scholarly journals Decreto milesio relativo a espulsioni politiche

Axon ◽  
2018 ◽  
Author(s):  
Margherita Facella
Keyword(s):  
Historical Context ◽  
Fifth Century ◽  
Constitutional Change ◽  
Initial Part ◽  
The North ◽  
Political Crime ◽  
The City ◽  
Present Text

The excavations conducted at Miletus in the North agora at the beginning of the last century have brought to light a marble base preserving an important document. It is a banishment decree by the city for a group of inhabitants of Miletus, together with their children and descendants. The initial part of the decree was engraved on a stele, which has never been found; hence, we cannot determine the number of offenders. The severity of the punishment and its extension to the descendants suggests, however, that it was a political crime, possibly treason. The officers who had to enforce the decree are the epimenioi. This term is attested in many Greek poleis to mean officers who had to fulfil monthly duties, for example sacrifices; at Miletus though, as it is implied by the present text, this board had wider duties. The mention of the epimenioi gives us 437-436 BC as a terminus ante quem: after this date the Milesian council was presided by a committee of prytaneis (hence substituting the epimenioi), which suggests a constitutional change based on the Athenian model. The historical context is obscure: the traditional interpretation sees these banishments as an evidence of the imposition of the democratic faction over the oligarchic faction at the middle of the fifth century, but it cannot be excluded that the decree was rather a measure against other groups (supporters of tyranny or supporters of the Persians).

scholarly journals Targeted Advertising for Women in Athenian Vase-Painting of the Fifth Century BCE

Arts ◽  
2019 ◽  
Vol 8 (2) ◽  
pp. 52
Author(s):  
Bennett
Keyword(s):  
Subject Matter ◽  
Historical Context ◽  
Women's Work ◽  
Fifth Century ◽  
Vase Painting ◽  
Cultural Changes ◽  
Targeted Advertising ◽  
Delian League ◽  
City State ◽  
The City

This paper analyzes the trends in depictions of women in Athenian vase-painting during the 5th century BCE through an examination of approximately 88,000 vases in the Beazley Archive Pottery Database. It found a 15% increase in depictions of women during the 5th century BCE and a diversification in subject matter in which women appear. By considering these trends within the historical context of the hegemonic position of Athens in the Delian League and its wars, this paper proposes that the changes in representations and subject matter denote an expanded marketability of vases to female viewers. As targeted imagery, the images give perceptible recognition to an increased valuation of women’s work and lives at a time when their roles in Athenian society were essential for the continued success of the city-state. This paper suggests that these changes also point to the fact that a greater share of the market was influenced by women, either directly or indirectly, and successful artists carefully crafted targeted advertisements on their wares to attract that group. This paper provides new insights into the relationships between vases and their intended audiences within the context of the cultural changes occurring in Athens itself.

Excavations at Carthage 1974: First Interim Report

1975 ◽  
Vol 55 (1) ◽  
pp. 11-40 ◽  
Author(s):  
Henry Hurst
Keyword(s):  
Second Temple ◽  
Fifth Century ◽  
Sixth Century ◽  
Interim Report ◽  
The South ◽  
City Wall ◽  
North Shore ◽  
The North ◽  
The City ◽  
Harbour Area

SummaryIn the first season of excavation by a British team participating in the UNESCO Save Carthage Project, two sites in the harbour area and one inland were examined. On the site on the island in the circular harbour, the remains probably of the νεώρια described by Appian succeeded earlier Punic occupation periods and were in turn followed by two successive Roman temples and a building, probably a pharos, associated with the second temple. After this, there appears to have been domestic or commercial occupation in the fifth and sixth centuries A.D. On the north shore of the circular harbour, remains of the late Roman quayside and associated streets and buildings were found. On the inland site, situated to the south of the Roman street grid, there were the remains of third–fifth-century and fifth–sixth-century buildings fronting a street and backed by a substantial wall identified as the city wall constructed in the reign of Theodosius II.

scholarly journals same way you became Cesar."

