GROTTOES THAT HAVE SURVIVED TO THE PRESENT DAY FROM ISTANBUL'S HISTORICAL GARDENS AND THEIR ARCHITECTURAL FEATURES

Author(s):  
Drahşan UĞURYOL

Since the 18th century, water elements in new forms have been added to the diversity of water elements that are very rich in the design of Ottoman gardens. One of the most commonly used elements in garden arrangements in Istanbul during this period is the grottos, which are artificial caves. Aim: Considering the examples of these structures in Istanbul, it is seen that many of them have disappeared, and those that have survived to the present day have conservation problems. It is necessary to research the design and structural plan of the grottoes, the materials used and the decoration program so that the necessary restoration and conservation work can be carried out. For this reason, this study aimed at determining the design properties of the grottoes in historical gardens in Istanbul. Method: Within the scope of the study, grottos located in Yıldız Palace, Maslak Pavilions, Beykoz Pavilion, Emirgan Grove, Abraham Pasha Grove and Mizzi Mansion garden were architecturally evaluated in detail. Result: The grottos in historical gardens in Istanbul were created by covering the surfaces of a bearing structure created using stone, brick and iron supports with a mortar, natural or artificial stones to form a cave. The basic principle in the design is to obtain a natural look. Grottoes resembled cascades with the water that usually flowed in a stepped way were also used to grow plants on them, to create a strolling area in the garden, or as a watch area. Conclusion: With this study, it has been observed that in order to protect the grottos in the historical gardens of Istanbul, it has been seen that it is necessary to prepare their inventories, to reveal conservation problems and to do more research on the subject.

2010 ◽  
Vol 55 (2) ◽  
pp. 87-99 ◽  
Author(s):  
Oliver Jahraus

Der Beitrag untersucht den Zusammenhang von Reflexivität und Medialität (das, was ein Medium zum Medium macht), indem er die Idee der Reflexion an den konkreten Formen von Spiegelungen in Literatur und Film wie zum Beispiel Doppelgänger oder Figurenspaltungen darstellt. Dabei zeigt sich, daß jedes Medium autoreflexiv verfasst ist und daß die Vorstellung von Subjektivität seit dem 18. Jahrhundert selbst auf diesem Zusammenspiel von Reflexivität und Medialität beruht. Das Subjekt gilt demnach als reflexiver Effekt der Medialität, wie es an einer Betrachtung von Foucaults berühmter Meninas-Interpretation nachverfolgt werden kann.<br><br>This article analyses the relation between reflexivity and mediality (what makes a medium a medium) by presenting concrete situations of optical and specular reflections in literature and film, such as doubles (Doppelgänger) and split figures. Thus it can be shown that since the 18th century every medium is self-reflexive and that the concept of subjectivity has its basis in the interplay of reflexivity and mediality. The subject is an effect of medialitity as may be demonstrated by a new recapitulation of Foucault’s famous Meninas-interpretation.


Author(s):  
Vera V. Serdechnaia ◽  

The article is devoted to the analysis of the concept of literary romanticism. The research aims at a refinement of the “romanticism” concept in relation to the history of the literary process. The main research methods include conceptual analysis, textual analysis, comparative historical research. The author analyzes the semantic genesis of the term “romanticism”, various interpretations of the concept, compares the definitions of different periods and cultures. The main results of the study are as follows. The history of the term “romanticism” shows a change in a number of definitions for the same concept in relation to the same literary phenomena. By the end of the 20th century, realizing the existence of significant contradictions in the content of the term “romanticism”, researchers often come to abandon it. At the same time, the steady use of the term “romanticism” testifies to the subject-conceptual component that exists in it, which does not lose its relevance, but just needs a theoretical refinement. Conclusion: one have to revise an approach to romanticism as a theoretical concept, based on the change in the concept of an individual in Europe at the end of the 18th century. It is the newly discovered freedom of an individual predetermines the rethinking for the image of the author as a creator and determines the artistic features of literary romanticism.


