Introduction

2017 ◽  
Author(s):  
Matthew J. Cressler
Keyword(s):  
United States ◽  
Twentieth Century ◽  
African American ◽  
African Americans ◽  
The United States ◽  
Historical Narratives ◽  
Color Line ◽  
African American Religion ◽  
Black Catholics ◽  
Catholic History

This chapter begins with the ten Black bishops declaring in 1984 that Black Catholics should be “authentically Black and truly Catholic.” It contrasts this statement with the story of Mary Dolores Gadpaille, who argued in 1958 that Catholicism “lifted her up above the color line.” It juxtaposes these two examples in order to introduce readers to the central questions that govern the book. Why did tens of thousands of African Americans convert to Catholicism in the middle decades of the twentieth century? What did it mean to be Black and Catholic in the first half of the twentieth century and why did it change so dramatically in the thirty years that separated Gadpaille from the bishops? How would placing Black Catholics at the center of our historical narratives change the ways we understand African American religion and Catholicism in the United States? The chapter situates the book in scholarship and briefly introduces readers to Black Catholic history writ large.

Advising the Race

2021 ◽  
pp. 86-114
Author(s):  
Julie Golia
Keyword(s):  
United States ◽  
Twentieth Century ◽  
African American ◽  
African Americans ◽  
The United States ◽  
Status Quo ◽  
Women Readers ◽  
Racial Uplift ◽  
Black Newspapers ◽  
The Many

This chapter examines the advice column “Advice to the Wise and Otherwise,” which ran in the Chicago Defender, one of the most successful black newspapers in the United States. In the early twentieth century, black publishers recognized the many ways that mainstream newspapers reinforced the racial status quo in America and failed to address the needs of African American readers. They also sought to offer more feature content to women readers. “Advice to the Wise and Otherwise” was one of the country’s most widely read black advice columns. Columnist Princess Mysteria, a vaudeville mentalist, embraced the Defender’s mission of racial “uplift” and advocacy. But her counsel also reflected a unique sensitivity to the dual prejudices that her female readers faced as African Americans and as women. The columnist offered a worldview very different from that of white columnists, one that doled out assertive, even feminist advice.

Conclusion

2014 ◽  
pp. 115-118
Author(s):  
Eddie S. Glaude
Keyword(s):  
United States ◽  
African American ◽  
African Americans ◽  
Black People ◽  
Religious Life ◽  
The United States ◽  
Religious Practices ◽  
American Religion ◽  
Cultural Inheritance ◽  
African American Religion

African Americans are generally more religious than other groups in the United States. But African American religion is much more than a description of how deeply religious African Americans are. The phrase helps to differentiate a particular set of religious practices from others that are invested in whiteness; it invokes a particular cultural inheritance that marks the unique journey of African Americans in the United States. African American religion is rooted in the sociopolitical realities that shape the experiences of black people in America, but this is not static or fixed. The ‘Conclusion’ suggests that African American religious life remains a powerful site for creative imaginings in a world still organized by race.

7. African American Islam

2014 ◽  
pp. 96-114
Author(s):  
Eddie S. Glaude
Keyword(s):  
United States ◽  
African American ◽  
African Americans ◽  
The United States ◽  
Global Community ◽  
African American Religion ◽  
Religious Imagination ◽  
American Islam ◽  
Muslim Immigration ◽  
African American Islam

In some ways, Islam best represents the idea of African American religion as a practice of freedom and a sign of difference. For those African Americans who embraced Islam during the modern phase, their conversion was as much an expression of skepticism about Christianity and the United States as it was an acceptance of Islam. ‘African American Islam’ situates African American Islam within a broader global religious imagination that seeks to expand how African Americans understand themselves as members of a global community, an understanding that has shifted and morphed in light of the pressures of Muslim immigration to the United States. Those pressures have involved an insistence on decoupling Islam from the particulars of African American racial experience.

