scholarly journals ANALISIS KEKERASAN SIMBOLIK DALAM NOVEL "A THOUSAND SPLENDID SUNS KARYA KHALED HOSSEINI (PERSPEKTIF PIERRE BOURDIEU) (SYMBOLIC VIOLENCE ANALYSIS IN NOVEL A THOUSAND SPLENDID SUNS BY KHALED HOSSEINI (PIERRE BOURDIEU'S PERSPECTIVE))

2021 ◽  
Vol 18 (1) ◽  
Author(s):  
Andi Nurul Amaliah Darwis
Keyword(s):  
Women Characters ◽  
Pierre Bourdieu ◽  
Verbal Abuse ◽  
Symbolic Violence ◽  
Early Marriage ◽  
The Novel ◽  
Sociological Perspective ◽  
Woman Character ◽  
The Family ◽  
The Status

Penelitian ini mengkaji tentang kekerasan simbolik yang dialami oleh para tokoh perempuan dalam novel berjudul A Thousand Splendid Suns karya Khaled Hosseini. Bentuk-bentuk kekerasan simbolik diidentifikasi dan dianalisis oleh perspektif sosiologis Pierre Bourdieu. Bourdieu mengusulkan bahwa bahasa adalah sarana untuk melestarikan dan mentransformasikan kekuatan simbolik. Pelaku memiliki kewenangan untuk menetapkan nilai, norma, dan standar, mendikte, dan mengontrol paradigma pelaku lainnya sehingga pelanggaran yang diterima sebagai tindakan yang wajar dan sah. Hasil penelitian menunjukkan bahwa kekerasan simbolik teridentifikasi dalam keluarga. Tokoh perempuan bernama Mariam ini mengalami pelecehan verbal dari ibunya terkait status dan konsepsi tradisional tentang posisi perempuan dalam budaya. Sementara itu tokoh utama ini juga dipaksa menikah dini. Selain itu, karakter wanita lain, Laila juga menerima secara pasif segala bentuk kekerasan. Kedua perempuan tersebut diperlakukan secara diskriminatif dalam masyarakat dan keluarga. Kata kunci: kekerasan simbolik, Pierre Bourdieu, agen, arena   This research studies about the symbolic violence experienced by the women characters in the novel entitled A Thousand Splendid Suns by Khaled Hosseini. The forms of symbolic violences are identified and analyzed by the sociological perspective of Pierre Bourdieu. Bourdieu proposes that language is the means to perpetuate and to transform the symbolic power. The doer has an authority to establish value, norms, and standards, to dictate, and to control the other agents’paradigm making the violences received as the normal and legitimate actions. The result of this research shows that the symbolic violence is identified in the family. The woman character named Mariam experiencing verbal abuse from her mother regarding the status and the traditional conception of woman’s position in the culture. Meanwhile this lead character is also forced to early marriage. In addition, another woman character, Laila is also passively accepted all forms of violences. Both women are treated discriminatively in society and family. Keywords: symbolic violence, Pierre Bourdieu, agents, arena

scholarly journals Baleia, de Graciliano Ramos: uma meditação sobre a vida sensível do animal

2017 ◽  
Vol 2 (2) ◽  
Author(s):  
Fernanda Coutinho
Keyword(s):  
Nonhuman Animal ◽  
Human Reasoning ◽  
The Novel ◽  
The Gaze ◽  
The Family ◽  
The World ◽  
The Status

In this essay, I examine the status of Baleia, the family dog in Graciliano Ramos’s Vidas secas (1938). My principal interest is to analyse the attenuation of distances and the differentiation of sensibility between humans and animals in the novel. I argue that Baleia allows Ramos to leave aside an absolute belief in human reasoning and think of the nonhuman animal as a being endowed with complexity. In this, Ramos deviates from a speciesist appreciation of history and sharpens the gaze of his readers with respect to the limitations of our understanding of the world and its beings.

scholarly journals THE PORTRAIT OF THE AMERICAN WOMAN IN MARGARET MITCHELL'S NOVEL "GONE WITH THE WIND"

2019 ◽  
Vol 31 (6) ◽  
pp. 1749-1753
Author(s):  
Lirije Ameti
Keyword(s):  
Women Characters ◽  
American Woman ◽  
Point Of View ◽  
The Novel ◽  
Gone With The Wind ◽  
Woman Character ◽  
The Us ◽  
The Usa ◽  
Artistic Achievement ◽  
History Of

