scholarly journals Pip’s Ego Oscillations in Charles Dickens’s Great Expectations

2021 ◽  
Author(s):  
Bechir Saoudi ◽  
Fahad Al-Eid ◽  
Noura Mohammed Al-Break ◽  
Rahaf Saad Al-Samih ◽  
Tarfah Abdullah Al-Hammad

This research project studies Pip’s ego fluctuations in Charles Dickens’s Great Expectations. Freud’s division of the human psyche into id, ego and superego is appropriate for the analysis of the rise and fall of the hero in his pursuit to attain gentlemanhood. Four main questions have been addressed: First, what makes up Pip’s id? Second, what are the main components of his superego? Third, does Pip’s ego succeed or fail in striking a balance between his id and superego? In what ways does it fail? And fourth, how does Pip’s ego eventually succeed in striking a balance between his id and superego? The study finds out that Pip’s id is demonstrated through his fascination with high-class lifestyle and relinquishment of common life. It shows that his superego is constructed from the hurdles that prevent him from pursuing gentlemanhood, namely past common life restraints and present high class deficiencies. It also demonstrates how Pip’s faulty ego comes as a result of his frustration at high class lifestyles and resentment of his old common life. The study eventually reveals that two important factors contribute to the success of Pip’s ego: His reconciliation with the past and appreciation of the present in order to have more realistic expectations of the future.

Author(s):  
Bechir Saoudi ◽  
Lama Fahad Al-Eid ◽  
Noura Mohammed Al-Break ◽  
Rahaf Saad Al-Samih ◽  
Tarfah Abdullah Al-Hammad

This research project studies Pip’s ego fluctuations in Charles Dickens’s Great Expectations. Freud’s division of the human psyche into id, ego and superego is appropriate for the analysis of the rise and fall of the hero in his pursuit to attain gentlemanhood. Four main questions have been addressed: First, what makes up Pip’s id? Second, what are the main components of his superego? Third, does Pip’s ego succeed or fail in striking a balance between his id and superego? In what ways does it fail? And fourth, how does Pip’s ego eventually succeed in striking a balance between his id and superego? The study finds out that Pip’s id is demonstrated through his fascination with high-class lifestyle and relinquishment of common life. It shows that his superego is constructed from the hurdles that prevent him from pursuing gentlemanhood, namely past common life restraints and present high class deficiencies. It also demonstrates how Pip’s faulty ego comes as a result of his frustration at high class lifestyles and resentment of his old common life. The study eventually reveals that two important factors contribute to the success of Pip’s ego: His reconciliation with the past and appreciation of the present in order to have more realistic expectations of the future.


2021 ◽  
Author(s):  
Bechir Saoudi ◽  
Ameerah Ali Al-Bedewy ◽  
Fatima Ali Al-Anzan ◽  
Lulwah Mohammad Al-Sebr ◽  
Nouf Mohammad Al-Smari ◽  
...  

This research project studies love in Charles Dickens’s Great Expectations through Pip’s ego fluctuations. Freud’s division of the human psyche into the three components of id, ego and superego is applicable to the analysis of the rise and fall of the hero in his quest for Estella’s love. Four main questions have been dealt with: First, what makes up Pip’s id when it comes to love? Second, what are the main components of his superego that stand in the way of his love? Third, does Pip’s ego succeed in striking a balance between his id and superego? In what ways does it fail? And fourth, how does it eventually succeed if ever? The study has managed to answer its key research questions: First, Pip’s id is illustrated in the feelings and actions exerts in order to win Estella’s love. Second, Pip’s superego is mainly made up of the attitudes of characters that stand in his way. Third, Pip’s distress at the attitudes of Estella, Miss Havisham, Biddy and his friends, bring Pip’s ego to its worst situation. Fourth, the quest of Pip’s ego for winning Estella’s heart finally becomes possible mainly thanks to Miss Havisham’s repentance and Estella’s transformation.


Author(s):  
Bechir Saoudi ◽  
Ameerah Ali Al-Bedewy ◽  
Fatima Ali Al-Anzan ◽  
Lulwah Mohammad Al-Sebr ◽  
Nouf Mohammad Al-Smari ◽  
...  

This research project studies love in Charles Dickens’s Great Expectations through Pip’s ego fluctuations. Freud’s division of the human psyche into the three components of id, ego and superego is applicable to the analysis of the rise and fall of the hero in his quest for Estella’s love. Four main questions have been dealt with: First, what makes up Pip’s id when it comes to love? Second, what are the main components of his superego that stand in the way of his love? Third, does Pip’s ego succeed in striking a balance between his id and superego? In what ways does it fail? And fourth, how does it eventually succeed if ever? The study has managed to answer its key research questions: First, Pip’s id is illustrated in the feelings and actions exerts in order to win Estella’s love. Second, Pip’s superego is mainly made up of the attitudes of characters that stand in his way. Third, Pip’s distress at the attitudes of Estella, Miss Havisham, Biddy and his friends, bring Pip’s ego to its worst situation. Fourth, the quest of Pip’s ego for winning Estella’s heart finally becomes possible mainly thanks to Miss Havisham’s repentance and Estella’s transformation.


Author(s):  
Hazal Gümüş Çiftçi ◽  
Seçil Uğur Yavuz

Çeyizlab is a research project tackling with çeyiz (trousseau)- a traditional gift-giving to the bride in Turkey. Due to the societal changes, çeyiz is under a transformation. By looking at the past and speculating about the future of çeyiz, our research question emerged: Can we envision scenarios that would turn the existing transformation of this tradition into preferable futures? We answered this question by conducting online focus-groups, auto-ethnography sessions and expert interviews. Based on our analysis, the idea of a Manifesto has emerged. This manifesto was embroidered on a fabric reflecting the stories, memories and desires of the women with whom we interviewed. To spread out the message of the manifesto, we decided to make a short film that gives rise to discussions around the issues entangled within çeyiz.


1980 ◽  
Vol 25 (3) ◽  
pp. 230-231
Author(s):  
MARCEL KINSBOURNE
Keyword(s):  
The Past ◽  

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