scholarly journals Source Material for the Social and Ceremonial Life of the Choctaw Indians

1932 ◽  
Vol 19 (3) ◽  
pp. 472 ◽  
Author(s):  
Philip M. Hamer ◽  
John R. Swanton
Keyword(s):  
Source Material ◽  
The Social ◽  
Ceremonial Life

The 2016 Police and Crime Commissioner elections

2017 ◽  
Vol 16 (2) ◽  
pp. 41-54 ◽  
Author(s):  
Peter Joyce
Keyword(s):  
Public Awareness ◽  
Primary Source ◽  
Source Material ◽  
Content Type ◽  
The Public ◽  
The Social ◽  
Key Issues ◽  
The Subject ◽  
The Government

Purpose The purpose of this paper is to analyse the 2016 elections for Police and Crime Commissioners (PCCs) and to compare them with those that took place in 2012. It seeks to evaluate the background of the candidates who stood for office in 2016, the policies that they put forward, the results of the contests and the implications of the 2016 experience for future PCC elections. Design/methodology/approach This paper is based around several key themes – the profile of candidates who stood for election, preparations conducted prior to the contests taking place, the election campaign and issues raised during the contests, the results and the profile of elected candidates. The paper is based upon documentary research, making particular use of primary source material. Findings The research establishes that affiliation to a political party became the main route for successful candidates in 2016 and that local issues related to low-level criminality will dominate the future policing agenda. It establishes that although turnout was higher than in 2012, it remains low and that further consideration needs to be devoted to initiatives to address this for future PCC election contests. Research limitations/implications The research focusses on the 2016 elections and identifies a number of key issues that emerged during the campaign affecting the conduct of the contests which have a bearing on future PCC elections. It treats these elections as a bespoke topic and does not seek to place them within the broader context of the development of the office of PCC. Practical implications The research suggests that in order to boost voter participation in future PCC election contests, PCCs need to consider further means to advertise the importance of the role they perform and that the government should play a larger financial role in funding publicity for these elections and consider changing the method of election. Social implications The rationale for introducing PCCs was to empower the public in each police force area. However, issues that include the enhanced importance of political affiliation as a criteria for election in 2016 and the social unrepresentative nature of those who stood for election and those who secured election to this office in these contests coupled with shortcomings related to public awareness of both the role of PCCs and the timing of election contests threaten to undermine this objective. Originality/value The extensive use of primary source material ensures that the subject matter is original and its interpretation is informed by an academic perspective.

scholarly journals “Das Bild hat einigen historischen Werth und deshalb wird es vielleicht ausgestellt …“ Zum Ausstellungsdebüt Julie Hagens in München: Das Porträt des Freundes und Mentors Moritz Rugendas

2016 ◽  
Vol 12 ◽  
pp. 29
Author(s):  
Christin Conrad
Keyword(s):  
Art History ◽  
Source Material ◽  
The Social ◽  
Educational Situation ◽  
History Of ◽  
Close Cooperation ◽  
Art Community ◽  
Unique Source ◽  
Artistic Career ◽  
Insight Into

The article deals with an encounter between Julie Hagen Schwarz, a Baltic German artist (1824–1902), and the Ausburg artist Moritz Rugendas (1802–1858), which was of great importance for the former, while she was studying in Munich around 1850. It also deals with the first presentation of her work in the Munich artist community, which resulted from cooperation with and promotion by Rugendas. Special attention is paid to the history of Hagen’s “Portrait of Moritz Rugendas in Brasilian Costume”, which originated from the artist’s close cooperation with the master Rugendas. Its presentation in the Munich and Augsburg Art Associations (Kunstverein) in October 1849 and May 1850 and the effect this had on the artistic career of Julie Hagen is examined. From this moment on, her works were discussed by colleagues and important personalities. She received many portrait commissions and her works were shown at several exhibitions in Munich and Augsburg. A discussion on the whereabouts of the still lost original painting and the provenance and authorship of a smaller copy in the collection of the Kadriorg Museum in Tallinn, which until now was identified as a “Self-Portrait” by Moritz Rugendas, follows. The attribution and the provenance of the preserved work from the Liphart collection are considered, along with the source texts, which suggest that Julie Hagen was the author and a correction of the attribution is in order.The collected findings published here were developed from the preserved letters of Julie Hagen, which, as rich and unique source material, show the artistic career of the painter. As a representative of her generation of female artists, it also provides an insight into the social context and educational situation of ambitious female painters around 1850. In connection with the correct attribution, the art-history investigation and positioning of the artist in the art community, it is hoped that the uncertainty that currently exists when evaluating the artistic performance of female painters and the low status assigned to them in exhibitions and the acquisition policy of museums will give way to growing interest, understanding and greater recognition.

