting and discussing these manuscripts, illustrates that manuscripts remained important at the beginning of the nineteenth century. They coexisted and interacted with printed material of different kinds, and have to be taken into consideration when studying the public sphere and the print culture in this period.

Weimar Bodies

2021 ◽  
Author(s):  
Ute Planert
Keyword(s):  
Public Sphere ◽  
Weimar Republic ◽  
Modern Society ◽  
Human Reproduction ◽  
Gainful Employment ◽  
The Public ◽  
Political Conflicts ◽  
The Arts ◽  
Gendered Bodies ◽  
The Public Sphere

Like the arts and politics, sexuality, bodies, and the gender order in the Weimar Republic were sites of experimentation in and with modernity. The First World War and the revolution had accelerated the breakthrough of women into arenas such as politics, the public sphere, and professional gainful employment. Big cities provided space for sexual libertinage, in which the transgression of heterosexual norms was possible. A rationalization of sexuality took place, which combined increased freedoms and liberties with attempts at regulation. Sports became an important transmission belt for ideas of discipline, efficiency, and self-optimization. The Weimar welfare state combined the entitlement to live a healthy life with the duty to actively retain the health of one’s body. The latter included considering future generations via eugenicist ideas. A far-reaching consensus on the value of eugenics emerged, yet only under the pressure of the world economic crisis did it materialize in concrete proposals to recalibrate social policy. The final years of the Weimar Republic were marked by a remasculinization of the public sphere and a partial return to more traditional views on gender roles. Overall, gender and gendered bodies, sexuality and human reproduction, were inherent elements of the political conflicts that shaped modern society. At the end of the Weimar Republic, they were more contested than ever.

Shaping Digital Democracy in the United States

2014 ◽  
pp. 213-231
Author(s):  
Rachel Baarda ◽  
Rocci Luppicini
Keyword(s):  
Public Sphere ◽  
Participatory Democracy ◽  
The United States ◽  
Social Networking Site ◽  
Ethical Challenges ◽  
The Public ◽  
Ethical Implications ◽  
Theoretical Perspectives ◽  
The Public Sphere

Ethical challenges that technology poses to the different spheres of society are a core focus within the field of technoethics. Over the last few years, scholars have begun to explore the ethical implications of new digital technologies and social media, particularly in the realms of society and politics. A qualitative case study was conducted on Barack Obama's campaign social networking site, my.barackobama.com, in order to investigate the ways in which the website uses or misuses digital technology to create a healthy participatory democracy. For an analysis of ethical and non-ethical ways to promote participatory democracy online, the study included theoretical perspectives such as the role of the public sphere in a participatory democracy and the effects of political marketing on the public sphere. The case study included a content analysis of the website and interviews with members of groups on the site. The study's results are explored in this chapter.

Digital Humour, Gag Laws, and the Liberal Security State

2017 ◽  
pp. 204-221 ◽  
Author(s):  
Judith Bessant
Keyword(s):  
Public Sphere ◽  
Political Theory ◽  
Digital Media ◽  
Digital Age ◽  
Political Dissent ◽  
The Public ◽  
On Line ◽  
Artistic Work ◽  
The Public Sphere

This chapter presents a case study of Facu Diaz, a Spanish satirist whose on-line ridicule of the Spanish government created a political furor that brought him before the courts. The chapter engages the problem of the criminalization of political dissent by liberal states in the digital age. The case highlights how digital media is now being used to create content for satire, as well as to replicate and infiltrate more traditional political and media forums, changing many traditional forms of political practice. The case [points to some of the central problems inherent in liberalism which may give reason to curb the enthusiasm of those who think that new digital media creates fresh opportunities for augmenting the ‘public sphere'. It is argued that liberalism as a political theory and ethos, tends to be blind to non-traditional political expressions like satire and other artistic work. In addition, the expansion of security laws in many countries suggests, liberalism's ostensible commitment to freedom needs to be reframed by recalling its historical preoccupation with security.

Greening Religion in Facebook: Can Digital Media Bridge the Gap Between Religion and Modernity?

2014 ◽  
Vol 3 (2) ◽  
pp. 57-81
Author(s):  
Oriol Poveda
Keyword(s):  
Public Sphere ◽  
Digital Media ◽  
The Public ◽  
Multiple Modernities ◽  
Environmental Processes ◽  
Religion And Modernity ◽  
The Public Sphere ◽  
Late Modern ◽  
Empirical Material

Through a case study of the Facebook page of a Jewish Orthodox environmental project based in Germany, this paper explores the ways in which religion and modernity might be made compatible and what role digital media plays in such interaction. On the basis of the empirical material gathered for this paper, the author presents a typology of religious-environmental processes of hybridization. The analysis draws from the concepts of multiple modernities, public religions and religious branding in order to discuss whether the combination of religion and modernity is enabled or compromised by the collapsing of boundaries between the public sphere and the marketplace in late modern societies. The findings suggest that Facebook and its affordances make possible the particular intersections of religion and environmentalism, of public sphere and marketplace, that are characteristic of the case under study.

scholarly journals Blogging as Popular History Making, Blogs as Public History: The Singapore Case Study

2007 ◽  
Vol 14 ◽  
Author(s):  
Stephanie Ho
Keyword(s):  
Public Sphere ◽  
Case Studies ◽  
Public History ◽  
First Century ◽  
The Internet ◽  
Ordinary People ◽  
Historical Society ◽  
The Public ◽  
The Public Sphere

Blogging is a twenty-first century phenomenon that has heralded an age where ordinary people can make their voices heard in the public sphere of the Internet. This article explores blogging as a form of popular history making; the blog as a public history document; and how blogging is transforming the nature of public history and practice of history making in Singapore. An analysis of two Singapore ‘historical’ blogs illustrates how blogging is building a foundation for a more participatory historical society in the island nation. At the same time, the case studies also demonstrate the limitations of blogging and blogs in challenging official versions of history.

Care, Values and an Uncaring Media

2004 ◽  
Vol 3 (4) ◽  
pp. 439-446 ◽  
Author(s):  
Angela Phillips
Keyword(s):  
Qualitative Research ◽  
Public Sphere ◽  
Policy Research ◽  
Media Discourse ◽  
The Public ◽  
Growing Body ◽  
Research Findings ◽  
The Public Sphere ◽  
The University

Evidence of ‘dissemination’ is now seen as part of research delivery by grant-giving bodies such as the ESRC and Joseph Rowntree Foundation. Drawing on the growing body of research into media sources (Manning 2001, Davis, 2000) and relating it to debates on the public sphere (Habermas 1989), the paper will ask what (if anything) researchers have to gain from involvement with the mass media and whether specialised help can assist in bringing social policy research from the margins into the mainstream of media discourse. It will look in particular at the special difficulties of disseminating ‘fuzzy’ qualitative research findings which do not lend themselves to obviously eye-catching headlines. The paper will draw on an ESRC funded experiment at the University of Leeds as a case study with which to explore these issues.

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