scholarly journals The development of linguistic and cultural meanings of English colour lexis: dynamics and modern state

2021 ◽  
pp. 96-114
Author(s):  
Alesya A. Gorzhaya ◽  
Timerlan I. Usmanov
Keyword(s):  
English Language ◽  
Syntactic Structure ◽  
Literary Work ◽  
Natural World ◽  
The Other ◽  
Structural Elements ◽  
Cultural Meanings ◽  
Current State ◽  
Colour Terms ◽  
Explicit Comparison

The article is devoted to the study of the dynamics of development and the current state of linguacultural meanings in colour terms that are used in English-language women’s prose. In the course of the analysis of the theoretical and methodological material, it has been revealed that the colour terms in the literary text contribute to the fact that the descriptions and pictures drawn by its author are perceived as correctly as possible by the reader, and the latter more accurately perceives the sensations and emotions experienced by the characters at different moments of the story. During the analysis of the corpus of selected contexts (more than 700 fragments) with colour terms (500 units) from the works of fiction of modern women’s prose – criminal literature of the British writer Elizabeth Haynes – a number of features have been established. All the analyzed works are rich in the use of various colours, generally the main ones, and their shades, but there are also other colours. Thematic groups of colour terms include descriptions of the appearance of the main and secondary characters, everyday realia of the surrounding world, phenomena and objects of the natural world, and other abstract notions. Frequently occurring primary colour terms that do not have a transfer of meaning have been distinguished, and less frequent secondary colour terms with a transfer of meaning, and the secondary ones usually had a more complex morphological and syntactic structure. The selected colour terms that describe the appearance of the characters and have a transfer of meaning are divided into two groups, one of which includes colour terms with a metaphorical component, and the other contains colour terms that form transferred epithets. Within the framework of the description of natural phenomena and objects, the authors distinguish fully metaphorized colour terms, partially metaphorized colour terms that include a metaphorized component that does not extend its influence to the other structural elements of the colour term, as well as colour terms represented by an explicit comparison. In general, colour terms fill the work with a deep content, an additional meaning that the author lays down when writing a literary work.

scholarly journals SPECIAL CHARACTERISTICS OF TRANSLATING IRONIC EXPRESSIONS IN MODERN ENGLISH-LANGUAGE FILM DISCOURSE INTO UKRAINIAN

2020 ◽  
Vol 11 (87) ◽  
Author(s):  
Alina Ihnatova ◽  
◽  
Valentyna Marchenko ◽  
Keyword(s):  
English Language ◽  
Mutual Influence ◽  
Syntactic Structure ◽  
Empirical Studies ◽  
Literary Work ◽  
Big Bang ◽  
Linguistic Knowledge ◽  
Cultural Character ◽  
Semiotic Systems ◽  
Film Discourse

The article is devoted to topical problems of translation of modern English-language film discourse (based on the TV series "The Big Bang Theory"). Stylistic features of English-language film discourse are characterized. It is noted that the language of English-language film discourse has certain features and directions for certain categories of speakers and recipients. In the course of the analysis of English-language film discourse, a direct relationship between the degree of complexity of the selected language tools and socio-cultural specific features of the target audience is proved. The irony is a move to challenge norms, rules, common sense. It easily turns into a paradox and a joke. Comparisons of two or more textual worlds, styles, paradoxical comparisons, quotations, parodies lead to endless possibilities for variations in the understanding of ironic means. Socio-cultural linguistic elements that complicate film translation include realities (non-equivalent vocabulary), proper names, idiomatic expressions and jargon, dialect and variant features, humor. Non-linguistic features of the socio-cultural character contained in the visual and sound plans of a motion picture can also affect translation. At the same time, empirical studies of the application and methods of film translation testify to the existence of specific operational rules, that is, the patterns of behavior of the translator in some sociocultural situation – the situation of translation for film screening. Thus, the conducted study shows that "film discourse" is a "broader concept than cinema text” and “film dialogue”, which includes various correlations with other fields of science, such as literature, theater, art, etc. In addition, it is in the cinema discourse that the final interpretation of sen sous, embedded in the movie. In this case, cinema text is a fragment of cinema discourse and includes two heterogeneous semiotic systems: linguistic and non-linguistic, the film dialogue appears as the linguistic component of the film. Therefore, the audiovisual images operated by cinema become an indispensable element of the new discourse of modernity, which is the source of social, cultural, psychological as well as linguistic knowledge. This is why book adaptations are so popular because they save time and effort. However, as a result of a comparative lexical stylistic analysis of the book and its TV version, it was found that the number of lexical means and stylistic figures in the literary work is much greater and striking in its diversity, especially when it comes to descriptions. In the film, the language becomes poorer because dialogic speech is a predominantly spoken-and-everyday style characterized by general vocabulary and changes in the syntactic structure of sentences. The sentences in the movie are usually simple, not complex, full of exclamations and pauses and easy to hear. Film discourse should be understood as the process of play and perception of a film, the meaning of which is the mutual influence of several semiotic systems. Cinema discourse involves participants in the discourse, time and space of their interaction. The main difficulty in translatable movie text is the possibility and degree of adaptation of the text to a foreign language culture, built on a different system of values and concepts, and this factor causes the inevitable loss in the perception of translatable cinema with other subjects and / or incompatible with other linguistic culture failures of a large number of films.

