Emily Dickinson and the Battle of Ball's Bluff

PMLA ◽  
2009 ◽  
Vol 124 (5) ◽  
pp. 1582-1599 ◽  
Author(s):  
Benjamin Friedlander

Emily Dickinson's response to the Civil War—once discounted as nonexistent or negligible, now embraced as part of the canon of Civil War writing—gives evidence of a conscious testing of alternatives. Among these alternatives, the most surprising, perhaps, is her potentially public positioning of herself as a war poet in works that celebrate military heroism. One such celebration, “When I was small, a Woman died—,” written in the aftermath of Ball's Bluff—a disastrous Union loss—revises the scenarios presented in two other Ball's Bluff poems and transforms the horrific death of a local soldier into a glorious ascent into the heavens, an uncharacteristically joyous response to an event that others (including Herman Melville) experienced as entirely mournful. Since the two other poems appeared in her local newspapers and since the soldier was Amherst's first casualty, Dickinson's poem is likely a carefully crafted bid for publication. Read in this way, moreover, “When I was small” reminds us that war presents a poet with unique rhetorical problems but also with opportunities, and that these opportunities can be tempting even for a writer as resistant to the literary marketplace as Dickinson.

Author(s):  
Randall Fuller

The nature and meaning of sacrifice were fiercely contested in the aftermath of the American Civil War. Historians have documented a long struggle by veterans to ensure the continuing remembrance of their sacrifice. At the same time, American politicians tended to demur from acknowledging these sacrifices, as doing so would reopen the rift that had prompted war in the first place. This chapter probes the work of three Civil War poets—Emily Dickinson, Herman Melville, and Walt Whitman—to uncover the meaning of sacrifice during and after the war. Dickinson’s verses about psychic pain and dislocation are increasingly understood as simultaneous expositions of the personal and political: Melville’s knotty, multi-perspectival poems about the war, Battle-Pieces, question the ideological freight of sacrifice, and Whitman sought to honour the sacrifice of soldiers through a poetics he hoped would heal the body politic. Ultimately only Whitman’s consolatory poetry would find a postwar audience.


1996 ◽  
Vol 68 (1) ◽  
pp. 239
Author(s):  
Robert Milder ◽  
Stanton Garner
Keyword(s):  

2020 ◽  
Vol 25 (1) ◽  
pp. 126-143
Author(s):  
Simon Rennie

Abstract This article examines Lancashire commentary on the American Civil War during the Cotton Famine of 1861–65 through poetry which has recently been recovered from local newspapers. The complexity and variety of the often labouring-class subjectivities figured in the texts works to further disrupt the conventional historical view of a region united in moral and political sympathy with the Union cause, as exemplified by discourses surrounding Lincoln’s letter to the region in 1863. Much of this poetry displays an acute awareness of its place in the world. Labouring-class Lancashire people were forced by economic circumstances to confront the nature of a Victorian globalization which had proved its instability, and many began to see themselves in terms of a global subjectivity for the first time. This poetic discourse may have been materially and culturally adjacent to journalistic comment on the crisis, but poetry’s imaginative freedom and ability to compress language and hence cultural meaning often represented an amplification, distortion, or even contradiction of implied editorial comment. Nowhere was this more apparent than in the sometimes febrile context of Lancashire commentary on the American Civil War and its domestic effects. Even when no particular resolution was offered as an option the ability of Lancashire poets to represent the voice of their fellow sufferers with some degree of authenticity served to reflect the ever more intimate relationship between the Victorian global and the local which the effects of the American war demonstrated in such stark terms.


2021 ◽  
Vol 111 (2) ◽  
pp. 472-505
Author(s):  
Christian Dippel ◽  
Stephan Heblich

This paper studies the role of leaders in the social movement against slavery that culminated in the US Civil War. Our analysis is organized around a natural experiment: leaders of the failed German revolution of 1848–1849 were expelled to the United States and became antislavery campaigners who helped mobilize Union Army volunteers. Towns where Forty-Eighters settled show two-thirds higher Union Army enlistments. Their influence worked through local newspapers and social clubs. Going beyond enlistment decisions, Forty-Eighters reduced their companies’ desertion rate during the war. In the long run, Forty-Eighter towns were more likely to form a local chapter of the NAACP. (JEL D74, J15, J45, J61, N31, N41)


2004 ◽  
Vol 4 (1) ◽  
pp. 37-53
Author(s):  
Carlos Daghlian

Trata-se de uma análise do consagrado conto "Uma Rosa para Emily", de William Faulkner, voltada para alguns dos principais aspectos de sua estrutura. Após considerarmos o enredo, discutimos a construção das personagens, com destaque para a protagonista, fazendo um levantamento e comentários sobre possíveis fontes de inspiração, destacando, entre outras, aspectos da biografia da poeta Emily Dickinson, a ficção e a poesia de E. A. Poe, romances de Charles Dickens e Henry James, o conto de Sherwood Anderson e a poesia de William Blake, Emily Dickinson, Robert Browning e John Crowe Ransom, acrescentando paralelos com o conto "Bartleby, o escrivão", de Herman Melville. Analisamos, então, o foco narrativo, os símbolos e o significado, ressaltando aqui o desenvolvimento temático da narrativa.


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