Religion, Race, and Humanism

2018 ◽  
Author(s):  
Anthony B. Pinn
Keyword(s):  
United States ◽  
African American ◽  
African Americans ◽  
Richard Wright ◽  
Institutional Development ◽  
The United States ◽  
Unitarian Universalist ◽  
Racial Injustice ◽  
History Of ◽  
Lorraine Hansberry

This chapter explores the history of humanism within African American communities. It positions humanist thinking and humanism-inspired activism as a significant way in which people of African descent in the United States have addressed issues of racial injustice. Beginning with critiques of theism found within the blues, moving through developments such as the literature produced by Richard Wright, Lorraine Hansberry, and others, to political activists such as W. E. B. DuBois and A. Philip Randolph, to organized humanism in the form of African American involvement in the Unitarian Universalist Association, African Americans for Humanism, and so on, this chapter presents the historical and institutional development of African American humanism.

When Pushkin's Blackness Was in Vogue: Rediscovering the Racialization of Russia's Preeminent Poet and His Descendants

Slavic Review ◽  
2021 ◽  
Vol 80 (2) ◽  
pp. 245-257
Author(s):  
Korey Garibaldi ◽  
Emily Wang
Keyword(s):  
United States ◽  
Twentieth Century ◽  
African American ◽  
American Literature ◽  
Henry James ◽  
African American Literature ◽  
The United States ◽  
African Heritage ◽  
Queen Of Spades ◽  
Racially Ambiguous

This essay investigates interconnections between the novelist, Henry James, Ivan Turgenev, and Aleksandr Pushkin and identifies the racial subtext of these associations. Several scholars have connected Pushkin and James. But none of this scholarship has speculated on whether it was the poet's African heritage that was at the root of hidden connections between these authors. Moreover, though most scholarship on Pushkin's reception in the United States focuses on twentieth-century African American literature, his African heritage was publicized much earlier. In fact, nineteenth-century commentators on both sides of the Atlantic frequently discussed Pushkin's racial heritage as a canonical European writer of African descent. This essay recovers how Henry James used Pushkin's daughter, the morganatic Countess Merenberg, as a model for the racially ambiguous “morganatic” Baroness Münster in The Europeans (1878). A decade later, James seems to have invoked the Countess Merenberg once more in his rewriting of Pushkin's “The Queen of Spades” (1833) in The Aspern Papers (1888). While James publicly attributed Byron and Shelley as inspirations, the discourse surrounding the African heritage of Pushkin and his heirs helps explain why the novelist minimized and erased the racial lineage at the center of The Europeans and The Aspern Papers.

scholarly journals “Using History to Make Slavery History”: The African American Past and the Challenge of Contemporary Slavery

2015 ◽  
Vol 3 (1) ◽  
pp. 125-135 ◽  
Author(s):  
James B. Stewart
Keyword(s):  
United States ◽  
African American ◽  
African Americans ◽  
Deep Understanding ◽  
The United States ◽  
Racial Justice ◽  
Specific Detail ◽  
Abolitionist Movement ◽  
Racist Ideology

This article argues that contemporary antislavery activism in the United States is programmatically undermined and ethically compromised unless it is firmly grounded in a deep understanding of the African American past. Far too frequently those who claim to be “the new abolitionists” evince no interest in what the original abolitionist movement might have to teach them and seem entirely detached from a U.S. history in which the mass, systematic enslavement of African Americans and its consequences are dominating themes. As a result contemporary antislavery activism too often marginalizes the struggle for racial justice in the United States and even indulges in racist ideology. In an effort to overcome these problems, this article seeks to demonstrate in specific detail how knowledge of the African American past can empower opposition to slavery as we encounter it today.

scholarly journals Book Review: History of African Americans: Exploring Diverse Roots

2019 ◽  
Vol 58 (4) ◽  
pp. 265
Author(s):  
Trent Shotwell
Keyword(s):  
United States ◽  
African American ◽  
African Americans ◽  
American History ◽  
Social Life ◽  
African American History ◽  
The United States ◽  
History Of ◽  
The Rich

History of African Americans: Exploring Diverse Roots by Thomas J. Davis chronicles the remarkable past of African Americans from the earliest arrival of their ancestors to the election of President Barack Obama. This work was produced to recognize every triumph and tragedy that separates African Americans as a group from others in America. By distinguishing the rich and unique history of African Americans, History of African Americans: Exploring Diverse Roots provides an account of inspiration, courage, and progress. Each chapter details a significant piece of African American history, and the book includes numerous concise portraits of prominent African Americans and their contributions to progressing social life in the United States.