‘Sweets to the Sweet’: from ‘The Forbidden’ to Candyman

Candyman ◽  
2018 ◽  
pp. 17-32
Author(s):  
Jon Towlson
Keyword(s):  
Source Material ◽  
Eternal Life ◽  
Housing Estate ◽  
Innocent Person ◽  
Housing Project ◽  
Subsequent Work ◽  
Green Housing ◽  
Fantasy World ◽  
The Social ◽  
Urban Legend

This chapter discusses the intersection between Clive Barker's work and that of Bernard Rose; surprisingly, the two are closely connected, even symbiotic. Rose's UK debut film Paperhouse (1988) concerned the fantasy world of a young girl, and his subsequent work has shown a tendency towards transgression and transcendence, and repeated returns to social horror. Indeed, Rose was attracted to Barker's ‘The Forbidden’ because he wanted to ‘deal with the social stuff’. Relocating the action from a Liverpool housing estate to Chicago's notorious Cabrini-Green housing project, Rose extended the story, adding the innocent-person-on-the-run plot twist, and took Barker's conclusion further. But the class subtext, the urban legend and the idea of the myth biting back after attempts are made to debunk it, are all there in Barker's source material. The heroine, Helen Lyle, discovers that her normal life is more banal and morally dead than the eternal life-in-myth that the Candyman offers her.

War and peace among Kalahari San

2014 ◽  
Vol 6 (4) ◽  
pp. 229-239 ◽  
Author(s):  
Mathias Guenther
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Design Methodology ◽  
Value Orientation ◽  
Source Material ◽  
Journal Articles ◽  
War And Peace ◽  
Content Type ◽  
The Social ◽  
North Western

Purpose – The purpose of this paper is to explain the discrepancy between ethnohistorical accounts on north-western Kalahari San of the nineteenth to early twentieth century and recent ethnographic accounts, the former depicting the San as intensely warlike, the latter as basically peaceable. Design/methodology/approach – Review of historical, ethnohistorical and ethnographic source material (reports, journal articles, monographs). Findings – The warlike ways of the nineteenth-century Kalahari San were reactions to settler intrusion, domination and encapsulation. This was met with resistance, a process that led to the rapid politicization and militarization, socially and ideationally, of San groups in the orbit of the intruders (especially the “tribal zone” they created). It culminated in internecine warfare, specifically raiding and feuding, amongst San bands and tribal groupings. Research limitations/implications – While the nineteenth-century Kalahari San were indeed warlike and aggressive, toward both intruders and one another, this fact does not warrant the conclusion that these “simple” hunter-gatherer people have an agonistic predisposition. Instead, of being integral to their sociality, bellicosity is historically contingent. In the absence of the historical circumstances that fuel San aggression and warfare, as was the case after and before the people's exposure and resistance to hegemonic intruders, San society and ethos, in conformity with the social structure and value orientation of simple, egalitarian band societies, is basically peaceful. Originality/value – A setting-the-record-straight corrective on current misunderstandings and misinformation on hunter-gatherer warfare.

scholarly journals Tekstowe figury pamiętania w preambule konstytucji a kształtowanie pamięci kulturowej narodu

2020 ◽  
Vol 34 ◽  
Author(s):  
Joanna Kowalczyk
Keyword(s):  
Collective Memory ◽  
Cultural Memory ◽  
Social Memory ◽  
Source Material ◽  
Real Potential ◽  
Methodological Basis ◽  
The Social ◽  
The Republic

The article describes the possibility of storing and reconstructing collective memory in the text of the preamble to the Constitution. The source material, which was analyzed, was the introduction to the currently binding constitution of the Republic of Poland. The aim of the study was to identify and describe fragments of the preamble, having a real potential of influence on shaping the social memory of the community. The methodology of cultural memory, proposed by Aleida and Jan Assmann, became a methodological basis for the conducted observation, with particular emphasis on the assumptions about the figures of memory, that is facts or objects, recalling memories or imaginations about memories.

scholarly journals Diaspora Policies, Consular Services and Social Protection for Maltese Citizens Abroad

2020 ◽  
pp. 337-355
Author(s):  
Hillary Briffa ◽  
Alessandra Baldacchino
Keyword(s):  
Social Protection ◽  
Primary Source ◽  
Source Material ◽  
Fundamental Rights ◽  
Current Status ◽  
Diplomatic Protection ◽  
The Social ◽  
The Individual ◽  
The Right ◽  
Domestic Law

Abstract This chapter assesses the social protection policies enacted by the Maltese government to support Maltese citizens living abroad. First, the current status of the Maltese diaspora and their engagement with the homeland is contextualized, and key infrastructure and policies outlined. In the Maltese legal system, there is no domestic law granting the right to consular or diplomatic protection, however this is offered as a matter of practice based on respect for the fundamental rights of the individual. The strength of historic ties with the destination countries of Maltese emigrants is mainly reflected in the number of Reciprocal Agreements signed between Malta and partner countries. An overview of these formal treaties and their assured benefits is provided. Thereafter, five areas of concern for the social security needs of Maltese diaspora are addressed: unemployment, healthcare, pensions, family-related benefits, and economic hardship. The chapter concludes by acknowledging the communication initiatives between the Maltese government and its citizens abroad; however, it recognises that there is still a long way to go in terms of ensuring democratic participation of citizens in elections. Throughout, the evidence has been compiled primarily as a result of consultation with primary source material, as well as interviews with a range of experts within relevant Maltese governmental bodies.

