Changing the Vocabulary of Creative Research:

2021 ◽  
pp. 319-334
Author(s):  
Ambrose Field
Keyword(s):  
2015 ◽  
Vol 22 (3) ◽  
pp. 21-36 ◽  
Author(s):  
Glenda Amayo Caldwell ◽  
Lindy Osborne ◽  
Inger Mewburn ◽  
Philip Crowther

2016 ◽  
Vol 10 (1) ◽  
pp. 167-176
Author(s):  
Lisa Hirmer ◽  
Elizabeth Jackson

In this dispatch, Elizabeth Jackson reflect upon the process and possible implications of a collaboration called "Stopgaps and Gems," a creative research project that saw newcomer youth exploring and sharing their personal experiences and insights with other members of Guelph's public. Following Jackson's piece, she and Lisa Hirmer engage in a dialogue about Hirmer's creative practice, Dodolab, and the ways in which her work conceptualizes, engages, and challenges conventional notions of power, place, and representation.


2005 ◽  
Vol 50 (167) ◽  
pp. 107-139
Author(s):  
Slavica Petrovic

Chaos and complexity theory is a special, functionalist systems approach to dealing with complex, dynamic, nonlinear systems. Through treating organizations as complex, with their environments coevolving, nonlinear systems, complexity theory is aimed at creative research of their erratic nature. When an organization is in a state of bounded instability, at the edge of chaos, order and disorder are intertwined, its behavior is irregular and unpredictable but has some pattern. According to the complexity paradigm organizations have to strive to avoid the equilibrium states of stability and instability. They have instead to strive to remain in a state of bounded instability, at the edge of chaos, where they are able to display their full potential for creativity and innovation.


Sign in / Sign up

Export Citation Format

Share Document