ARKEOLOGI LANSKAP: IDENTIFIKASI KAWASAN TAMBLINGAN SEBAGAI PERMUKIMAN

Tamblingan is an area in Bali which is located at an altitude of 1,350 meters above sea level. Tamblingan also known as an archaeological site because it holds many archaeological remains, especially during the ancient Balines era.The problem that would revealed and solved are how the landscape at Tamblingan is ideal as a settlement, supported by archaeological evidence to strengthen it. The purpose of this study is to identify the landscape in the Tamblingan area so that this area was chosen as a settlement in the past. Data collection is done by literature study, both search for internet sources and e-journals that focusing discuss of Tamblingan Site. Tamblingan area is a fertile plateau, its morphology is in the form of a mountain range with Lake Tamblingan as an old caldera containing rainwater. the topography also varies and allows it to be used as a settlement. From the results of the study conducted it was proven that the Tamblingan area is a fertile land area, besides that also the forest and Lake Tamblingan provide various needs to support daily life. Tamblingan merupakan satu wilayah di Bali yang berada di ketinggian 1.350 meter di atas permukaan laut. Tamblingan juga dikenal sebagai situs arkeologi karena menyimpan banyak tinggalan arkeologi terutama dimasa Bali Kuno. Dalam penelitian ini permasalahan yang ingin diungkap dan dipecahkan adalah bagaimana bentanglahan atau lanskap kawasan Tamblingan sehingga daerah ini ideal untuk dijadikan sebagai lokasi hunian atau permukiman, ditunjang dengan bukti-bukti arkeologis untuk menguatkannya. Tujuan dari penelitian ini adalah untuk mengidentifikasi lanskap di wilayah Tamblingan sehingga daerah ini dipilih sebagai kawasan hunian dimasa lalu. Metode Pengumpulan data dilakukan dengan studi pustaka, baik itu penelusuran sumber internet maupun beberapa jurnal cetak dan online yang mengulas mengenai Situs Tamblingan. Kawasan Tamblingan adalah dataran tinggi yang subur, morfologinya berupa deretan pegunungan dengan Danau Tamblingan sebagai kaldera tua yang berisi air hujan. topografinya juga bervariasi dan memungkinkan untuk digunakan sebagai permukiman. Dari hasil studi yang dilakukan terbukti bahwa kawasan Tamblingan merupakan wilayah yang memiliki lahan yang subur, selain itu juga hutan dan Danau Tamblingan menyediakan berbagai keperluan untuk menunjang kehidupan sehari-hari.

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Evaluasi Pada Pengelolaan, Pemanfaatan, Dan Pelestarian Cagar Budaya Berkelanjutan Pada Situs Majapahit, Trowulan

PANALUNGTIK ◽

10.24164/pnk.v4i1.61 ◽

2021 ◽

Vol 4 (1) ◽

Author(s):

Theodorus Aries Briyan Nugraha Setiawan Kusuma ◽

Andika Witono ◽

Andry Hikari Damai

Keyword(s):

Data Collection ◽

Human Resources ◽

Archaeological Site ◽

Analytic Approach ◽

Literature Study ◽

Heritage Sites ◽

Interactive Analysis ◽

The Past ◽

The World ◽

Data Collection Technique

Archaeological remainin at Trowulan site, Mojokerto are one of the important assets in the world of Indonesia archaeology because it holds many valuable lessons from the past. Currently the Trowulan Site has not been able to show a big role for the wider community. This can be seen from the lack of awareness and socialization to the community. The problem raised in this study is how the implementation of management, utilization, and preservation is very necessary in establishing cooperation for the sustainability of archaeological remaining in heritage sites of the Majapahit Kingdom in Trowulan, Mojokerto. This study aims to see the implementation of the management, utilization, and preservation of the Majapahit Trowulan site as an archaeological site that has the potential to be developed. This study uses a descriptive analytic approach by observing the community around the Majapahit site in Trowulan. The data collection technique used a documentation study in the form of a map of the distribution of the Majapahit site in Trowulan and a literature study through previous research. The analysis used in this research is interactive analysis. The purpose of this study is to preserve the heritage sites of the Majapahit Kingdom by protecting the site such as rescue and security, zoning, maintenance and restoration for sustainable for generation to generation. These conservation efforts have been implemented but also still face a lot of obstacles such as human resources.

