scholarly journals NARASI LIRIS FOTOGRAFI JURNALISTIK PADA MASA PANDEMI COVID-19: STUDI KASUS PROYEK FOTOGRAFI “STILL LIVES” OLEH THE NEW YORK TIMES

2021 ◽  
Vol 4 (2) ◽  
pp. 113-124
Author(s):  
Aji Susanto Anom Purnomo ◽  
Novan Jemmi Andrea ◽  
Monica Revias Purwa Kusuma

2020 is the year when the world is faced with a health crisis, namely the Covid-19 pandemic or also known as the Corona Virus. All aspects of life are affected by this crisis, the joints of humanity are faced with limitations. The mass media are intensively reporting various incidents regarding the Covid-19 pandemic. The stories are often accompanied by journalistic photos. One of the functions of photojournalism is to strengthen the story of what the media wants to convey. Journalistic photos during this pandemic usually feature scenes from medical activities, government policies and large narratives that are cold on empathetic human relations. However, different from most photojournalism in most mass media, The New York Times publishes "Still Lives" photography projects that are done by its photographers. The project presents a different narrative from this time of the pandemic. The “Still Lives” photography project is important because it presents journalistic photos that tell a domestic narrative that is close to the sides of universal humanity, namely the stories of the photographers' homes and families. This study aims to describe and interpret the “Still Lives” photography project as an alternative in creating a different narrative from photojournalism during the pandemic. This study used a descriptive qualitative research method based on phenomenology with Roland Barthes' main theory of semiotics and supported by journalistic photography theory and representation theory. The research results obtained a complete explanation and meaning of the “Still Lives” Project from The New York Times. The project according to the theory of photo journalistic is photo story based on personal experiences. From the analysis through the theory of semiotics from Roland Barthes and representation theory successfully obtained a result that basically projects “Still Lives” can be understood as a representation of the universal experience and feeling by mankind. Project “Still Lives” provides the representation of covid-19 pandemic through the mass media journalistic that show an alternative offer to journalistic practice to use lyrical narratives and personal experience in the story and more empathy in the mass publication of pandemic covid-19.

2008 ◽  
Vol 57 (3) ◽  
pp. 261-278 ◽  
Author(s):  
Laurel Hilliker

One source people can rely on for clues on how to grieve a loss is through accounts of such experiences reported in the mass media. This research examines how grief has been reported at one newspaper of record for the U.S.: The New York Times. Using theories of social construction and the sick role, this exploratory study attempts to observe whether grieving is portrayed by media as a social problem, particularly as a health or medical issue which can be treated and cured, and also discusses those who are not identified in the mourner role in newspaper reports.


1998 ◽  
Vol 26 (2) ◽  
pp. 29 ◽  
Author(s):  
Peter J. Schraeder ◽  
Brian Endless

2016 ◽  
Vol 1 (4) ◽  
pp. 467-480
Author(s):  
Xiaoqun Zhang

This study assessed the media visibility, a composite measure of attention and prominence, of China’s President Xi Jinping’s first 3-year governance in The New York Times. The assessment was based on the content analysis of 317 news articles focusing on Chinese President. Qualitative content analysis was used to identify three major frames, 12 mid-level frames, and 18 sub-frames. Quantitative content analysis was used to measure the attention, prominence, and the combination of these two parameters of these frames. The findings showed that The New York Times employed multiple frames to report Chinese President, and the two frames with the highest media visibility are (Domestic) Campaigns and Strategies and China-United States (relations), rather than Human Rights.


2000 ◽  
Vol 77 (1) ◽  
pp. 37-49 ◽  
Author(s):  
Olga V. Malinkina ◽  
Douglas M. McLeod

This study analyzed newspaper coverage of conflicts in Afghanistan and Chechnya by the New York Times and the Russian newspaper Izvestia to examine the impact of political change on news coverage. The Soviet Union's dissolution included dramatic changes to the Russian media system. In addition, the dissipation of the Cold War changed the foreign policy of the United States. A content analysis revealed that the changes to the media system in Russia had a profound impact on Izvestia's coverage, but political changes had little impact on the New York Times' coverage.