Archiving Odors

2000 ◽  
Author(s):  
Thomas Hellman Morton
Keyword(s):  
Chemical Composition ◽  
English Language ◽  
Spectroscopic Properties ◽  
Sensory Experience ◽  
The Other ◽  
Chemical Structures ◽  
Current State ◽  
Olfactory Stimuli ◽  
Chemical Knowledge ◽  
The One

In an ode addressed to his friend Fabullus, the Roman poet Catullus speaks of a fragrance so pleasing that “when you smell it you will beg the gods to make you all nose.” Would that the recipe for such a scent had been transmitted through the ages! Even today, however, it is not possible to document chemical composition with adequate fidelity to reconstruct an odor perfectly. Catullus writes that the gods of love gave the perfume to his girlfriend. Suppose such gods existed and could list the ingredients of its aroma. The list would contain hundreds—perhaps thousands—of chemical structures and their relative proportions. Very likely, many of the structures would stand for compounds that are currently unknown, but they could be synthesized in the laboratory. Would that knowledge permit me to reproduce the odor? This chapter argues that the answer remains uncertain. The current state of chemical knowledge can neither account for why an odor smells the way it does nor what determines its intensity. The recipe for replicating a sensory experience—what is essential and what is superfluous—remains obscure. The sense of smell challenges chemical understanding. On the one hand, given the structure of a new molecule a chemist can predict its spectroscopic properties over a wide domain of electromagnetic frequencies. A mixture ordinarily displays a spectrum that superimposes the spectra of its individual components, unless they physically interact with each other. In the chemical senses, on the other hand, perceptions of mixtures often cannot be inferred from their constituents, even though the components do not interact at the molecular level. Moreover, no one can reliably predict the organoleptic properties (taste or smell) of a new molecule from its structure. Even if that were possible, the English language does not offer a vocabulary with which to describe new smells, except by analogy to odors that are already familiar. The poverty of descriptors means that, in talking about olfactory stimuli, many people allude to direct experiences. These allusions call on memories of characteristic odors of familiar objects, which represent “unitary percepts.”

Working With Interpreters to Support Students Who Are English Language Learners

2016 ◽  
Vol 1 (16) ◽  
pp. 15-27 ◽  
Author(s):  
Henriette W. Langdon ◽  
Terry Irvine Saenz
Keyword(s):  
United States ◽  
English Language Learners ◽  
Language Learners ◽  
English Language ◽  
First Language ◽  
The United States ◽  
The Other ◽  
Primary Language ◽  
Second Best ◽  
Support Students

The number of English Language Learners (ELL) is increasing in all regions of the United States. Although the majority (71%) speak Spanish as their first language, the other 29% may speak one of as many as 100 or more different languages. In spite of an increasing number of speech-language pathologists (SLPs) who can provide bilingual services, the likelihood of a match between a given student's primary language and an SLP's is rather minimal. The second best option is to work with a trained language interpreter in the student's language. However, very frequently, this interpreter may be bilingual but not trained to do the job.

Makna Budaya Lagu Daerah Tontemboan

2015 ◽  
Vol 3 (1) ◽  
Author(s):  
Christina Rawung
Keyword(s):  
Observation Point ◽  
Folk Songs ◽  
The Other ◽  
Cultural Meaning ◽  
Cultural Meanings ◽  
Deep Meaning ◽  
Traditional Songs ◽  
Descriptive Method ◽  
Power Of God