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FUNGSI DAN MAKNA TINGGALAN ARKEOLOGI DI SUBAK BUBUNAN SUKAWATI GIANYAR, BALI

Forum Arkeologi ◽

10.24832/fa.v31i1.457 ◽

2018 ◽

Vol 31 (1) ◽

pp. 15

Author(s):

Dewa Gede Yadhu Basudewa

Keyword(s):

Data Collection ◽

Rice Field ◽

Qualitative Approach ◽

Archaeological Remains ◽

Literature Study ◽

Functional Theory ◽

Community Activities ◽

The Past ◽

Observation Method

This research was conducted based on the findings of archaeological remains in Subak Bubunan Sukawati rice field by the community in 2014 when cutting down the banyan tree. After doing data collection and description, it is followed by a more in-depth discussion, which aims to know the functions and meanings for the community. The data collection in this research is done using observation method, interview, and literature study through qualitative approach which then analyzed using functional theory and semiotics theory. The results show the function of the past and present archaeological remains in Subak Bubunan Sukawati based on the mythology, origin, and community activities are not completely the same, and some have changed the function. Meaning of Archaeological Remains in Subak Bubunan Sukawati is known based on the signs they have such as decoration (attributes), mythology, and community activities in utilizing the archaeological remains. Some of the meanings that are successfully examined are the meaning of fertility, the meaning of power, and the meaning of religion. Penelitian ini dilakukan berdasarkan atas temuan tinggalan arkeologi di kawasan sawah Subak Bubunan Sukawati oleh masyarakat pada tahun 2014 ketika menebang pohon beringin. Tinggalan arkeologi yang telah dilakukan pendataan maupun pendeskripsian ini dilanjutkan dengan pembahasan lebih mendalam, yang bertujuan untuk mengetahui fungsi dan maknaannya bagi masyarakat. Pengumpulan data dalam penelitian ini dilakukan menggunakan metode observasi, wawancara, serta studi kepustakaan melalui pendekatan kualitatif yang selanjutnya dianalisis menggunakan teori fungsional dan teori semiotika. Hasil penelitian menunjukkan fungsi masa lampau dan sekarang tinggalan arkeologi di Subak Bubunan Sukawati berdasarkan atas mitologi, asal usul, dan aktivitas masyarakat tidak seutuhnya sama, bahkan ada yang mengalami perubahan fungsi. Makna Tinggalan arkeologi di Subak Bubunan Sukawati diketahui berdasarkan tanda-tanda yang dimilikinya seperti hiasan (atribut), mitologi, dan aktivitas masyarakat dalam memanfaatkan tinggalan arkeologi tersebut. Beberapa makna yang berhasil ditelisik adalah makna kesuburan, makna kekuasaan, dan makna religi.

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TINJAUAN ARKEOLOGI RELIGI PADA MAKAM RAJA SAOSAO DAN RAJA LAKIDENDE DI KEN DARI SULAWESI TENGGARA [Review of Archaeology Religy in Saosao Tomb and Lakidende Tomb in South East Sulawesi]

Jurnal Penelitian Arkeologi Papua dan Papua Barat ◽

10.24832/papua.v9i2.212 ◽

2018 ◽

Vol 9 (2) ◽

pp. 161-182

Author(s):

Muh. Subair

Keyword(s):

Archaeological Remains ◽

Literature Study ◽

The Past ◽

History Of

Civilization of a city can be seen from archaeological remains. Kendari city is known as a city whose society is religious. The purpose of this paper is to know the history of the entry of Islam in Kendari and archaeological remains of the evidence of the entry of Islam in Kendari. The method used is literature study, interview and survey. Islam in Kendari was brought by Islamic religious teachers, Muslim traders and ulama, this is known from the existence of tombs of religious figures o f Islam in the past Kendari. ABSTRAKPeradaban suatu kota dapat dilihat dari tinggalan-tinggalan arkeologi. Kota Kendari dikenal sebagai kota yang masyarakatnya religius. Tujuan penulisan ini adalah untuk mengetahui sejarah masuknya Islam di Kendari dan tinggalan-tinggalan arkeologi yang menjadi bukti masuknya Islam di Kendari. Metode yang digunakan adalah studi pustaka, wawancara dan survei. Islam di Kendari dibawa oleh guru agama Islam, pedagang muslim dan ulama, hal ini diketahui dari keberadaan makam tokoh-tokoh agama Islam Kendari pada masa lalu.