This theme, The Portrait of the American Woman in Margaret Mitchell's Novel " Gone With The Wind " is broad, challenging, interesting and among many contradictory to one another's point of view, at different social grounds , periods of time simply or merely of the fact that a female writer of this tremendous saga read mostly by women represents multi dimensional themes. It is an interweave of tradition, history , war, social classes, Reconstruction, transition and more. All these and many other themes written with a masterful disciplined imagination put in the longest novel in history. A masterpiece of 1037 pages published in 1939 and subsequently in the greatest and longest motion picture on screen. Piling up records and building it's own history and legends. The novel has sold in more than 25 million copies in at least 27 languages in thirty countries and in more than 185 editions according to the research conducted in 2004. These figures continue to increase, not to mention that the film is seen by more individuals than the total population of the USA. GWTW has grown and conflated into a phenomenon of American and later into a phenomenon of levels of basic appreciation after international popular culture. Thus criticism was attested at the levels of basic appreciation , often in the opposite poles of love and /or hate , the evaluation again in bipolar terms of praise and / or scorn. On the popular level the book was lauded and in the literary world it was defamed. Mitchell's novel " Gone With The Wind " was seen as important symbols of American culture forces. A serious biography in 1965 sparked reconsiderations simply by the assumption of Mitchell's importance as a writer. Other re- evaluations followed which asserted the literary quality of the work, notably in feminist terms. Attesting the qualities that critics wrote such as Michener who said: " The spiritual history of a region". Many other scholarly papers have been undertaken to attack it and completed to praise it. Because of the enormous popularity , readability , embodiment of the heroine woman character Scarlett O'Hara with many other women who saw themselves in those situations or experienced the same then or even nowadays. These multi themes to discuss about, issues primarily of women, the novel is defined as a woman's literary artistic achievement, seen through the eyes off a woman Scarlett herself and many other women characters. Is seen the distinction of the past and present of the old and new society. Mitchell herself says it is about courage and gumption to change as a necessity in order to survive war, reconstruction and transition. The search of survival by poor and nearly defeated young women who had no control or capacity to understand these tensions. Indeed this novel has become an icon of the US culture.

Sarah Scott’s Narrative “No Place”: Gazing and Utopia in Millenium Hall

2021 ◽  
Vol 33 (4) ◽  
pp. 513-529
Author(s):  
Katherine Nolan
Keyword(s):  
Eighteenth Century ◽  
Women Characters ◽  
The Novel ◽  
The Status

Sarah Scott’s Millenium Hall (1762) is framed by a male narrator for an imagined male reader, and it lacks a substantial critique of slavery, empire, or class; the status of this novel as an example of utopia is therefore an ongoing question. I argue that the utopic vision in the novel happens at the level of fictionality. Millenium Hall is about reforming the sentimental gaze of the male narrator and, by extension, the reader of the novel. Scott critiques sentimentality, particularly the sentimental gaze upon the spectacle of the suffering woman as voyeuristic and inherently sexual. In its stead, she offers a didactic and morally instructive form of looking that avoids titillating scenes of suffering. The novel disrupts and tempers sentimental plots by providing women characters a refuge from sentimentality in the form of the Hall. Renewed attention to Scott’s critique of the sentimental can challenge assumptions about the role of the sentimental mode in eighteenth-century women’s writings.

scholarly journals The silenced voices of desire in the novel Eating Wasps

2021 ◽  
Vol 12 (2) ◽  
pp. 1092-1094
Author(s):  
Hema. R, Et. al.
Keyword(s):  
Gender Roles ◽  
Women Characters ◽  
Modern Society ◽  
The Novel ◽  
Men And Women ◽  
Patriarchal Society ◽  
The Family ◽  
Shame And Guilt ◽  
Gender Discrepancies

The present paper analyses the women characters Urvashi, Sreelakhmi, Brinda and Najma in the novel Eating Wasps. The protagonist is the ghost of Sreelakshmi and she takes the readers through the lives of other women in the novel. Anita Nair portrays the confined lives of women even in the modern society. She portrays a society that considers women’s desires as a sin. Gender roles are deeply engrained in the minds of both men and women in a patriarchal society. The family and society consider women’s desires as unnatural. They are silenced and are forced to live a life they despise. The paper discusses the shame and guilt faced by the women in the novel and the gender discrepancies in the society.