2021 ◽  
Vol 8 (8) ◽  
pp. 484-507
Author(s):  
José Maurício Álvarez
Keyword(s):  
Roman Empire ◽  
Human Life ◽  
Historical Context ◽  
Sexual Pleasure ◽  
Human Beings ◽  
The North ◽  
Historical Film ◽  
Classical World ◽  
The Cold War ◽  
The City

In this essay, we debate the image of the Roman Empire represented in films produced by mainstream Hollywood cinema, whose Jewish-Christian ideological matrix placed Rome as the image of evil instead of an excellent idea in the North American version. In contrast, we will analyze Fellini's film Satyricon, which, distanced from the conventions of the historical film produced during the Cold War, created a dreamlike image of Rome and its Empire. Secondly, we will see the historical context of Petronius' work situated at the end of the reign of Emperor Nero. At the time, diversified sexuality presented man's power as a phallic power, which penetrates and rapes as a supremacy strategy. The Emperor is an actor-governor employing wiles and violence to reach the throne and maintain himself there. Petronius portrays the emergence of a new female sensuality whose morals oscillated between Vestal's virginal purity, the wife's pudititas, and sexual bestiality. At the same time, Fellini's film recreates the cultural environment of the classical world shaped by literature and the image of the city of Rome as Cosmopolis or Anthopolis. The ambiguous characters move freely and incessantly through the corners of the Roman Empire. The struggle for power and the representations of pagan religiosity show human beings surrendered to their cunning as a strategy for survival and overcoming existential evils. In conclusion, we will see that both works, Petronius' Satyrica and Fellini's Satyricon, present themselves with their independent and intertwined narratives, composing the account of a journey like the Odyssey, metaphor of the incompleteness of human life and the impermanence of the sexual pleasure and the transience of power.

scholarly journals PHANAGOR'S ‘PORTRAIT'

2021 ◽  
pp. 261-274
Author(s):  
А.А. Завойкин
Keyword(s):  
Historical Context ◽  
The North ◽  
Male Head ◽  
Epigraphic Evidence ◽  
The City

Находка в 2017 г. в Патрее фрагмента мерной ойнохои с клеймом, на котором весьма в реалистической манере показана в профиль мужская голова в пилосе с двумя сохранившимися буквами (|<I>|AN|A|) над ним, позволила не только идентифицировать это изображение с эмблемой аверса фанагорийских монет времени автономии города (Захаров, 2018; Ковальчук, 2019), но и установить, что на голове персонажа надета не войлочная шапка, как принято было считать, а металлический шлем типа «пилос». Это наблюдение дало возможность вернуться к старой дискуссии о том, кто именно представлен на лицевой стороне монет Фанагории: основатель полиса, Фанагор, или хтонические божества - кабиры. Автор статьи присоединяется к выводам Д. Браунда (Braund, 2011), который убедительно показал, что невозможно говорить ни об атрибутивном характере пилоса на монетах, ни о распространенности в Северном Причерноморье культа кабиров вообще. Оценка исторического контекста чеканки монет Фанагорией в сочетании с учетом нового эпиграфического свидетельства, подтверждающего героический культ ойкиста Фанагора (Завойкина, 2020), приводит к убедительному заключению, что на монетах и клейме из Патрея представлен именно тот, кто дал свое имя городу, в героической ипостаси. A fragment of volumetric oenochoe with a stamp showing a rather realistically depicted male head in profile wearing a pilos with two surviving letters over the head (|O|AN|A|) was found in Patrei in 2017. The find made it possible not only to identify this image as an obverse emblem of Phanagoria coins dating to the period when the city was autonomous (Zakharov, 2018; Kovalchuk, 2019) but also establish that the man on the coin wears a metallic helmet of a pilos type rather than a felt hat as was previously thought. This observation provided an opportunity to get back to an earlier discussion as to who is represented on the obverse of the Phanagoria coins: Phanagor, the founder of the polis or the Kabiroi, chthonic gods. The author of the paper agrees with the conclusions made by D. Braund (Braund, 2011) who clearly demonstrated that we cannot say that pilos can be used as an attributive feature or that the Kabiroi cult was spread across the North Pontic region. It can be inferred from the assessment of the historical context of coin mintage by Phanagoria and the new epigraphic evidence confirming a heroic cult of the oikistes Phanagor that the coins and the stamp from Patrei feature the person who gave his name to the city and who is represented as a hero.