Kapoya village is located in SouthMinahasa precisely in the District Suluun-Tareran. Problems of this research,what is the folk songs in Tontemboan areas that exist in Kapoya village andwhat is the function, what cultural meanings contained in the Tontemboan folksongs, and why villagers of Kapoya still sing the Tontemboan folk songs basedon their reflected the mindset. The purpose of this study is to identify the Tontemboanfolk songs and explain its function, explains the cultural meaning of theTontemboan folk songs, and explain the reason for the villagers of Kapoya stillsing the Tontemboan folk songs based on their reflected the mindset.This study used descriptive method withqualitative approach. The observation point chosen five informants. The firstone as the main informant and the other as a companion. In this study,collected twenty-seven folk songs in Tontemboan.In terms of meaningful culturalTontemboan folk songs in the Kapoya village and their functions, which consistsof 27 traditional songs and their functions. In terms of cultural meaningscontained in Tontemboan folk songs have some deep meaning, such as the peopleof Kapoya village who believe in the power of God as the Creator, the publicbelieves that happen compassion into the new year is a joy to remember therelatives and siblings. In terms of folk songs sung reason thatis the mindset of the villagers of Kapoya, namely as guidelines, instructions,and the correct way for a person to live a life based onwhat he believes and meaningful bring compassion, happy, respectful, and proudof the life lived in the Kapoya village.Keywords: Culture, Tontemboan, Kapoya

Novel Therapeutic Approaches and Targets for Treatment of Chronic Urticaria: New Insights and Promising Targets for a Challenging Disease

2020 ◽  
Vol 22 (1) ◽  
pp. 32-45
Author(s):  
Emanuela Martina ◽  
Federico Diotallevi ◽  
Tommaso Bianchelli ◽  
Matteo Paolinelli ◽  
Annamaria Offidani
Keyword(s):  
English Language ◽  
Life Experience ◽  
Case Reports ◽  
Immunosuppressive Agents ◽  
Real Life ◽  
Chronic Spontaneous Urticaria ◽  
New Targets ◽  
Current State ◽  
Pubmed Database ◽  
Novel Drugs

Background: Chronic Spontaneous Urticaria (CSU) is a disease characterized by the onset of wheals and/or angioedema over 6 weeks. The pathophysiology for CSU is very complex, involving mast cells and basophils with a multitude of inflammatory mediators. For many years the treatment of CSU has been based on the use of antihistamines, steroids and immunosuppressive agents with inconstant and frustrating results. The introduction of omalizumab, the only licensed biologic for antihistamine- refractory CSU, has changed the management of the disease. Objective: The aim of this article is to review the current state of the art of CSU, the real-life experience with omalizumab and the promising drugs that are under development. Methods:: An electronic search was performed to identify studies, case reports, guidelines and reviews focused on the new targets for the treatment of chronic spontaneous urticaria, both approved or under investigation. The search was limited to articles published in peer-reviewed journals in the English Language in the PubMed database and trials registered in Clinicaltrials.gov. Results:: Since the advent of omalizumab, the search for new therapies for chronic spontaneous urticaria has had a new impulse. Anti-IgE drugs will probably still be the cornerstone of therapy, but new targets may prove effective in syndromic urticaria or refractory cases. Conclusion:: Although omalizumab has been a breakthrough in the treatment of CSU, many patients do not completely get benefit and even require more effective treatments. Novel drugs are under investigation with promising results.

Spanning versus Constituent Lexicalization

2018 ◽  
Author(s):  
Knut Tarald Taraldsen
Keyword(s):  
Syntactic Structure ◽  
The Other ◽  
Input Tree ◽  
Bantu Languages

This chapter seeks to evaluate the relative merits of two competing views of how lexical insertion should work in a nanosyntactic framework. One view holds that a sequence of heads meeting certain conditions, a “span,” can be replaced by a single morpheme even when those heads do not form a constituent in the input tree. The other view allows lexical insertion only to target constituents. The article focuses on certain properties of portmanteau prefixes identified by investigating the nominal class prefixes in Bantu languages. Accounting for portmanteau prefixes looks like a serious challenge to the theory restricting lexical insertion to constituents. They can be accommodated by positing only a richer syntactic structure than is usual. However, various empirical arguments show that the richer syntactic structure is in fact needed in an analysis of the nominal class prefixes in Bantu and that this conclusion extends to class prefixes in other languages.

Milesian Measures: Time, Space, and Matter

2009 ◽  
Author(s):  
Stephen A. White
Keyword(s):  
Fourth Century ◽  
Natural World ◽  
The Other ◽  
Sixth Century ◽  
Greek Philosophy ◽  
Time Space ◽  
Complementary Problems

Any attempt to trace the origin of Greek philosophy faces two complementary problems. One is the fact that evidence for the early philosophers is woefully meager. The other problem raises a question of what is to be counted as philosophy. Yet neither problem is insuperable. This article proposes to reorient the search for origins in two ways, corresponding to these two problems. First, rather than trying to reconstruct vanished work directly, this article focuses on a crucial stage in its ancient reception, in particular, the efforts by Aristotle and his colleagues in the latter half of the fourth century to collect, analyze, and assess the evidence then available for earlier attempts to understand the natural world. The other shift in focus this article makes is from philosophy to science; or rather, it focuses on evidence for the interplay between observation, measurement, and explanation in the work of three sixth-century Milesians.

