scholarly journals Darcy and Emma: Austen's Ironic Meditation on Gender

2021 ◽  
Author(s):  
Karenleigh A. Overmann

The central characters and plot lines of Emma are essentially those of Pride and Prejudice, retold from Darcy’s point of view with the genders of the characters reversed (men become women, women men). This whimsical antecedent accounts for why Emma may strike contemporary readers as uncommonly modern for an Austen heroine: She takes a lot of male privilege to herself, something that would have made her anomalous in her own day. The works of four writers and the reasons they likely influenced this gendered topsy-turvy are examined: Richardson, Fielding, Shakespeare, and the Reverend Fordyce.

2017 ◽  
Vol 10 (1-2) ◽  
pp. 1-15
Author(s):  
Anne Koch

This special issue enquires into aesthetic ways of newly creating or re-shaping and re-presenting civil religion and its central characters, symbols, or figures. Normally, civil religion addresses value-orientation and social integration. In addition to these features, the papers make the aesthetic performance of civil religion the subject of discussion. The reason for taking this path is the altered aesthetic circumstances of highly mediatised and consumerist societies. Before this backdrop, images, literary figurations, movie sequences, and brands in media, public and national discourse are examined in various case studies from Italy, Finland, the uk, France, the former gdr, and Switzerland. At the same time, the negotiation and aesthetic plausibility of aesthetic styles, pragmatic power, and particular media logics are evaluated. The concept of civil religion deserves this closer re-definition also with respect to past and recent (post-)secularisation and non-religion discourses. Hopefully, this multi-layered analysis of aesthetics and aesthetic pragmatics of civil religion will shed some light on the persistent appropriateness of the ‘civil religion’ concept and its capacity to be introduced into various methodological contexts in combination with the aesthetic perspective.


VISUALITA ◽  
2019 ◽  
Vol 7 (2) ◽  
pp. 23-29
Author(s):  
Irwan Tarmawan ◽  
Rima Nur Amalina

Film is communication and entertainment media comprising artistic and aesthetic elements. The source of stories in the film can be inspired by various sources, one of them is novel. Pride and Prejudice is one of Jane Austen’s works in which its stories have been adapted in various artworks, such as film. Popular adaptation of Pride and Prejudice with similar title is the feature length film version published in 2005 and tv serial published in 1995. Film has two main elements of film making, namely: narrative and cinematic elements. Both elements related to each other for create cinematic point of view and aesthetic film.


2018 ◽  
Vol 9 (2) ◽  
pp. 231-240
Author(s):  
Aktolkyn Kulsariyeva ◽  
Madina Sultanova ◽  
Zhanerke Shaigozova

The article deals with the semantic nature of the images of a wolf and a she-wolf in the shamanistic natural philosophy of the nomadic Turkic-speaking population of Central Asia. The focus here is an archetypal image of a wolf and a she-wolf as ancestors, defenders and guardians of the Turks’ cultural code – one of the most powerful, large-scale and sustainable Eurasia cultures, united by common linguistic roots and mentality. The majority of studies of the semantics of zoomorphic characters in Central Asian cultures focus on a wolf, while a she-wolf’s image at most is in the sidelines, although it appears in almost all Turkic genealogical legends as one of the central characters. The authors are of the opinion that the study of natural philosophical underpinnings of images of a wolf and a she-wolf from the point of view of traditional shamanistic ritualism can expand the long-held beliefs about transformation and specificity of functioning of mental values in the cultural sphere of modern society.


2020 ◽  
pp. 49-58
Author(s):  
Charul Jain

Majority of the narratives that are handed down to us orally or in written literatures have been written from the perspectives of power, whether they be the patriarchal, religious or authoritarian dominance. Most of these literatures fail to take into account the perspectives and positions of minorities, suppressed or subaltern individuals, groups or communities. In the postmodern and postcolonial literatures sometimes, we see an attempt at making an alternative reading of these discourses and presenting a point of view that was so far unheard of or unrecognized. Dipesh Chakravarty in his essay ‘Minority Histories and Subaltern Pasts’ talks about the impossibility of having a single narratorial voice about incidents and contends multiplicity of voices of recording history or pat. Linda Hutcheon too in her book A Poetics of Postmodernism talks about the possibility of multiplicity of voices and interpretations regarding historical narratives. A section on Genesis in the Old Testament of the Bible, puts on record the story of rape of Dinah and resultant bloodshed. Anita Diamant’s The Red Tent presents the story from the perspective of Dinah who calls it a consensual act between two lovers belonging to warring factions and unacceptability of this liaison. Similarly, Jane Austen’s Pride and Prejudice narrates the events from the perspective of the Bennets, a middleclass family. A counter narrative by Jo Baker ‘s Longbourn looks at the events though the eyes of a house maid and alters the narrative. This paper makes an attempt to look at these two counter-narratives vis a vis the popular works that we are habitual of studying giving voice to subaltern minority characters in the main narratives.