Hellenistic Thessaloniki

1972 ◽  
Vol 92 ◽  
pp. 156-170 ◽  
Author(s):  
Michael Vickers
Keyword(s):  
Open Space ◽  
Fifth Century ◽  
Hellenistic Period ◽  
The West ◽  
City Wall ◽  
The North ◽  
Degree Of Certainty ◽  
East And West ◽  
City Plan ◽  
The City

SummaryIt would seem that the plan of Thessaloniki (fig. 4) was laid out at the time of the city's foundation by Cassander in c. 316 b.c. and that it has close parallels in the plans of other early Hellenistic cities. There was possibly an agora in the upper city from the beginning, but the principal, commercial agora of the Hellenistic city was probably closer to the sea. A large open space to the west was possibly a ‘sacred area’ in Hellenistic times, but the only religious centre whose site is known with any degree of certainty is the Serapeum. A gymnasium is known to have existed to the north of the city from the late Hellenistic period at least, and a nearby stadium probably goes back to Hellenistic times as well.The Hellenistic fortifications probably followed the lines of those of the mid-fifth century a.d. In common with many other Hellenistic cities there is an acropolis incorporated in the city wall, but the fortifications of Thessaloniki are slightly anomalous in that the lower stretches of the east and west walls run parallel with some of the streets of the city plan.Thus, even though the reconstruction of Hellenistic Thessaloniki may be an elusive and often a speculative business, the statement of an anonymous writer to the effect that ‘il ne reste à Thessaloniki aucun vestige de la ville hellénistique’ is certainly exaggerated.

Ras al Khaimah: further archaeological discoveries

Antiquity ◽  
1976 ◽  
Vol 50 (200) ◽  
pp. 216-222
Author(s):  
Beatrice De Cardi
Keyword(s):  
United Arab Emirates ◽  
The State ◽  
Focused Attention ◽  
North East ◽  
The North ◽  
History Of ◽  
The City

Ras a1 Khaimah is the most northerly of the seven states comprising the United Arab Emirates and its Ruler, H. H. Sheikh Saqr bin Mohammad al-Qasimi, is keenly interested in the history of the state and its people. Survey carried out there jointly with Dr D. B. Doe in 1968 had focused attention on the site of JuIfar which lies just north of the present town of Ras a1 Khaimah (de Cardi, 1971, 230-2). Julfar was in existence in Abbasid times and its importance as an entrep6t during the sixteenth and seventeenth centuries-the Portuguese Period-is reflected by the quantity and variety of imported wares to be found among the ruins of the city. Most of the sites discovered during the survey dated from that period but a group of cairns near Ghalilah and some long gabled graves in the Shimal area to the north-east of the date-groves behind Ras a1 Khaimah (map, FIG. I) clearly represented a more distant past.

The influence of submesoscale eddies on hydrochemical parameters and structural and functional characteristics of phytoplankton in the north-eastern part of the Black Sea

2019 ◽  
pp. 24-40
Author(s):  
Sergey B. Kuklev ◽  
Vladimir A. Silkin ◽  
Valeriy K. Chasovnikov ◽  
Andrey G. Zatsepin ◽  
Larisa A. Pautova ◽  
...  
Keyword(s):  
Anticyclonic Eddy ◽  
The Black Sea ◽  
Hydrochemical Parameters ◽  
North East ◽  
The North ◽  
Seasonal Thermocline ◽  
North Eastern ◽  
Quantitative Indicators ◽  
The City ◽  
North Eastern Part

On June 7, 2018, a sub-mesoscale anticyclonic eddy induced by the wind (north-east) was registered on the shelf in the area of the city of Gelendzhik. With the help of field multidisciplinary expedition ship surveys, it was shown that this eddy exists in the layer above the seasonal thermocline. At the periphery of the eddy weak variability of hydrochemical parameters and quantitative indicators of phytoplankton were recorded. The result of the formation of such eddy structure was a shift in the structure of phytoplankton – the annual observed coccolithophores bloom was not registered.