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Variasi Ikonografi Arca-Arca Perwujudan Perunggu Koleksi Museum Bali Dan BPCB Bali-Nusa Tenggara

HUMANIS ◽

10.24843/jh.2018.v22.i01.p07 ◽

2018 ◽

pp. 41

Author(s):

Putu Pradnyana Adi Putra ◽

I Wayan Redig ◽

A. A. Gde Aryana

Keyword(s):

Data Collection ◽

Data Processing ◽

Social Factors ◽

Archaeological Remains ◽

Literature Study ◽

Causal Factors ◽

Body Postures ◽

Erwin Panofsky ◽

Collection Methods ◽

Data Processing Methods

The so called ‘’Dead Portrait’’ statues are kind of archaeological remains from the Hindu-Buddhist period that is very much encountered in Bali. So far the sculptures of the much-studied are the statues made from stones, while the bronze statues are still very little known. This study examines the iconographical variation and its causal factors on the so-called bronze dead portrait statues collection of Bali Museum and BPCB Bali-Nusa Tenggara. The author uses data collection methods such as observation, interview and literature study and data processing methods through the analysis of iconography, iconometry, iconoplastic, and iconology. The theory used to refine the interpretation of the results of the analysis is the Theory of Iconography and Iconology of Erwin Panofsky. Based on the research results found that there are variations of iconography among the bronze dead portrait collection of Bali Museum and BPCB Bali-Nusa Tenggara. The iconographic variations can be seen in the variety of jewelry, dress, body, and body postures. The iconography variation itself is caused by the ability and creativity of artists, social factors, and religious factors and beliefs.

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PENGARCAAN DEWA WISNU PADA MASA HINDU-BUDDHA DI BALI (ABAD VII-XIV MASEHI)

Forum Arkeologi ◽

10.24832/fa.v32i1.548 ◽

2019 ◽

Vol 32 (1) ◽

pp. 51

Author(s):

I Kadek Sudana Wira Darma

Keyword(s):

Data Collection ◽

Data Processing ◽

Cultural Influence ◽

Raw Material ◽

Literature Study ◽

The Past ◽

Social Restriction ◽

History Of ◽

Erwin Panofsky

Figurine of goddess Vishnu is an archaeological remain of Hindu-Buddhist period that rarely found in Bali. This research examines the variation of iconography, as well as the role and the position of Vishnu in the Hindu-Buddhist period in Bali in VII-XIV Century AD. The purpose of this research is to reconstruct the history of Balinese culture in the past, especially in the religion aspect. The methods of data collection are literature study, observation and interviews as well as data processing through the analysis of comparative iconography, and iconoplastic. The theory that used to assist analysis is a theory of religious iconology and iconography of Erwin Panofsky. Based on the results of the study found that there is a variation of the iconography on the statues of Vishnu in Hindu-Buddhist period in Bali. The variation can be seen in the variety of depictions of jewelry, clothing, “laksana” and posture. There are also variations for the iconography that caused by the factors of the ability and creativity of the artists, social restriction, cultural influence and raw material of the statue. The role and position of Vishnu in the Hindu-Buddhist period in Bali as a protector and preserver. His position is important although it is not as high as the god of Shiva. Arca Dewa Wisnu merupakan tinggalan arkeologi dari periode Hindu- Buddha yang sangat sedikit ditemukan di Bali. Penelitian ini meneliti variasi ikonografi, serta peranan dan kedudukan Dewa Wisnu pada masa Hindu-Buddha di Bali abad VII-XIV Masehi. Tujuan penelitian ini adalah untuk merekonstruksi sejarah kebudayaan masyarakat Bali pada masa lalu terutama aspek religinya. Penulis menggunakan metode pengumpulan data seperti studi pustaka, observasi dan wawancara serta pengolahan data melalui analisis ikonografi, ikonoplastik dan komparatif. Teori yang digunakan untuk membantu analisis adalah teori ikonografi dan ikonologi Erwin Panofsky. Berdasarkan hasil penelitian ditemukan bahwa terdapat variasi ikonografi pada arcaarca dewa Wisnu pada masa Hindu-Buddha di Bali abad VII-XIV Masehi. Variasi terlihat pada ragam penggambaran perhiasan, busana, laksana, dan sikap tubuh. Adapun variasi ikonografi disebabkan oleh faktor kemampuan dan kreativitas seniman, batasan sosial, pengaruh budaya dan bahan baku arca. Peranan dan kedudukan dewa Wisnu pada masa Hindu-Buddha di Bali yaitu sebagai dewa pelindung dan pemelihara, kedudukannya sangat penting walaupun tidak setinggi Dewa Siwa.