scholarly journals Commentary to “Practicing Dialectics of Technoscience During the Anthropocene” by Hub Zwart

2021 ◽  
Author(s):  
Hans-Jörg Rheinberger
Keyword(s):  
Synthetic Biology ◽  
Philosophy Of Science ◽  
The Other ◽  
Scientific Development ◽  
Current State

AbstractHub Zwart’s article is about the idea—and the practice—of an embedded philosophy of science, that is, a philosophy participating in and at the same time reflecting about the current state of the sciences facing the Anthropocene, to which I am very sympathetic. There are, however, two caveats. The first is that participation is always in danger to end up in a more or less uncritical eulogy, in the present case of synthetic biology. The second is that I have doubts about packing the historical path of scientific development into the Procrustes bed of Hegelian dialectics. This usually leads to one or the other form of teleology.

Occupant pre-crash kinematics in rotated seat arrangements

2021 ◽  
pp. 095440702110045
Author(s):  
Alexander Diederich ◽  
Christophe Bastien ◽  
Karthikeyan Ekambaram ◽  
Alexis Wilson
Keyword(s):  
State Of The Art ◽  
The Other ◽  
Human Model ◽  
Multi Objective ◽  
Emergency Braking ◽  
Seating Arrangement ◽  
Current State ◽  
Occupant Comfort ◽  
Occupant Kinematics ◽  
Belt System

The introduction of automated L5 driving technologies will revolutionise the design of vehicle interiors and seating configurations, improving occupant comfort and experience. It is foreseen that pre-crash emergency braking and swerving manoeuvres will affect occupant posture, which could lead to an interaction with a deploying airbag. This research addresses the urgent safety need of defining the occupant’s kinematics envelope during that pre-crash phase, considering rotated seat arrangements and different seatbelt configurations. The research used two different sets of volunteer tests experiencing L5 vehicle manoeuvres, based in the first instance on 22 50th percentile fit males wearing a lap-belt (OM4IS), while the other dataset is based on 87 volunteers with a BMI range of 19 to 67 kg/m2 wearing a 3-point belt (UMTRI). Unique biomechanics kinematics corridors were then defined, as a function of belt configuration and vehicle manoeuvre, to calibrate an Active Human Model (AHM) using a multi-objective optimisation coupled with a Correlation and Analysis (CORA) rating. The research improved the AHM omnidirectional kinematics response over current state of the art in a generic lap-belted environment. The AHM was then tested in a rotated seating arrangement under extreme braking, highlighting that maximum lateral and frontal motions are comparable, independent of the belt system, while the asymmetry of the 3-point belt increased the occupant’s motion towards the seatbelt buckle. It was observed that the frontal occupant kinematics decrease by 200 mm compared to a lap-belted configuration. This improved omnidirectional AHM is the first step towards designing safer future L5 vehicle interiors.

scholarly journals The European Green Capital Award—Is It a Dream or Reality for Belgrade (Serbia)?

2021 ◽  
Vol 13 (11) ◽  
pp. 6182
Author(s):  
Marijana Pantić ◽  
Saša Milijić
Keyword(s):  
Urban Transformation ◽  
The Other ◽  
Transmission Of Knowledge ◽  
Current State ◽  
Transitional Countries ◽  
Great Hope ◽  
Environmentally Responsible ◽  
Potential Benefits ◽  
The City ◽  
Insight Into

An agreement of cooperation and transmission of knowledge regarding the nomination for the European Green Capital Award (EGCA) was signed between the mayors of Belgrade and Ljubljana (EGCA 2016 winner) in September 2018. The candidacy of Belgrade was finally realized in October 2019. Great hope was placed in this endeavour because internationally recognized awards, such as the EGCA, represent enormous capital for both the city and the state. The EGCA requires serious preparation and significant fulfilment of preconditions. Many economically strong and environmentally responsible cities competed for the award, but did not win. On the other hand, the capital of Serbia does not appear to be an obvious winning candidate, especially as it is differentiated from the previous winners by being a non-EU city and by the fact that it is still undergoing an intense urban transformation, characteristic of transitional countries. Therefore, the main aim of this article is to present a review of the current state of Belgrade’s environmental qualities and its comparison with the EGCA criteria and with Grenoble as one of the winning competitors. The article gives a full overview of the EGCA requirements with certain details on required indicators, gives relevant insight into the procedure, which could be of use for any future candidacy, and discusses potential benefits for winners, losers and repeat candidacies.

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