scholarly journals TRANSITIVITY ANALYSIS OF AFGHAN WOMEN IN ÅSNE SEIERSTAD’S THE BOOKSELLER OF KABUL

2019 ◽  
Vol 14 (2) ◽  
pp. 223-234
Author(s):  
Arina Isti'anah
Keyword(s):  
Real World ◽  
The Novel ◽  
Functional Grammar ◽  
Systemic Functional Grammar ◽  
Afghan Women ◽  
The Real ◽  
Behavioral Process ◽  
Woman Character ◽  
The Family ◽  
Material Process

Transitivity analysis is the tool offered by Halliday’s Systemic Functional Grammar (SFG) to observe the writer’s/ speaker’s experience of the real world. In the novel entitled The Bookseller of Kabul, Åsne Seierstad’s description of Afghan women reveals how they are represented in the story. By observing the different characters in the novel, this research focuses on outiling three different woman character roles: wife (Sharifa), mother (Bibi Gul), and daughter (Leila). Stylistic approach focusing on the grammatical features is utilized in this research. The writer’s descriptions of Sharifa, Bibi Gul, and Leila are categorized into the transitivity processes adopting Halliday’s SFG. The analysis shows that different woman roles are represented in similar processes: material, mental, relational, verbal and behavioral. The processes reveal that Afghan women are represented as submissive and devoted characters. Behavioral process is only used to reveal the characters’ being submissive, while material process is employed the most to portray Afghan women’s devotion to the family.

SISTEM SOSIAL ALA NIKLASH LUHMAN DALAM NOVEL SEPERTIGA MALAM DI MANHATTAN KARYA ARUMI E

2019 ◽  
Vol 7 (2) ◽  
pp. 49
Author(s):  
Anton Wahyudi
Keyword(s):  
Social System ◽  
System Approach ◽  
Research Method ◽  
Qualitative Method ◽  
The Novel ◽  
Original Culture ◽  
The Family ◽  
Data Source ◽  
Social System Approach ◽  
Fictional Story

The novel Sepertiga Malam di Manhattan by Arumi E is very interesting to study. This novel is a novel about the struggle of a family to get happiness. This novel is the Arumi E's 27th newest novel. The struggle in this novel is to make the family happy, expecting for the baby. Before writing the novel, Arumi E did a research in the places written in the novel to achieve a very interesting fictional story and most of this story was taken from the traveling results so it was so interesting. The objective of this research is to describe (1) the Autopoetic System in the novel Sepertiga MalamdiManhattan by Arumi E. (2) The differentiation system in the Novel Sepertiga Malamdi Manhattan by Arumi E.The research method used is in the form of a descriptive qualitative method that uses a social system approach. The method used by the researcher is the dialectical method. The data source used in this research is the novel Sepertiga Malamdi Manhattan by Arumi E, published by Gramedia publisher in 2018. The data collection in this study uses the steps of reading the novel. To collect data, the researcher use any instrument.There are two results of the study: (1) The autopoetic system in the novel Sepertiga MalamdiManhattan by Arumi E. is concerning to some characters who have their own beliefs or rules in their lives who do not want to follow the rules of others, they are more confident in their own way to success and purpose of life. (2) The system of differentiation in the novel Sepertiga Malamdi Manhattan by Arumi E. is covering the handling of changes in the environment, the characters are able to adapt to the new environment, which has a different culture from the original culture. This shows evidence of the system autopoetic and differentiation in the novel Sepertiga MalamdiManhattan by Arumi E.

