Colonising the Play World

Author(s):  
Patricia Anne Simpson

In German children’s literature around 1900, the representation of childhood in pseudo-colonial realms participates in a construction of racial identities based on transcultural play. Acts of reading and scenes of instruction intersect with material objects to convey a pedagogy of race dominated by learned whiteness. This article asks: How does German children’s fiction around 1900 reconfigure national identity as imperialexperience? An analysis of a noncanonical though exemplary fictional text about a jungle adventure demonstrates strategies used to include the child in the colonial experience. Imagining this ›play world‹ replicates for the child reader a sense of agency and citizenship through encounters with an indigenous mediator, an impish primate and imaginary landscapes – each represented through the lens of European epistemologies. These tropes produce tension between historical fact and imaginative fiction, working together to map a colonial geography of German identity on to a model transatlantic German childhood. Framed by theories of material objects and toys, and supported by the work of literary scholars and cultural historians, I examine the brief story »Die kleine Urwälderin« [The Little Jungle Girl] from Auerbachs Deutscher Kinder-Kalender auf das Jahr 1902 [Auerbach’s Almanac for German Children, 1902]. In it, the Amazonian setting aspires to historically factual representation, which, however, cedes considerable territory to the realm of fantasy. The projection of a German forest adventure on to a Brazilian geography elides historical truths, such as centuries of the transatlantic slave trade, and instead inserts imperial signifiers into an established syntax of the European child at play. The resulting national ideology of childhood identity in this German language story imposes colonial order on a reimagined play world.

Author(s):  
Yanina Kulinska

The article considers works for children about the Revolution of Dignity and the war in eastern Ukraine. The author analyzed the most famous of them in the context of other publications about the Maidan and ATO-OOS, revealed their features and a special perspective of coverage of the topic "children during the revolution-war." The researcher also observed how writers present a historical fact in their works, trying to tell in an accessible language about the turning points of historical events, revealed the literary-critical discourse around such books. Particular attention in the material is paid to the socialization of children in wartime, their character and psychology, and rapid growth, which its author illustrates with examples of the Ukrainian present. The researcher proposes to consider all the works about the Revolution of Dignity and the armed confrontation in Donbass in two planes – realistic and fantastic. The characteristic features of the first are the child in the center of the story, and then all the events are presented through its prism of worldview and understanding. Among the advantages of such works – a dynamic, non-linear plot, diverse characters, interesting and rapid development of the plot. Instead, the specifics of the second, unreal plane, artistic fiction, fairy tale prevails and dominates the real world, the authors in the texts mostly use symbols, archetypes and hidden allegorical meanings. The authors focus on the struggle between good and evil, the opposition of positive and negative characters. Historical, dramatic events are not clearly mentioned here, but are told metaphorically. According to the authors of modern literatu re for children about the war, in such two ways it is most effective to convey a historical fact to a special recipient – the child reader and the child listener. But the main postulate of all works is the idea that war is an absolute evil from which Ukrainians and children among them suffer.


2020 ◽  
Vol 8 (3) ◽  
pp. 1-12
Author(s):  
Mahder Reka

The present comparative postcolonial analysis aims at drawing thematic parallels between two postcolonial novels: The Conscript (1950) by Ghebresus Hailu (Eritrea, Horn of Africa) and The Glass Palace (2000) by Amitav Ghosh, India. Though the novels are productions of two different geographical space, cultural and colonial experience, they have stark similarities. In The Conscript Hailu paints a picture of his colonized country men under Italian masters similarly, Ghosh in The Glass Palace attempts to delineate the life of Indo-Burmese people under the British Empire. Although a lot of research has been carried out on Anglophone and Francophone colonial literature, there hardly exists any analysis of Italian colonial literature. In this regard comparative analysis of The Conscript (a novel written in Tigrigna, a language spoken in Eritrea, East Africa and translated into English by Ghirmay Negash, a professor in Ohio University) and The Glass Palace, I believe will provide additional knowledge concerning Italian colonial experience visà-vis wide existing Anglophone and Francophone literature. The thematic commonalities drawn between The Conscript and The Glass Palace in this paper are native role and complicity, racism and interiorization, dislocation, colonial order, traumatic effects of colonialism in the colonized, decolonization strategies, and anticolonial consciousness. I will explore and analyze the relations of the two novels based on afore mentioned aspects. Then following the discussion I will conclude by revisiting some general points concerning the texts. This paper mainly frames its arguments on theoretical frameworks of Rene Wellek, Robert Young, Edward Said, and Franz Fanon about notions of comparative literature, resistance, and representation, exploitation, and interiorization.


Author(s):  
Paula Denslow ◽  
Jean Doster ◽  
Kristin King ◽  
Jennifer Rayman

Children and youth who sustain traumatic brain injury (TBI) are at risk for being unidentified or misidentified and, even if appropriately identified, are at risk of encountering professionals who are ill-equipped to address their unique needs. A comparison of the number of people in Tennessee ages 3–21 years incurring brain injury compared to the number of students ages 3–21 years being categorized and served as TBI by the Department of Education (DOE) motivated us to create this program. Identified needs addressed by the program include the following: (a) accurate identification of students with TBI; (b) training of school personnel; (c) development of linkages and training of hospital personnel; and (d) hospital-school transition intervention. Funded by Health Services and Resources Administration (HRSA) grants with support from the Tennessee DOE, Project BRAIN focuses on improving educational outcomes for students with TBI through the provision of specialized group training and ongoing education for educators, families, and health professionals who support students with TBI. The program seeks to link families, hospitals, and community health providers with school professionals such as speech-language pathologists (SLPs) to identify and address the needs of students with brain injury.


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