2020 ◽  
Vol 0 (21) ◽  
pp. 0-0
Author(s):  
Merve KURT KIRAL ◽  
Emel AKIN

Spaces are conditioned by social conditions; on the other hand, social structure is affected by spaces. Arcades, the subject of this article, first appeared in Europe in the 18th century as a result of an increase in trading activities. The arcades in Ankara, which were started to be built in the 1950s together with increasing trading activities, contributed to the urban economy with intense activities of shopping, re-determined social and urban relations as essential places of everyday life and became distinctive urban buildings with their original building typologies and the function of maintaining public continuity in the area of private ownership. Aim: This study aims to study the process in which passages emerged and to analyze their spatial features and, in particular, to examine the spatial formation of the distinctive passages in Ankara on the basis of their causation. Method: In the article, spatial features of the passages in the West were mentioned, and the conditions of the period in which the passages in Ankara were built were briefly explained. Spatial analysis of the passages found in the research area were conducted, and the formation of these passages were analyzed together with their reasons. Results: Of the 31 arcades in Ankara, 27 were built between 1950 and 1980 on and around the Atatürk Boulevard in Yenişehir/Kizilay. As of the mid-1950s, new planning decisions which were made one after the other in the built-up area re-shaped the Boulevard and its surrounding as the existing buildings were demolished, allowing to construct new buildings with arcades or stores in their entrances. Their interior designs and connections to the streets are different from the arcades in the West. Conclusion: The present subdivision system and new planning decisions applied in property order shaped the passages which were peculiar to Ankara.


2019 ◽  
Author(s):  
Tilman Venzl

In the 18th century, as many as 300 German-language plays were produced with the military and its contact and friction with civil society serving as focus of the dramatic events. The immense public interest these plays attracted feeds not least on the fundamental social structural change that was brought about by the establishment of standing armies. In his historico-cultural literary study, Tilman Venzl shows how these military dramas literarily depict complex social processes and discuss the new problems in an affirmative or critical manner. For the first time, the findings of the New Military History are comprehensively included in the literary history of the 18th century. Thus, the example of selected military dramas – including Lessing's Minna von Barnhelm and Lenz's Die Soldaten – reveals the entire range of variety characterizing the history of both form and function of the subject.


2009 ◽  
Vol 34 (3) ◽  
pp. 49-56
Author(s):  
Guilia Sinatti

The increased interconnectedness and possibilities for travel and communication that characterise the current, global age have strongly affected scholarly ways of understanding contemporary forms of identification and belonging. Literature on the subject strongly challenges the notion of home as a fixed place, particularly where migration is concerned. The case study of Senegalese migration, however, contrasts this argument. Based upon ethnographic research and in depth interviews with migrants conducted in Senegal and in Italy between 2004 and 2007, this article shows that for many Senegalese the ultimate home still remains strongly identified with the country of origin. Questioned on the issue at stake, Senegalese migrants unanimously express the eventual goal of return to the home-land. The perceived importance of an anchorage in Senegal is expressed even more strikingly than in words, in the practices of migrant investment in housing. Migrants invest massively in the home country, significantly altering the landscape of local cities. This article shows that the intensity and features of construction activities undertaken by migrants in the capital city of Dakar are provoking a veritable process of urban makeover, which is transforming the physiognomy of the built environment. Alongside transforming the landscape of many peripheral neighbourhoods by altering mainstream architectural features of buildings and importing Western styles and taste in local construction practices, migrants are also contributing towards the creation of new symbols of success.


2013 ◽  
Vol 371 ◽  
pp. 338-342
Author(s):  
Gheorghe Simionescu ◽  
Mirela Gheorghian

The current work deals with experimental tests concerning the behaviour of different materials used in chemical industry when are exposed to diverse corrosions environments. During the research work four different metals have been tested, namely T15NiCr180, T15MoNiCr180, W4027 and W4059. The presented work is trying to classify the tested materials function to different chemical environment, different concentration of the environment, different temperature of the environment, and different expose time. Some of the substances which were considered as corrosion environment are: HNO3, H3PO4, NaCl, NH4Cl, C2H5OH, Petrol, NH4NO3, KNO3, K2CO3, Na2CO3, KMnO4, KOH and Ca (OH)2. The concentration of the corrosion solutions varies between 1% and 96%. Tests have been done at room temperature and hot environment of 100°C. Time is playing an important role on evolution of the corrosion. For this reason the samples have been analyzed after 48, 336, 720 and 2160 hours of exposes to chemical agents. To understand the comportment of the subject metals when are used in industry, samples have been tested for longer period of time, respectively 1, 3, 6 and 12 months. After each selected period of time the metallic samples were analyzed and measured to quantify the effect of the environment on the corrosion speed.


2020 ◽  
pp. 163-180
Author(s):  
Jarosław Pacuła

The subject of the article is the vocabulary of Polish criminals from the 18th century. The author reached for a press release from 1778. This press release is one of the oldest credentials of the Polish criminal jargon. The text describes a court hearing and only mentions the existence of specific communication style between villains that the court had to face. The news from “Gazeta Warszawska” contains eighteen lexemes. The author of this article discusses these words – he indicates the etymology of these jargonisms and presents a continued existence of the vocabulary in Polish (in the 19th and 20th centuries). Some remarks on the provenance of jargon terms may raise doubts among readers. The author is aware of this. However, he considers it significant to bend over the form and semantics of the accumulated vocabulary – researchers often refer to this press release from the 18th century, but do not focus on the history of the vocabulary of Polish criminals.