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KOMUNIKASI KEBERAGAMAN TENTANG MAKNA UCAPAN SALAM OM SWASTIASTU ANTAR UMAT BERAGAMA

ALHADHARAH JURNAL ILMU DAKWAH ◽

10.18592/alhadharah.v19i1.3859 ◽

2020 ◽

Vol 19 (1) ◽

pp. 63

Author(s):

Zikri Fachrul Nurhadi ◽

Achmad Wildan Kurniawan ◽

Abdul Rofi ◽

Iis Zilfah Adnan

Keyword(s):

Data Collection ◽

Research Method ◽

Participant Observation ◽

Literature Study ◽

Government Officials ◽

The Past ◽

Political Relations ◽

Pros And Cons ◽

Depth Interviews ◽

Unpleasant Experience

This research is motivated by the phenomenon of the pros and cons of greeting Om Swastiastu among officials. The purpose of this study is to find and explain more deeply about the motives, experiences and meaning of Om Swastiastu's greetings for communication between religions. The research method used in this research is the phenomenology method. While the data collection techniques used are non-participant observation, in-depth interviews, literature study and documentation. The subjects of this study were government officials or apparatuses who said Om Swastiastu greeting, amounting to 7 people and taking informants using purposive sampling. The results showed that the future motives (in order motive) greetings from Om Swastiastu were self existence and tolerance and motives from the past (because motive) greetings from Om Swastiastu were due to internal encouragement, the spirit of nationality, a sense of nationalism and the principle of neutrality. While the experience of saying Om swastiastu greetings is divided into pleasant experiences (positive), that is feeling valued, getting new political relations, good treatment, sympathy and growing solidarity between people while the unpleasant experience (negative) is mandating unfavorable treatment, derision in the form of harsh words, criticism and stay away from and considered to have no stance. While the meaning of Om swastiastu's greetings is to pray for salvation in the Hindu version, a word of thanksgiving and a greeting.

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Syair Perahu Karya Hamzah Fansuri Dalam Kaitannya Dengan Budaya Maritim di Singkel

PANALUNGTIK ◽

10.24164/pnk.v4i1.56 ◽

2021 ◽

Vol 4 (1) ◽

Author(s):

Laila Abdul Jalil ◽

Nuralam

Keyword(s):

Life History ◽

Data Collection ◽

Historical Archaeology ◽

Research Use ◽

Literature Study ◽

Literary Works ◽

The Past ◽

Maritime Culture ◽

History Of ◽

The Relationship

Hamzah Fansuri lived in the early era of the peak of the Aceh Darussalam kingdom. The Kingdom of Aceh Darussalam at that time visited by many traders from Arab, Parsi, Turkish, Bengal (India), Siamese, Portuguese, and Spain. Hamzah Fansuri is a Sufism scholar who developed Islamic teaching trough his poems. One of his poems is Syair Perahu. Syair Perahu besides containing Sufism also is related to the trade and wealth of Singkel sea. The discovery of foreign ceramics along the Singkel river is one proof of trade in the past. This research use method of manuscript study. The reason for choosing text studies is because Hamzah Fansuri produced many literary works in the form of poetry. The approach used in this study is historical archaeology to reveal the maritime culture of Singkel trough Syair Perahu by Hamzah Fansuri. Data collection is done trough literature study by collecting books, documents, and paper relating to the life history of Hamzah Fansuri and and literary works that he produces. The purpose of this reseach is to determine the relationship between Syair Perahu and maritime culture of Singkel. Based on a study of Syair Perahu, it is known that Hamzah Fansuri not only discusses the Sufism but also provides information about Singkel and trade in its time.