Past Verses Present; Metamorphosis in Different Spheres of Guwahati: A Study of Srutimala Duara’s Mindprints of Guwahati

2020 ◽  
Vol 8 (2) ◽  
pp. 13
Author(s):  
Ankita Pandey
Keyword(s):  
Point Of View ◽  
Areca Nut ◽  
Medieval Period ◽  
River Bank ◽  
North East India ◽  
North East ◽  
The North ◽  
Indian State ◽  
The City ◽  
Beautiful City

Guwahati derives its name from the Assamese word “Guwa” means areca nut and “Haat” means market. However, the modern Guwahati had been known as the ancient Pragjyotishpura and was the capital of Assam under the Kamrupa kingdom. A beautiful city Guwahati is situated on the south bank of the river Bramhaputra. Moreover, It is known as the largest city in the Indian state of Assam and also the largest metropolis in North East India. It has also its importance as the gateway to the North- East India. Assamese and English are the spoken languages in Guwahati.  In 1667, the Mogul forces were defeated in the battle by the Ahom forces commanded by Lachut Barphukan. Thus, in a sense Guwahati became the bone of contention among the Ahoms, Kochas and the Moguls during the medieval period.  Guwahati the administrative headquarters of Lower Assam with a viceroy or Barbhukan was made by the Ahom king.  Since 1972 it has been the capital of Assam. The present paper will discuss the changes happened in Guwahati over the period of late 1970s till the present time. It will focus on the behavior of people, transformed temples, Panbazar of the city, river bank of Bramhaputra, old Fancy Bazaar, chaotic ways, festivals and seasons including a fifth man made season etc. It will also deal how over the years a city endowed with nature’s gifts and scenic views, has been changing as “a dirty city”. Furthermore, it will also present the insurgencies that have barged into the city. The occurrence of changes will be discussed through the perspective and point of view of Srutimala Duara as presented in her book Mindprints of Guwahati.

A Wolf in the City

2018 ◽  
Author(s):  
Cinzia Arruzza
Keyword(s):  
Political Theory ◽  
Detailed Analysis ◽  
Moral Psychology ◽  
Fifth Century ◽  
Political Leaders ◽  
Athenian Democracy ◽  
The City ◽  
Shed Light

A Wolf in the City is a study of tyranny and of the tyrant’s soul in Plato’s Republic. It argues that Plato’s critique of tyranny is an intervention in an ancient debate concerning the sources of the crisis of Athenian democracy and the relation between political leaders and the demos in the last decades of the fifth century BCE. The book shows that Plato’s critique of tyranny should not be taken as a veiled critique of the Syracusan tyrannical regime but, rather, as an integral part of his critique of Athenian democracy. The book also offers an in-depth and detailed analysis of all three parts of the tyrant’s soul, and contends that this approach is necessary to both fully appraise the complex psychic dynamics taking place in the description of the tyrannical man and shed light on Plato’s moral psychology and its relation with his political theory.

Converging Perspectives on Antiochos III

2017 ◽  
Author(s):  
Johannes Haubold
Keyword(s):  
Historical Context ◽  
Cultural Background ◽  
Greek City ◽  
Recent Scholarship ◽  
The City

This chapter compares three texts about the Seleukid monarch Antiochos III: a decree of the Seleukid Greek city of Teos published shortly before the king’s war with Rome; a description of his conduct of the war written by the pro-Roman historian Polybios; and a cuneiform text from Babylon about Antiochos’ visit to the city just after the war. I argue that, despite differences in style, cultural background, historical context, and political allegiance, these texts converge around key themes of Seleukid imperial discourse, such as the king as benefactor and the importance of the royal couple. The chapter thus serves as a corrective to recent scholarship that tends to stress the differences between Greek and non-Greek perspectives on the Seleukid kings.

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