scholarly journals Gaiman, Banks and Miéville – Hybrid Space and Genre

2018 ◽  
Vol 15 (1) ◽  
pp. 99-110
Author(s):  
Urša Vogrinc Javoršek
Keyword(s):  
Social Context ◽  
Political Engagement ◽  
Source Material ◽  
Rich Source ◽  
Active Force ◽  
Deleuze And Guattari ◽  
General Mechanics ◽  
The Social ◽  
Hybrid Space ◽  
The City

The analysis of three recent British novels: Neil Gaiman’s Neverwhere (1996), Iain Banks’ Transition (2009) and China Miéville’s The City & the City (2009) strives to uncover structural parallelisms and the inherent evolution in their development, plot structuring and presentation. It is centred on the exhibited relation to the structure and general mechanics of space. The interpretations of space are based on Foucault’s heterotopias, the rhizome of Deleuze and Guattari, and Certeau’s absent space, which show how the active force of space and the complexity of the genre identity are interconnected, and how they interact with the social and political engagement of the works and their wider cultural and social context. These seminal works of the British Boom provide a rich source material for an outline of the process of interplay of genre identity and political engagement, and an overview of how this interplay affects their plot, style and the protagonists.

Greek Sculpture

2013 ◽  
Author(s):  
Nigel Spivey
Keyword(s):  
Art History ◽  
Source Material ◽  
Historical Narratives ◽  
Ancient Greek ◽  
Know How ◽  
The Social ◽  
Greek Sculpture ◽  
Technical Achievement ◽  
Proper Context ◽  
The Ideal

Ancient Greek sculpture seems to have a timeless quality – provoking reactions that may range from awe to alienation. Yet it was a particular product of its age: and to know how and why it was once created is to embark upon an understanding of its 'Classic' status. In this richly illustrated and carefully written survey, encompassing works from c.700 BC to the end of antiquity, Nigel Spivey expounds not only the social function of Greek sculpture but also its aesthetic and technical achievement. Fresh approaches are reconciled with traditional modes of study as the connoisseurship of this art is sympathetically unravelled, while source material and historical narratives are woven into detailed explanations, putting the art into its proper context. Greek Sculpture is the ideal textbook for students of classics, classical civilisation, art history and archaeology – and an accessible account for all interested readers.

The Trouble with Christian History: Thomas Prince's “Great Awakening”

2013 ◽  
Vol 82 (1) ◽  
pp. 125-165 ◽  
Author(s):  
Timothy E. W. Gloege
Keyword(s):  
Eighteenth Century ◽  
New England ◽  
Social Order ◽  
Social Power ◽  
Source Material ◽  
Great Awakening ◽  
Cultural Artifact ◽  
The Social ◽  
Key Factor ◽  
Christian History

The Christian History, a revivalist newspaper edited by the Boston minister Thomas Prince, is perhaps the most important cultural artifact of eighteenth-century revivalism in New England. It provides source material for countless studies, and more recently served as an exemplar of how revival participants constructed a “Great Awakening.” This essay undertakes a close historical, textual, and quantitative analysis of this two-volume periodical. It reveals complex divisions among revival supporters and surprising alignments among those who disagreed over revivalism. Attitudes toward the social order were a key factor. The Christian History was central to the construction of the “Great Awakening,” (a process shaped both by social power and contingencies), but failed to promote moderate revival activity as intended. Ironically, the newspaper designed by Prince to unite the Congregationalist establishment only contributed further to existing controversies.

From “friends” to “patrons”

2009 ◽  
Vol 10 (1) ◽  
pp. 1-22 ◽  
Author(s):  
Marko Hakanen ◽  
Ulla Koskinen
Keyword(s):  
Social Change ◽  
Social Order ◽  
Power Structure ◽  
Source Material ◽  
Social Changes ◽  
The Social ◽  
Point Of Departure

In this article, we examine a period when Sweden took a leap from a locally-oriented power structure to a more centralised state. This meant a profound social change. We concentrate on the connection between changes in rhetoric and changes in society that took place in the sixteenth and seventeenth centuries. Our point of departure is that, in rhetoric, there occurred a shift in balance from the rhetoric of friendship to the rhetoric of patronage. In the context of Sweden and Finland, we discuss whether this was linked to changes in administration and in the social order as a whole. Were there any real changes behind this rhetorical transition? Our source material provides a glimpse into whether and how social changes were reflected within the correspondence of two noblemen living at the end of the sixteenth and the beginning of the seventeenth centuries.

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