scholarly journals Analogy and Intertextuality in Polish and Persian legends

2022 ◽  
Author(s):  
Maryam Jalali ◽  
zahra zandieh

Legends and folktales are an indispensable part of the literature and culture of any nation. They are reflection of the culture, civilization and customs of every nation, which is part of the literature and history of each country. They have also carried moral, philosophical and national messages since ancient times and their main purpose has been to educate the next generation and to transmit cultural and national concepts. This article tries to analyze two cultures by focusing on their legends and folktales based on their literary and historical background.

2022 ◽  
Author(s):  
Maryam Jalali ◽  
zahra zandieh

Legends and folktales are an indispensable part of the literature and culture of any nation. They are reflection of the culture, civilization and customs of every nation, which is part of the literature and history of each country. They have also carried moral, philosophical and national messages since ancient times and their main purpose has been to educate the next generation and to transmit cultural and national concepts. This article tries to analyze two cultures by focusing on their legends and folktales based on their literary and historical background.


2019 ◽  
Vol 8 ◽  
pp. 47-68 ◽  
Author(s):  
Souhir Zekri

The history of Scots-Italian “male” encounters has an air of violence and brutality, one epitomized from ancient times by relentless “Picts” defending their lands from Roman invasions and by fearless mercenaries of the middle Ages protecting Italian cities. Such a peculiar waltz of animosity and loyalty created a deeply ingrained bond between the two cultures, until the first waves of rather “harmless” Italians started coming to Scotland, particularly to Glasgow, since the nineteenth century. These immigrants have irreversibly influenced the spatial and social infrastructure of the city, mainly through their connection with the catering business and the consequent establishment of ice-cream cafés and fish and chip shops. Now, they have to defend and “mark” their territory again. This essay is concerned with the autobiographical stories and memoirs of Joe Pieri, a Glasgow Italian fish and chip café owner, whose main events take place in the 1920s and 1930s. The main argument of this essay is that spatial narration in Pieri’s accounts influences the construction of his and other masculinities. By examining four of his autobiographical works, I consider how these narratives spatially construct a wide variety of masculinities through their various defence and adaptation strategies in the poverty- and delinquency-stricken Glasgow of the period.


2020 ◽  
Vol 99 (11) ◽  

The authors present an outline of the development of thyroid surgery from the ancient times to the beginning of the 20th century, when the definitive surgical technique have been developed and the physiologic and pathopfysiologic consequences of thyroid resections have been described. The key representatives, as well as the contribution of the most influential czech surgeons are mentioned.


2019 ◽  
Vol 18 (2) ◽  
pp. 24-37
Author(s):  
D.X. Sangirova ◽  

Revered since ancient times, the concept of "sacred place" in the middle ages rose to a new level. The article analyzes one of the important issues of this time - Hajj (pilgriamge associated with visiting Mecca and its surroundings at a certain time), which is one of pillars of Islam and history of rulers who went on pilgrimage


Author(s):  
G. Sujin Pak

The next generation of Lutheran, Swiss Reformed, and Calvinist Reformed leaders retained the distinctive confessional emphases on transition (Luther), extension (Calvin), and covenant (Swiss Reformed) in their engagements with the sacred history of the Old Testament prophets. Lutheran exegetes emphasized literal prophecies of Christ; Calvinists emphasized an analogical interpretation; and Swiss Reformed leaders upheld both readings of the text simultaneously. Confessional distinctions remained palpable in their identification of doctrine as the prime content (Lutheran) versus history (Reformed) and an overall view of history as one of decline (Lutheran) versus progress (Reformed), in which increasing emphasis on the apocalyptic element becomes evident in both.


Religions ◽  
2021 ◽  
Vol 12 (4) ◽  
pp. 279
Author(s):  
Aleksi Järvelä ◽  
Tero Tähtinen

In this paper, we explore the historical background and the semantic underpinnings of a central, if marginally treated, metaphor of enlightenment and transmission in Chan discourse, “silent accord” 默契. It features centrally in Essentials of the Transmission of Mind 傳心法要, a text that gathers the teachings of Chan master Huangbo Xiyun (d. ca. 850), a major Tang dynasty figure. “Silent accord” is related to the concept of mind-to-mind transmission, which lies at the very core of Chan Buddhist self-understanding. However, Chan historiography has shown that this self-understanding was partially a product of the Song dynasty lineage records, historically retroactive syncretic constructs produced by monks and literati as efforts towards doctrinal and political recognition and orthodoxy. There are thus lacunae in the history of Chan thought opened up by the retrospective fictions of Song dynasty, and a lack of reliable, dateable documents from the preceding Tang dynasty era, possibly fraught with later additions. We situate the metaphor “silent accord” in the history of Chan thought by searching for its origins, mapping its functions in Chan literature, arguing for its influence and thereby its role in helping to bridge the 9th century gap.


Religions ◽  
2021 ◽  
Vol 12 (5) ◽  
pp. 366
Author(s):  
Andrey Toporkov

In publications of Russian folklore, along with authentic texts there are a number of literary stylizations based on folklore. The article traces the history of one such pseudo-folkloric text—a carol which was first published by Ivan Petrovich Sakharov (1807 to 1863) in 1837. It has been established that this carol is a montage of two texts: the first is a carol, printed in 1817 by I.E. Sreznevsky in the Ukrainian Bulletin, and the second is a song included in the Tale of Brother Ivanushka and his Sister Alyonushka (SUS 450). Such contamination is unique and is found only in this one text, which was later reprinted many times. Taking into account Sakharov’s reputation as a falsifier of folklore, there is no reason to doubt that it was he who composed this carol; such contamination of works belonging to different folkloric genres is also characteristic of other of Sakharov’s publications. The carol that Sakharov published attracted the particular interest of researchers of Slavic mythology due to the fact that it described how an old man was going to sacrifice a goat. Several generations of historians saw in this pseudo-folkloric text a description of a ritual that pagan Slavs performed in ancient times. Considering the carol as an historical document, researchers of mythology built their interpretations based on the supposed time of its appearance, the nature of its genre, plot, and individual details. Thus, Sakharov’s pseudo-folkloric creation found an eager audience among scholars, and it stimulated their imagination in picturing the life of pagan Rus’.


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