scholarly journals Paisagem Experimental:

Revista Prumo ◽  
2019 ◽  
Vol 4 (7) ◽  
pp. 152-165
Author(s):  
Israel F. Nunes ◽  
Lucia Maria S. A. Costa

The links among public space, landscape, and contemporary art are the central theme of this paper. In shaping a landscape design essay for a public park on a silted waterfront in the city of Ilhéus - BA, Brazil, dynamic alter-natives are introduced for the renovation of the public space, based upon the diversification of common uses. The purpose is to build a connection between landscape and art through the re-signification of the natural and cultural processes of the specific site, which may promote a new collective sense of place. The work presents as its theoretical support studies that look at the landscape from its active aspect and discuss the extended field of contemporary art. The paper concludes stressing the importance of the active role of landscape architecture in urban places reconfiguration. Key-Words: Landscape architecture, Urban park, Contemporary Art

Geografie ◽  
2007 ◽  
Vol 112 (3) ◽  
pp. 266-291
Author(s):  
Jan Polívka

On the example of three Prague subcentres Budějovická, Pankrác and Smíchov this paper analyses the structure of socially stratified environment of secondary city centres in Prague. The development is discussed within the context of requirements upon the public space in the stage of tertiarization and post-socialist transformation of the urban society. The influx of investments into the local environment of city centres is changing the space patterns and causes changes in the social structure of users. As result, the area of centres is split into functional entities with different social constituency. An active role of public administration is important for preservation of city-centre functionality for most inhabitants of the city.


2018 ◽  
Vol 12 (1) ◽  
pp. 163-176
Author(s):  
Katarina Rukavina

The paper analyses the concept of space in contemporary art on the example of Suprematist Composition No. 1, Black on Grey by Kristina Leko from 2008. Referring to Malevich’s suprematism, in December 2008 Leko initiated a project of art intervention in Ban Jelačić Square in Zagreb, where she intended to cover in black all commercials, advertisements, signs and names of various companies. This poetic intervention, as the artist calls it, was intended to prompt people to relativise material goods in the pre-Christmas period. However, despite the authorisation obtained from the city authorities, the companies concerned refused to remove their respective advertisements, be it for only for 24 hours, so this project has never been realised. The project, however, does exist in the virtual space, which is also public, and continues to act in the form of documentation. The non-feasibility of the intervention, or rather its invisibility on Jelačić Square, makes visible or directly indicates the ordering of the powers and the constellation of values in the social sphere, thus raising new questions. Indeed, in this way it actually enters the public space, sensitising and expanding it at the same time.


Author(s):  
Veronica West-Harling

This chapter shows the exercising of power in action in the public space. It looks at who ‘owns’ this, the Christianization of it in Rome, and the increasing role of the papacy in appropriating and in running it, revalorizing it as part of Rome’s Christian past and present, expressed through pilgrimage. This appropriation is contested by the secular aristocracy, which in turn appropriates the public space and rewrites the topography of the city in the tenth century. The use of the public space as an area of either social cohesion or conflict is studied, through the ceremonies, elections, oaths, processions, assemblies, justice and defence meetings; but also riots, conspiracies, and contested elections. This space of cohesion or conflict is fundamental to the creation of the unity and sense of identity of the city, especially around the patron saint or, sometimes, around or indeed against an imperial ruler


2019 ◽  
Vol 118 ◽  
pp. 03009
Author(s):  
Fang Zhao ◽  
Yanni Lai ◽  
Qin Du ◽  
Xuefang Xie ◽  
Qiutong Chen ◽  
...  

With the theory of “sustainable development” as the theoretical support, the public space landscape of Guilin City is taken as the research object, and from the perspective of landscape architecture, the public space landscape and the non-sustainability issues are deeply analyzed.Guilin city has been deeply investigated and studied.According to various types of public space landscape, five problems are concluded:landscape space problem, landscape energy consumption problem, landscape greening and planting problem, landscape rainwater resources digestion and utilization problem and landscape pollution reduction and noise reduction problem.The smooth solution of these five problems can promote the improvement of the urban environment and create sustainable urban public space.


2018 ◽  
Vol 12 (1) ◽  
pp. 163-176
Author(s):  
Katarina Rukavina

The paper analyses the concept of space in contemporary art on the example of Suprematist Composition No. 1, Black on Grey by Kristina Leko from 2008. Referring to Malevich’s suprematism, in December 2008 Leko initiated a project of art intervention in Ban Jelačić Square in Zagreb, where she intended to cover in black all commercials, advertisements, signs and names of various companies. This poetic intervention, as the artist calls it, was intended to prompt people to relativise material goods in the pre-Christmas period. However, despite the authorisation obtained from the city authorities, the companies concerned refused to remove their respective advertisements, be it for only for 24 hours, so this project has never been realised. The project, however, does exist in the virtual space, which is also public, and continues to act in the form of documentation. The non-feasibility of the intervention, or rather its invisibility on Jelačić Square, makes visible or directly indicates the ordering of the powers and the constellation of values in the social sphere, thus raising new questions. Indeed, in this way it actually enters the public space, sensitising and expanding it at the same time.