1992 ◽  
Vol 6 (3) ◽  
pp. 73-77 ◽  
Author(s):  
Michael Weinstein

When my colleagues at The New York Times use the word “academic,” they intend no compliment; they mean irrelevant. And when my former colleagues in the academy describe someone's work as “journalistic,” they invariably mean shallow. One way to frame discussion for this symposium is to ask how well economists who deal with the media bridge the gap between thoughtful irrelevance and engrossing superficiality. From my vantage point, the answer is remarkably well…. As a journalist, I could stop here, having rendered a clear editorial opinion, … . but academics, even retired ones, yearn to criticize. So here goes.


2006 ◽  
Vol 75 (3) ◽  
pp. 429-460 ◽  
Author(s):  
MARK ATWOOD LAWRENCE

Recent scholarship has shown that U.S. policymakers went to war in Vietnam despite full knowledge of problems they would find there. Why then did policymakers set aside their worries and head down a highly uncertain road? This article proposes examining why institutions that criticized U.S. policymaking did not do so as forcefully as they might have. Specifically, it explores constraints that operated within the news media by investigating the controversy that swirled around a series of stories written by Harrison Salisbury and published by the New York Times in 1966 and 1967. These stories, written during and after Salisbury's extraordinary trip to North Vietnam,directly challenged several of the Johnson administration's claims about the war. Predictably, administration officials criticized the series. More surprisingly, Salisbury encountered condemnation from other publications and even his own paper. The article describes these critiques and discusses constraints on independent, critical reporting within the media.


Author(s):  
Edward Alan Miller ◽  
Elizabeth Simpson ◽  
Pamela Nadash ◽  
Michael Gusmano

Abstract Objective This study sheds light on the agenda-setting role of the media during the COVID-19 crisis by examining trends in nursing home (NH) coverage in 4 leading national newspapers—The New York Times, Washington Post, USA Today, and Los Angeles Times. Method Keyword searches of the Nexis Uni database identified 2,039 NH-related articles published from September 2018 to June 2020. Trends in the frequency of NH coverage and its tone (negative) and prominence (average words, daily article count, opinion piece) were examined. Results Findings indicate a dramatic rise in the number of NH articles published in the months following the first COVID-19 case, far exceeding previous levels. NH coverage became considerably more prominent, as the average number of words and daily articles on NHs increased. The proportion of negative articles largely remained consistent, though volume rose dramatically. Weekly analysis revealed acceleration in observed trends within the post-COVID-19 period itself. These trends, visible in all papers, were especially dramatic in The New York Times. Discussion Overall, findings reveal marked growth in the frequency and number of prominent and negative NH articles during the COVID-19 crisis. The increased volume of coverage has implications for the relative saliency of NHs to other issues during the pandemic. The increased prominence of coverage has implications for the perceived importance of addressing pre-existing deficits and the devastating consequences of the pandemic for NHs.


Thesis Eleven ◽  
2022 ◽  
pp. 072551362110694
Author(s):  
Stephanie Downes ◽  
Juliane Römhild

This article explores the therapeutic potential of narrative fiction during a global health crisis. We focus on The Decameron Project (2020), a collection of short fiction by writers from around the world, commissioned by the New York Times Magazine. The Decameron Project references the narrative framework established by Giovanni Boccaccio in the mid-14th century, when the Black Death devastated Europe. Drawing on aspects of psychoanalytic theory and principles of bibliotherapy employed since the Middle Ages, we argue that The Decameron Project offers strategies to simultaneously confront and contain the anxious mind. Storytelling, according to both Boccaccio and to the editors of The Decameron Project, is not merely a source of distraction but a means of survival.


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