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Kerajinan Payung Geulis sebagai Kearifan Lokal Tasikmalaya

Panggung ◽

10.26742/panggung.v28i4.708 ◽

2018 ◽

Vol 28 (4) ◽

Author(s):

Agus Nero Sofyan ◽

Kunto Sofianto ◽

Maman Sutirman ◽

Dadang Suganda

Keyword(s):

Local Government ◽

Data Collection ◽

Local Knowledge ◽

Analytical Approach ◽

Cultural Economic ◽

The Past ◽

Direct Observations ◽

Past Data ◽

Aesthetic Values ◽

Written Sources

ABSTRACTThis study entitled " The Payung Geulis Craft as a Local Wisdom of Tasikmalaya" aims to obtain data on a local wisdom as ancestral culture of Tasikmalaya. The method employed is a descriptive-analytical approach, which is used to describe phenomena taking place in the present or the past. Data collection techniques in this study are interviews, direct observations, and written sources from the community and a local government. The problems addressed in this study are to find the historical, economic, and aesthetic values existed at the Tasikmalaya craft; and how does the umbrella craft pass down from the older generation to the younger generation. The outcome of this research are, first, a Geulis umbrella is a product based on local knowledge that characterisize a Tasikmalaya society; the Geulis umbrella crafthas cultural, economic, and aestheticsignificances; and the existence of Geulis umbrella today isnearly extinct.Keywords: local wisdom, indigenous crafts, geulis umbrellas, Tasikmalaya. ABSTRAKPenelitian berjudul “Kerajinan Payung Geulissebagai Kearifan Lokal Tasikmalaya”ini bertujuan untuk memperoleh data dan informasi tentang kearifan lokal Payung Geulis sebagai budaya leluhur Tasikmalaya.Metode dalam penelitian ini adalah deskriptif-analitik, yaitu metode yang digunakan untuk menggambarkan fenomena-fenomena yang ada, yang berlangsung saat ini atau saat yang lampau.Teknik pengumpulan data dalam penelitian ini adalah wawancara, pengamatan secara langsung, dan pengambilan sumber-sumber tertulis dari masyarakat dan pemerintah setempat. Masalah yang dibahas dalam penelitian ini adalah bagaimana nilai historis, ekonomis, dan estetis yang ada pada kerajinan Payung Geulis Tasikmalaya; dan bagimana regenerasi kerajinan Payung Geulis itu dari generasi tua kepada generasi muda. Hasil yang dicapai dari penelitian ini adalah kerajinan Payung GeulisTasikmalaya merupakan kearifan lokal yang menjadi ciri dari masyarakat Tasikmalaya; kerajinan Payung Geulismemiliki nilai kultural, ekonomis, dan estetis yang cukup tinggi; eksistensi dan keberadaan Payung Geulis dewasa ini sudah semakin sulit ditemukan.Kata Kunci: kearifan lokal, kerajinan lokal, Payung Geulis, budaya, Tasikmalaya.

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Peran Raden Fatah Dalam Islamisasi di Kesultanan Demak Tahun 1478–1518

TAMADDUN: Jurnal Kebudayaan dan Sastra Islam ◽

10.19109/tamaddun.v19i1.3401 ◽

2019 ◽

Vol 19 (1) ◽

pp. 70-83

Author(s):

Agus Susilo ◽

Ratna Wulansari

Keyword(s):