2016 ◽  
Vol 2 (3) ◽  
pp. 247-274 ◽  
Author(s):  
Yael Guilat ◽  
Antonio B. Espinosa-Ramírez

In its Historical Memory Law (October 2007), Spain recognized victims on both sides of its 1936–1939 Civil War and established entitlements for victims and descendants of victims of the war and the Franco regime that followed (1939–1975). The law requires authorities to remove Francoist symbols and signs from public buildings and spaces, rename streets and squares, and cleanse the public space of monuments and artifacts that glorify or commemorate the regime. By allowing exceptions on artistic, architectural, or religious grounds, however, the law triggered persistent public struggles over monuments, memorials, and outdoor sculptures. This article examines the implementation of the law in the city of Granada, via a case study relating to the removal of a sculpture honoring the founder of the Spanish Fascist movement, José Antonio Primo de Rivera. The controversy over the statue sparked a debate in Granada about the implementation of the law in the public space and raised questions about the role of text, material and visual culture in redesigning Linguistic Landscape by articulating contested memories.


Author(s):  
Sanja Janković ◽  
Danica Stanković

Most certainly, architectural objectives are the basis of the physical structure of a city, yet they are distinct morphological and typological units, they are free spaces with exceptional values and characteristics. Buildings that form the spaces of cities often change, build and disintegrate, but the permanent motive of the city space remains - an empty, unfinished part, as a constant sign of history. On the hierarchical scale of the urban environment, important elements are ephemeral structures, permanent or temporary. A possibility for empty space to be revived is the installation of artistic or ephemeral utilitarian structures. This paper presents the role of such micro-urban interventions that enrich the public space and contribute to its revitalization. Ephemeral architecture is especially suitable as a space for the presentation of artistic ideas and for incorporating new technological contents. The aim of the paper is to highlight a view about the importance of ephemeral structures by analyzing and studying the case studies. Special emphasis is placed on examples of completed projects of the pavilions of unique forms and the use of ship containers as a space for introducing artistic ideas. The main contribution of this paper should be a proposal of using ephemeral structures in urban space revival by promoting art and establishing a social contact.


2021 ◽  
Author(s):  
Jennifer Kluke

This paper explores the changing role of the public library, and determines its impacts on communities and cities. It also examines the relationship between libraries and planning policies, and the extend to which they inform the success of public libraries. The analysis centres on the design of modern public libraries, and the community and economic contributions they provide. Through analyses of the Vancouver Public Library, the Seattle Public Library, and the Toronto Public Library, it is evident that public libraries provide significant contributions within the communities they serve. Well-designed library buildings provide an important public space, and provide people with access to information and technology needed to participate in the knowledge economy, in turn producing significant economic gains for the city. This research finds that planning policy alone is unable to ensure the success of a city`s public library system. Support from the public and municipal leaders, combined with strong policy directives, is needed for a city`s public library system to succeed.


Author(s):  
Juan Luis Rivas Navarro

In the current socio-economic context, and particularly in the cities of southern Europe,one of the essential objectives of urban planning is the production of a public space as acollective good that qualifies, shapes and makes sense of urban functions. In thecomposition of "the public" the role of collective urban facilities is key. A tour of certainbases that could help redefine the understanding of public urban facilities is proposed. Theaims are to make the opportunities profitable and the instruments for its correct urbaninsertion flexible, to rescue benefits from the private sphere and to reactivate thegeography and the harmonic readings that the landscape inherited. They are all argumentsthat are exposed and fed by the project and planning experiences in the city of Granada.They offer a readjustment of the meaning of the project and introduce the possibility ofmore useful urban facilities.


2020 ◽  
Vol 13 (26) ◽  
pp. 91-101
Author(s):  
Elena Dorato ◽  
Antonio Borgoni

This contribution, written by an urban designer and an educationist, aims at (re)focusing the attention of the interdisciplinary debate on the active role of children within the public urban realm or – as we could rephrase it – on the potential influences that the city, its structure, regulations and spaces has on children intended as a vulnerable population group. In order to do so, some reflections on the relationship between “the child and the city” are presented, also supported by an original walk-to-school research conducted in the Italian city of Cassino, investigating children's active and independent mobility, and by a conceptual model based on the classification of children's physical activity as either “independent” or “non-independent”. Finally, a discussion on the pivotal role of public spaces is developed, briefly presenting some virtuous project examples.


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