2018 ◽  
Vol 18 (1) ◽  
Author(s):  
Katalin Kállay G.

In this paper I examine a nineteenth-century Hungarian poem and a twentieth-century American short story. The central characters are both widows who cannot comprehend the death of their husbands, and gradually turn insane, both of them obsessively get occupied with an irrational activity. Goodwife Agnes had helped her lover to kill her husband—but in the text, she is oblivious of the deed: all she knows is that she has to wash her bloodstained linen in the streamlet. Her disbelief is directed against the fact of death and murder, as well as against the fact that the sheet is spotless. Mrs. Larkin’s husband died of an accident in the garden, her disbelief is directed against the powerlessness of her own most intimate protective words, as well as against the fact that her husband was killed by her garden, all she knows is that she feverishly has to plant more and more green life in the chaotic sloping plot behind her house. From the point of view of the gesture of abandoning oneself to disbelief, the difference between murder and accident seems to be irrelevant. However, the central metaphors of cleaning and planting might subtly indicate separate attitudes to disbelief in death, i.e. to the continuity of life.


2019 ◽  
Vol 41 (2) ◽  
pp. e45472
Author(s):  
Maria Eulália Ramicelli

In the nineteenth century, England was one of the countries with a decisive influence on the formation of modern bourgeois society. Brazil experienced this process very unevenly and in particular ways. Jane Austen’s fiction and José de Alencar’s urban novels formalize important aspects of this formative process for both bourgeois society and the accompanying mindset in England and in Brazil respectively. A comparison of Austen’s Pride and prejudice and Alencar’s Senhora reveals similarities and differences between the narratives which point to meaningful contextual aspects of the broader modernizing process. Analysis of the relationship between point of view and the protagonists in both novels reveals specific socio-cultural rationales that the readers of both Austen and Alencar were encouraged to follow. In this sense, comparative study of the novels also discloses less obvious aspects of the formation of the modern bourgeois mindset in their different but related national and socio-cultural contexts.


1962 ◽  
Vol 14 ◽  
pp. 169-257 ◽  
Author(s):  
J. Green

The term geo-sciences has been used here to include the disciplines geology, geophysics and geochemistry. However, in order to apply geophysics and geochemistry effectively one must begin with a geological model. Therefore, the science of geology should be used as the basis for lunar exploration. From an astronomical point of view, a lunar terrain heavily impacted with meteors appears the more reasonable; although from a geological standpoint, volcanism seems the more probable mechanism. A surface liberally marked with volcanic features has been advocated by such geologists as Bülow, Dana, Suess, von Wolff, Shaler, Spurr, and Kuno. In this paper, both the impact and volcanic hypotheses are considered in the application of the geo-sciences to manned lunar exploration. However, more emphasis is placed on the volcanic, or more correctly the defluidization, hypothesis to account for lunar surface features.


1984 ◽  
Vol 75 ◽  
pp. 331-337
Author(s):  
Richard Greenberg

ABSTRACTThe mechanism by which a shepherd satellite exerts a confining torque on a ring is considered from the point of view of a single ring particle. It is still not clear how one might most meaningfully include damping effects and other collisional processes into this type of approach to the problem.


Author(s):  
A. Baronnet ◽  
M. Amouric

The origin of mica polytypes has long been a challenging problem for crystal- lographers, mineralogists and petrologists. From the petrological point of view, interest in this field arose from the potential use of layer stacking data to furnish further informations about equilibrium and/or kinetic conditions prevailing during the crystallization of the widespread mica-bearing rocks. From the compilation of previous experimental works dealing with the occurrence domains of the various mica "polymorphs" (1Mr, 1M, 2M1, 2M2 and 3T) within water-pressure vs temperature fields, it became clear that most of these modifications should be considered as metastable for a fixed mica species. Furthermore, the natural occurrence of long-period (or complex) polytypes could not be accounted for by phase considerations. This highlighted the need of a more detailed kinetic approach of the problem and, in particular, of the role growth mechanisms of basal faces could play in this crystallographic phenomenon.


Author(s):  
T. E. Mitchell ◽  
M. R. Pascucci ◽  
R. A. Youngman

1. Introduction. Studies of radiation damage in ceramics are of interest not only from a fundamental point of view but also because it is important to understand the behavior of ceramics in various practical radiation enyironments- fission and fusion reactors, nuclear waste storage media, ion-implantation devices, outer space, etc. A great deal of work has been done on the spectroscopy of point defects and small defect clusters in ceramics, but relatively little has been performed on defect agglomeration using transmission electron microscopy (TEM) in the same kind of detail that has been so successful in metals. This article will assess our present understanding of radiation damage in ceramics with illustrations using results obtained from the authors' work.


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