Author(s):  
D. Pittaluga ◽  
A. Di Rocco ◽  
C. Casagrande ◽  
S. Guerinoni ◽  
G. Pellegri

Abstract. Centuries-old earthen masonry presenting various stages of degradation, earthen walls that have been restored several times: these are the archeological phases of the city walls of Mascarell, on the Spanish Mediterranean coast. Founded in the first half of the 13th century, this town is the only complex in Castellon Province that preserves all its ancient walls, which were built entirely by means of the brick-faced rammed-earth technique (clay with bricks and lime). This article reports the first results of a research project conducted on the multiple information available on these artifacts: bibliographic, archival and iconographic sources and the results of direct material analysis, stratigraphic analysis and archeological analysis. The situation is complex, as these walls have undergone a long sequence of transformations, including interventions carried out since the 18th century and multiple restorations in the period 1942–2015. The research developed and refined architecture archeology tools in order to analyze the rammed-earth techniques adopted during restoration work (similar but not identical to the historical technique), to characterize the materials used in restoration, to evaluate their resistance to degradation over the years, to define a sort of ‘critical evolutionary line’ of rammed-earth restoration, and to conduct a cross-sectional study of this building technique from the Middle Ages to the present. Finally, we drafted some guidelines for future interventions for conservation and enhancement.


2016 ◽  
Vol 44 (121) ◽  
pp. 135-152
Author(s):  
Thomas Götselius

This article engages in the new concept of individual happiness that spread in the 18th Century and in Goethe’s pivotal novel Wilhelm Meisters Lehrjahre (1795–96). In this novel, the process of “Bildung” is designed to lead the protagonist to happiness, but happiness turns out to be possible only if the process can be governed from the outside, by powers alien to the subject. For this reason, the article argues that the notion of happiness orchestrated in the novel is not based on a revolutionary concept of happiness or a victorious Enlightenment critique, but on a concept derived from a more local field of knowledge, namely “Polizeywissenschaft”. Central to German state reform, and the practices of local administration in the late 18th Century, “Polizeywissenschaft” was developed in order to render happiness to both states and individuals, and it did so by means of surveillance and secret intervention in everyday life. On a theoretical level, the breakthrough of ”the police” during the century could be mapped as an outcome of the transition from a sovereign power regime to a biopolitical one, in Michel Foucault’s teminology. In Wilhelm Meisters Lehrjahre, as in the biopolitics encoded in the “Polizeywissenschaft,” the experience of happiness is thus coupled with a new way of governing life as such.


Author(s):  
Elena Petrovna Berezkina ◽  
Mariya Nikolaevna Zhornikova

This article is dedicated to the autobiographical discourse in the compilation of poems &ldquo;The Empress Life&rdquo; by the national poet of Buryatia Andrey Rumyantsev. &nbsp;The subject of research is the key images and motifs of Rumyantsev&rsquo;s autobiographicallyrics, while the object is the poet&rsquo;s lyrical biography. The author analyzes Andrey Rumyantsev&rsquo;s poetry for the purpose of determination of the means of expression of autobiographical images and motifs in the texts created in form of poetic reminiscences. Most careful attention is given to the compositions dedicated to parents, grandparents, and sister of the poet. Methodology leans on the basic principle of biographical method, according to which personality of the writer defines the specificity of his works. The scientific novelty consists in conducting a motif-imagery analysis of Rumyantsev&rsquo;s poetry from the perspectives of biographical method. The conclusion is formulated that the main motifs of Andrey Rumyantsev&rsquo;s autobiographical lyrics is &ldquo;great guilt&rdquo;, &ldquo;repentance&rdquo;, and &ldquo;responsibility&rdquo; that encompass all poetic reminiscences of his loved ones &ndash; the key images of autobiographical lyrics. The specific approaches in creation of autobiographical images and motifs are revealed. Thus, the common for all images is the stance on labor and possession of physical fortitude. All female images are united by the motif of the hardship of being a woman, as well as righteousness semanticized through the concepts of &ldquo;patience&rdquo; and &ldquo;love&rdquo;. The mail images resemble bogatyrs (heroes of the Russian epic poems); the author also emphasizes their unity with the native nature.


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