Inca Aesthetics and Scholarly Inquiry

2018 ◽  
Author(s):  
Adam Herring
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Material Culture ◽  
Art History ◽  
The United States ◽  
Historical Narratives ◽  
Art Historians ◽  
Scholarly Inquiry ◽  
Andean Culture

This chapter discusses the interpretive challenges that art historians and anthropologists have faced in approaching Inca intellectual and artistic achievements, which do not fit comfortably in Western categories. George Kubler took up the question of Inca art in the mid-twentieth century, creating a space in art history for studying the Incas. This development occurred at a time when archaeologists such as John Rowe worked to place the Incas within the broader context of Andean civilizations, and structuralists like Tom Zuidema were beginning to challenge historical narratives in search of underlying elements of Andean culture. The scholarly interest in Inca art, material culture, and intellect was but one aspect of the Inca focus of that time, as artists found inspiration in Inca ruins and museum galleries in the United States, and other countries began to exhibit Inca artifacts as an art to be approached on its own terms.

Abstract 15312: Racial Disparities in Trends in Mortality From Cardiac Arrests in the United States

Circulation ◽  
2020 ◽  
Vol 142 (Suppl_3) ◽  
Author(s):  
Anas M Al Zubaidi ◽  
Graham Bevan ◽  
Mariam Rana ◽  
Abdul Rahman Al Armashi ◽  
Mustafa Alqaysi ◽  
...  
Keyword(s):  
United States ◽  
Cardiac Arrest ◽  
African American ◽  
African Americans ◽  
Cause Of Death ◽  
Census Data ◽  
International Classification Of Diseases ◽  
The United States ◽  
Population Based ◽  
Increased Risk

Background: African Americans are at increased risk of fatal cardiac arrests, but population-based studies exploring contemporary epidemiology are not available. We sought to identify the trend in race-specific mortality from cardiac arrest in the United States. Methods: Using the multiple cause of death database, we identified all patients (Caucasians or African Americans) who died of cardiac arrest (International Classification of Diseases, 10th revision code I46.x listed as underlying cause of death) between 1999 and 2018. Age-adjusted mortality rates were standardized to the 2000 US census data, and stratified by age group (<35 years, 35-64 years, and ≥ 65 years). Results: A total of 311,065 cardiac arrest deaths were identified, with an overall age-adjusted mortality of 53.6 per million (Caucasian: 49.1 per million, African American: 90.6 per million). Overall, age-adjusted mortality decreased from 80.1 per million persons (1999) to 44.3 per million persons (2012), followed by 8.8% increase to 48.2 (2018). Between 2012 and 2018, African Americans had higher rates of increase (10.9%) compared with Caucasians (6.9%). Largest disparities in relative changes between 2012 and 2018 occurred in patients younger than 35 years (African American: 35%, Caucasians -11%), and patients ≥ 65 years (African Americans: 8%, Caucasians 4%), figure. Conclusions: Although the mortality due to cardiac arrest has declined in the US between 1999 and 2012, a recent increase has been noted between 2012 and 2018, particularly among younger African Americans. Studies should focus on identifying causes of disparities and identifying methods to reduce the racial gap.

Africa in the Shuffle

1995 ◽  
Vol 23 (1) ◽  
pp. 22-23
Author(s):  
Immanuel Wallerstein
Keyword(s):  
United States ◽  
New York ◽  
African American ◽  
African Americans ◽  
New York Times ◽  
The United States ◽  
The New York Times ◽  
The U.S

Once upon a time, not so very long ago, the study of Africa in the United States was a very rare and obscure practice, engaged in almost exclusively by African-American (then called Negro) intellectuals. They published scholarly articles primarily in quite specialized journals, notably Phylon, and their books were never reviewed in the New York Times. As a matter of fact, at this time (that is, before 1945) there weren't even very many books written about African-Americans in the U.S., although the library acquisitions were not quite as rare as those for books about Africa.

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