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동아시아 여성 중심 음악극 형성과 ‘젠더 인식’-다카라즈카가극(宝塚歌劇), 월극(越劇), 그리고 여성국극(女性國劇)을 중심으로
Journal of korean theatre studies association
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10.18396/ktsa.2020.1.73.004
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2020
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Vol 1
(73)
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pp. 107-145
Author(s):
Kim Hyang
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