Buried Narratives: Exhuming the Mother's Story in Oliver Twist

2018 ◽  
Vol 8 (3) ◽  
pp. 247-266
Author(s):  
Michelle L. Wilson
Keyword(s):  
Social Change ◽  
Maternal Inheritance ◽  
The Novel ◽  
Poor Law ◽  
The Family ◽  
The Law ◽  
First Time ◽  
Critical Consideration

Initially, Oliver Twist (1839) might seem representative of the archetypal male social plot, following an orphan and finding him a place by discovering the father and settling the boy within his inheritance. But Agnes Fleming haunts this narrative, undoing its neat, linear transmission. This reconsideration of maternal inheritance and plot in the novel occurs against the backdrop of legal and social change. I extend the critical consideration of the novel's relationship to the New Poor Law by thinking about its reflection on the bastardy clauses. And here, of course, is where the mother enters. Under the bastardy clauses, the responsibility for economic maintenance of bastard children was, for the first time, legally assigned to the mother, relieving the father of any and all obligation. Oliver Twist manages to critique the bastardy clauses for their release of the father, while simultaneously embracing the placement of the mother at the head of the family line. Both Oliver and the novel thus suggest that it is the mother's story that matters, her name through which we find our own. And by containing both plots – that of the father and the mother – Oliver Twist reveals the violence implicit in traditional modes of inheritance in the novel and under the law.

"MOTHER, SHOWING NO SPECIAL AFFECTION FOR YOU, WRITES TO YOU VERY FRIENDLY". COUNT V.A. MUSIN-PUSHKIN'S PRE-WEDDING LETTERS TO HIS BRIDE

2020 ◽  
pp. 59-75
Author(s):  
Yuliya V. Kim ◽  
Keyword(s):  
Everyday Life ◽  
Family Life ◽  
Married Couple ◽  
State Archive ◽  
Human Relations ◽  
Russian State ◽  
The Family ◽  
The Status ◽  
Traditional Patterns ◽  
Power Hierarchy

The article presents two letters from V.A. Musin-Pushkin which he wrote to his bride shortly before the wedding in 1828 (the letters are kept in the Russian State Archive of Ancient Acts). The text of the letters reflects the context of the time and everyday life, the system of views and the peculiarities of the worldview of a young aristocrat, the specific features of intra-family interaction in the field of feelings, marriage, human relations which inevitably turn out to be associated with the concepts of the family honor, family duty, the need to preserve the status of a noble family. The author traces how the power hierarchy is manifested at the level of relations within a close circle of relatives, as well as how traditional patterns are combined with new elements. Vladimir Alekseevich Musin-Pushkin, the youngest son of the archaeographer Count A.I. Musin-Pushkin, was arrested in connection with the case of the Decembrists, transferred from the Guards to the army and exiled to serve in Finland, where he met his future wife, Emilia Karlovna Shernval von Wallen. The article provides details of the family life of this married couple, as well as private facts from the biography of some other members of the Musin-Pushkin family.

Status of Family Fissidentaceae in Gujarat

2016 ◽  
Vol 1 (1) ◽  
Author(s):  
D.G. Shah ◽  
D.N. Mehta ◽  
R.V. Gujar
Keyword(s):  
Distinct Species ◽  
The State ◽  
The Other ◽  
Land Plants ◽  
Reproductive Structures ◽  
The Family ◽  
The Status ◽  
Vegetative Characters ◽  
First Time ◽  
Different Parts

Bryophytes are the second largest group of land plants and are also known as the amphibians of the plant kingdom. 67 species of bryophytes have been reported from select locations across the state of Gujrat. The status of family fissidentaceae which is a large moss family is being presented in this paper. Globally the family consists of 10 genera but only one genus, Fissidens Hedw. has been collected from Gujarat. Fissidens is characterized by a unique leaf structure and shows the presence of three distinct lamina, the dorsal, the ventral and the vaginant lamina. A total of 8 species of Fissidens have been reported from the state based on vegetative characters as no sporophyte stages were collected earlier. Species reported from the neighboring states also showed the absence of sporophytes. The identification of different species was difficult due to substantial overlap in vegetative characters. Hence a detailed study on the diversity of members of Fissidentaceae in Gujarat was carried out between November 2013 and February 2015. In present study 8 distinct species of Fissidens have been collected from different parts of the state. Three species Fissidens splachnobryoides Broth., Fissidens zollingerii Mont. and Fissidens curvato-involutus Dixon. have been identified while the other five are still to be identified. Fissidens zollingerii Mont. and Fissidens xiphoides M. Fleisch., which have been reported as distinct species are actually synonyms according to TROPICOS database. The presence of sexual reproductive structures and sporophytes for several Fissidens species are also being reported for the first time from the state.

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