Data Collection ◽

Daily Life ◽

Analysis Data ◽

Historical Research ◽

Scientific Article ◽

Collection Method ◽

The Past ◽

Research Article ◽

The People

Introduction : This scientific article is an article that discusses the Role of Raden Fatah in Islamization in the Demak Sultanate in 1478-1518. The background of this article tells how Raden Fatah was the founder of the Demak Sultanate and the first Sultan of Demak since its founding in 1478 M. Raden Fatah was a descendant of King Brawijaya V who was the ruler of the last Majapahit Kingdom of a Chinese princess. But Raden Fatah's childhood in Palembang was raised by his mother and his stepfather Aryo Damar. Data Collection Method : In this research article, researchers used historical research methods. Historical research seeks to reveal historical facts in the past. Analysis Data : The steps of this historical research include heuristics, criticism (external criticism and internal criticism), source verification, and historiography. Results and Discussions : The results of this study were that in Islamizing Javanese land, especially Demak, Raden Fatah and the Walisongo built a Great Mosque of Demak. The aim is to bring Islam to the hearts of the people of Demak and its surroundings. Demak Sultanate is increasingly crowded with martyrdom from several regions in the archipelago and abroad because it has good ports and produce. The Demak Sultanate wanted to Islamize the entire land of Java. But the teachings of Islam still maintain tolerance in religion and daily life. Walisongo's role such as Sunan Kalijaga in Islamizing Javanese society through Wayang and Gamelan art was vital. Many Javanese people finally moved their hearts to embrace Islam. Conclusions : The conclusions of this historical research are in the Islamization of the Raden Fatah Javanese community assisted by the Walisongo by promoting the element of local wisdom. Raden Fatah also maintains relations with Prabu Brawijaya V at all times of his own father. Islam developed rapidly in Demak and was able to spread in several regions of the archipelago. Keywords: Raden Fatah, Islamization, Kingdom of Demak

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KEBERADAAN BATIK TUTUR BLITAR KARYA EDDY DEWA

Gelar : Jurnal Seni Budaya ◽

10.33153/glr.v16i1.2342 ◽

2019 ◽

Vol 16 (1) ◽

Author(s):

Rengga Kusuma Nawala Sari

Keyword(s):

Qualitative Research ◽

Data Collection ◽

Data Processing ◽

Cultural Heritage ◽

Research Methods ◽

Interaction Analysis ◽

Literature Study ◽

The Past ◽

Surrounding Environment ◽

Processing Data

ABSTRAK Batik Tutur merupakan hasil pengembangan dari motif batik Afkomstig Uit Blitar 1902, warisan budaya masyarakat blitar pada masa lampau yang dikoleksi museum belanda. Saat ini batik tutur memiliki 15 motif dengan berbagai macam nama sesuai motif dan makna, nama pada setiap motif mengandung pesan moral atau pitutur yang ingin disampaikan Eddy Dewa sebagai pencipta motif kepada pemakainya. Tujuan penelitian ini yaitu latar belakang penciptaan batik tutur karya Eddy Dewa. Metode yang digunakan adalah metode penelitian kualitatif dengan pengumpulan data dan pengolahan data. Pengumpulan data meliputi observasi, wawancara, dan studi pustaka, sedangkan pengolahan datanya menggunakan interaksi analisis,hasil analiss dari penelitian ini yang didapat adalah batik tutur memiliki fungsi sebagai sarung dengan pola motif yang sama dengan pola sarung yang memiliki tumpal tengah, dan makna yang terkandung merupakan intepratasi Eddy Dewa dalam memaknai lingkungan sekitar. Kata kunci: Revitalisasi, Batik Afkomstig Uit Blitar, Batik Tutur. ABSTRACT Batik Tutur is the result of the development of batik motif Afkomstig Uit Blitar 1902. It is the cultural heritage of Blitar community in the past which was collected by the Dutch museum. Currently, batik tutur has 15 motifs with various names according to the motives and meanings. The name of each motif contains a moral mes-sage or a message that Eddy Dewa wishes to convey as the creator of the motif to the consumers. The purpose of this study is to know the background of batik tutur creation by Eddy Dewa. The research used is qualitative research methods with data collection and data processing. Data collection includes observation, interviews, and literature study, while the data processing uses interaction analysis. The results of this re-search tells that batik tutur has a function as a sarong with the same motif pattern as a sarong pattern that has a middle tumpal. The meaning contained tells about Eddy Dewa’s interpretation in handling interpreting the surrounding environment. Keywords: Revitalization, Batik Afkomstig Uit Blitar, Batik Tutur.

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